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What's with the New 2x8 cabs/combos Lately?

I noticed both Peavey and TCE has introduced 2x8s. Peavey in a combo, and TCE in a cab.

What's up with this? Some speaker manufacturer has found the holy grail in bass tone from a 8" woofer?

I'm not aware of any new found popularity on 2x8 at this point. Are we all getting that old, and taking lightweight to an extreme? I cannot imagine any cost benefits using 8" over 10". So weight must be it.

I need to find one locally and try it out.
 
The Elf 2X8 cabs rock...
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i like the idea of 2x8 but have not played around with one.

Are we all getting that old, and taking lightweight to an extreme? I cannot imagine any cost benefits using 8" over 10". So weight must be it.
sure that's part of it (for me --- i really am old! :D ), but it's also convenience = easier to find room for it during a pack/load...
 
Some of us used 8" drivers for bass well over 10 years ago without any issues. (Shuttle 3.0-8T).

Done well, they can offer some unique properties, as well as unique packaging options. I think the 2 x 8" cabinet is a good example. Of course the drivers need to be fairly substantial and the math done right to get what most would consider even acceptable performance.

.
 
I've used a Hartke 4 channel Keyboard Monitor with a metalic 8" speaker (One channel has an XLR in for mic or 1/4" jack) with a Tonehammer preamp as a bass rig for quite a while, and leaned on it pretty good. Never a problem, and it sounded really thumpy and good.
 
I have a Warwick 2x8. (To my ears) it’s very accurate/neutral, and capable of holding up against drums and our practice PA. It lacks the “presence” of an 8x10/bigger rigs, but it matches the sound. When I need a little more, I throw a matching 12” under it.
 
Saw a used Henry the 8th cabinet for sale locally the other day. Kind of interesting.

SWR's 8x8 cabs among my fave ever. But they are huge, by today's standards. Fer a short time, SWR offered a 4x8 cab named Henry Jr. Back then, folk said it wasn't loud enuff, didn't cut in a band, etc. Today, tho, in the modern club stage of comparably low volume, its weight an size are fabulous! I use one regularly. Eq'd right, my 5 strings sound great thru it, it handles enuff power fer most applications, and I think it was just ahead of its time. The mids and detail are where it shines, of course. Very intelligible on crowded stages. I love this cab as kind of a merge of modern light and small with great output. I could, an may, update the speakers one day. But it's great as it is, for what it is.
 
Several of us here are [Invalid or Expired Link Removed] owners/fans.
[Although some of us may be "old," it's not a requirement, and hey, what's wrong with "light, loud, and sweet" gear?!]

I own one as well as a 2x10 RevSound. I use the 210 for bigger gigs, the 28 sounds just as good but packs a little less punch. Weighs about 1/2 of the 210. With the 28 I can do a one-load carry for gigs, even with my Eminence EUB.
 
I was kind of a connoisseur of the 2x8. I owned a SWR Baby Blue extension cab. Then Flite Sound built a 2x8 with liquid suspension black aluminum drivers. The best by far was the Euphonic Audio VL-208. Mike Arnopol’s MAS 1/8 is outstanding.

P.S. I forgot that I also owned an LDS 2x8 three way with Fatial's
 
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