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What's your 'almost famous' story?

LBS-bass

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Nov 22, 2017
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If you're actually famous, no need to respond. I posted a response in the "famous people who have seen me play" thread that more properly falls into this category. I've had a few situations arise that brought me close to serious success, but not quite all the way there. What are yours?

Here's the story I posted elsewhere:
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I started to answer this with the big story I usually tell about one of the several times I almost became famous. But then I decided it's not worth it. Short version: Big time producer with legendary supergroup creds that everyone here knows saw me cover a song he produced, wanted to produce my band, fell off the face of the earth due to bad heroin habit. End of story.

Bonus points to anyone who can guess who this was and/or what he produced. Hint: Late 70's.
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Seriously? That's a pretty lame response. In fairness, I did tell the story, just not all the gory details :) . Besides, I'd rather not speak ill of the dead in a public forum (that's also another hint). If anyone happens to guess who it is, which is unlikely, I'd let them know privately.

So what's your story? You don't have to be detailed. Or perhaps you're just jealous because you don't have one?
 
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Seriously? That's a pretty lame response. In fairness, I did tell the story, just not all the gory details :) . Besides, I'd rather not speak ill of the dead in a public forum (that's also another hint). If anyone happens to guess who it is, which is unlikely, I'd let them know privately.

So what's your story? You don't have to be detailed. Or perhaps you're just jealous because you don't have one?

Jealous? Whoa. That's a big jump. "Seriously?" I was just interested in the story. Like of which cool song did you do a cool cover? Was your cover on bass and vocals or do you play guitar as well? Etc, etc. Furthermore, you said that you almost came close to having serious success more than once. Damn, dude, withholding more stories, you little teaser, you!

Let it be known that I've never been close to being famous and I will likely never be famous outside of a very small segment of the gay porn world. And let it be known that I am totally okay with my lack of fame in any endeavor! But since you are questioning my internal fortitude, what kinda weirdo says "I was almost famous now guess the details." Sorry, if my response was "lame" then what do you call your little guessing game, Hannibal?
 
Maybe not famous, but my old band had the experience of sitting on a red leather couch in a 25th-floor corner office in a Manhattan skyscraper while an A&R guy from Polygram (or Polydor, I forget which) was listening to our album and telling us we were onto something and to keep him caught up on what we were doing. A few months later we had a series of lousy gigs (not that we played badly, but we got booked into some really awful situations) so we decided to take a break for the holidays.

That was 1993. Apparently we're still on break. :rolleyes:
 
Jealous? Whoa. That's a big jump. "Seriously?" I was just interested in the story. Like of which cool song did you do a cool cover? Was your cover on bass and vocals or do you play guitar as well? Etc, etc. Furthermore, you said that you almost came close to having serious success more than once. Damn, dude, withholding more stories, you little teaser, you!

Let it be known that I've never been close to being famous and I will likely never be famous outside of a very small segment of the gay porn world. And let it be known that I am totally okay with my lack of fame in any endeavor! But since you are questioning my internal fortitude, what kinda weirdo says "I was almost famous now guess the details." Sorry, if my response was "lame" then what do you call your little guessing game, Hannibal?
It was just meant to be a fun thread. Your response to it sounded like an unwarranted dig. Sorry if it came off in a way that didn't work for you.
 
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I was infamous a handful of times.
For a while at the Helter Skelter club I was known as that dude who fell down while dancing to a Peter Murphy song.
I was slam-dancing & slipped!

Everyone in the cast at the Rocky Horror Picture Show seemed to know me at the Art Theater in Long Beach. (corner of Cherry & 4th)
I can't even remember what happened now the first time I came there, but I was a "virgin" & they do strange things to you (hazing). I was extra compliant, because I fell madly in love with Christina as soon as I laid eyes on her.
She was the gal who played the part of Magenta!

Hey, at least they're both music related, since RHPS is a musical.
 
Very early 80s: I landed in the Houston airport back from an unsuccessful interview in Atlanta. I took several minutes to gather all my things and was the very last one off of my plane. Everyone else had been gone when I exited. The Clash had a concert that night and had just landed beside the plane I was on. When I got to the bottom of the ramp, there they were. I walked all the way across the pavement and into the terminal with The Clash; right with those guys like I was part of the band.
 
In a band called Cruise Control back in the early 80's. Rockin' boogie-blues stuff with an edge helped along by a phenomenal harmonica player. "Discovered" at a gig one night by a local music impresario who had been involved with the Rustix and the Rascals back in the 60's. Signed with him and were looking forward to the "record you and make you famous" part. A few weeks later he went to NYC for the weekend and saw a band at a showcase he liked better than us. Dropped us like a hot potato and brought this "other" group up to Rochester, NY to record their debut album. This one:
kill.jpg
 
Well if any didn't like the OP, you won't like this...times three!
The last name I will never tell, unless I try to, then successfully hook up with him.


Nothing even close to close to fame-fame, but I got to play with a famous LA rock keyboardist from the sixties, who booked a studio on Cherokee (not theee Cherokee Studios), and was auditioning bassists.

It was my least favorite scenario, not only no drummer to interact with, but it was just he and I to boot, and while the tape was a-rollin'...yuk.

Secondly, it was one of those situations where it was a jam in A, then E, etc.
At that point, just jamming was not on my list of musical priorities unless of course it was for gig money, or the rare informal instrumental jam to keep my playing with other players type of chops up, especially in the blues genre.

Thirdly, I started figuring there could be a small chance I may play something he liked and I would never recall that it was my riff or feel if he added lyrics to it later, especially if it didn't come close to charting (99.99999% possibility on the latter), again no money at that point, yet in theory, he could benefit from it by having someone else play it on a record.
I got his number from the hall, but it wasn't paid rehearsals.

I lasted several days before I called it quits.
I don't recall what I had of his, but I had to go to his house in the Hollywood Hills across from the Bowl to return it after telling him I was bailing.

After that, he did form another band with an original bandmate and wrote some songs, one of which was used on their previous groups following album.
I think he and the original drummer finally joined the original band.

Another one was a from a drummer who Wiki sites as a session drummer.
I don't, as he was only a rock drummer who played on other famous pop-rock/rock albums and tours, as opposed to many styles other than one's own style of choice.

He had seen this act I was backing, came to an impromptu party after the gig that the front threw.
We were gabbing and he said he wanted to jam with me.

I was so thrilled, I pretty much ran to the front/host to tell him, as at the time he was sort of a mentor (until I started seeing the light!).

His response was a hand-waving "Ahh...he says that to everybody".
Deflated, I took his comment to heart and didn't talk to the dude the rest of the night, or just didn't bring up getting together.

Holding back on names only because I'm pretty sure IF any fame were to have materialized from either, the fame would not have been of the press-worthy kind in the least, more like a bassist who plays for others (my aspiration), and not exactly what the OP asked for.


This one however could have been more lucrative, with the only fame being within the industry members itself...perfect.

I was standing with a co-worker on the Warner Brothers lot, when a man in a three-piece suit approaches us and says "I am so and so's agent and he needs a script...do either one of you have anything (a scene right out of the 1940s movies!)?

Though I had worked in that biz many years prior to that, I never had the urge to see many new releases, so I didn't know his comic-client with more than a half-dozen movies to his credit at that point.

I told him I didn't know of the actor.
My partner of course knew of the guy, but didn't say anything other than that.

I said I didn't have anything, and he walked away.

Hindsight being 20-20, I've kicked myself many times for not saying "No, but give me your card and I'll rent some of his flicks that you think represent the direction he wants to head, then see if I can come up with at least a treatment for him"...but NNNNOOOOO!

Or after that (now even) write a treatment, find out who his agent is/was and call him with a "Hi, remember me?".

I mistakenly told that story at least a half-dozen times, to people in the biz nonetheless, and readily supplying the actor's name until I realized the very slim chance of someone writing a script and contacting the agent, (with or without) saying they were me, to help get their foot in the door.

Not only did I stop mentioning the guy's name in the story, I soon stopped retelling it!
 
Back in the late 60's we were working on an album but we weren't great song writers so the going was slow. In the meantime we tried to convince our producer to let us cut "Birthday" by The Beatles and release it as a 45 because it was only available on the White Album.

We got requests to play it about 3 times a night so we figured it would sure as hell sell as a 45 locally if not nationally. He was resisting us since it meant paying for permission to use the song and royalties so he told us to keep writing and he'd give us some tunes he'd written as album filler but we needed at least one sure hit song to release as single.

We eventually persuaded the engineer to let us cut a quickie one take track of Birthday so we could at least try to sell the producer on the idea. It was a little rough but passable enough to clean up, add some double tracking to the vocals, and release at least locally which is what a lot of bands did back then.

It never happened.

A very short time later another local band from our area released their own "one hit wonder" version, had a national Top 40 hit with it and made an appearance on Dick Clark's Bandstand. Here's their version......ouch! I guess Andy Warhol was wrong.

 
I dated a girl that went on to appear in “Juggs” magazine as well as another one that was featured “Hustler Busty Beauties”. I didn’t plan it, it just worked out that way.


FWIW, famous players don’t post on TB because they’re not ready to deal with the comments from some of the more impolite and disrespectful posters here. If you want to know exactly which famous players feel this way, just look at the covers of Bass Player Magazine going back 15 years and you might see a few.
 
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I used to frequent a coffee shop. I would get iced tea, sit at one of the sidewalk tables, smoke cigs, and pick an acoustic guitar to pass the time. There was an employee in the coffee shop, and one day she asked me to play guitar in the new band she was forming. It was just her on guitar/vox and a drummer at the time. She wanted a second guitarist, or maybe to just be a standalone singer while someone else played guitar; I'm not sure exactly.

I was kind of non-commital about it. I wasn't necessarily trying to be in a band, and I had this crazy girlfriend at the time who was pretty much a big distraction and energy suck, so it was hard to devote myself to much else seriously.

I did go to a few of their early gigs as a two-piece. I learned the songs that way, and at the coffee shop, I casually played examples of her songs to show that I had picked them up. She, being less of a formally trained musician than I was, was kind of blown away that someone could learn her songs just by watching a gig, with no instrument in hand. At that point, if I had shown the slightest bit of additional initiative or proactivity, I think the gig would have been mine, easily. But I didn't bother acting too interested...and she never hounded me about it (not something she would do, given her personality). As she played more and more gigs as a two piece, I believe she started to think that the band would be fine that way.

I swear it was not two months later, but the band was picked up and was all over the local big "alternative" radio station here in L.A. Everyone who listened to K-ROQ knew them. (FWIW, I was not a K-ROQ listener; I listened to oldies radio.) They didn't stay in the mainstream too long, but they retained popularity on independent stations after their initial 15 minutes of semi-mainstream fame. I think they toured, put out an album or two, made a music video or two. They remained a two piece until they disbanded.

I still drop her a line on Facebook every few years just to say hey. From what I understand, she's gone through a whole lot of major crap since those coffee shop days. It's quite sad to me, having known her and really liked her before all that band stuff. But, I'm glad she's still alive and making music. She was a really sweet person in her own bitter, sarcastic way (something I greatly appreciate).

I'm not sure I actually wish I had joined...but that was pretty close to stumbling into being a "pro" at a relatively young age. Who knows where it would have led.
 
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