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What's your "Beater" bass?

In another thread, I saw this- "And oh yeah, no more beaters: Nothing says 'I'm not serious' than a crappy instrument. And it doesn't have to be expensive, but if it's noisy, won't stay in tune, and you're constantly nursing it along, it's REAL easy for a band to say 'what's that other guy's number?'."

Is this your beater? Mine was not expensive to me (but sure would be to replace), is well maintained, not noisy, stays in tune, has a lot of aftermarket under the pickguard and doesn't need nursing, but it's my beater because it's already been refinned and it's got scars and dents all over it. It looks a mess, but it's clean, plays great and sounds great too. I just don't mind too much if it gets another scratch.
Obviously, beaters vary.

What's your "beater" bass? :)
My “beater” is my MIM fender jazz 5 . Cost like 1/5th what my main player cost. Nice to have a second bass that’s gig worthy in case there are any issues during a show. Haven’t had that many issues over the years, mainly just stock output jacks going bad a few times. Since I’m not gigging with everthing shut down I’m probably going to set it up in a higher tuning for a while just to mess around at home.
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As already prefaced - "beater bass" needs specific definition. It seems like everybody has their own way of defining that "term". That's mostly ok - but if I were to define "beater bass", I would say it is a bass that is the equivalent of "meat & potatoes" - a basic bass that does the job when needed and isn't particularly special or valuable otherwise. At least this is how I would describe it. As always, YOMV. :)
 
I don't own a beater bass. But I do own a couple of really nice relic basses. I'm not a huge relic fan, but the side benefit is that I don't feel like I have to be obsessively careful with them.

This is an interesting development. I played a used 'road worn' Jazz bass in a music store. I liked it a lot - feel and tone were right there. It looked exactly like all other Fender "road worn" J's. As it was created to look like that - was it a "beater bass"? No, I think not. The "distressed/relic'd" whatever you want to call it "look" is just that - a look, much like any other look. But it felt played - which is more pertinent. A played bass means it was a good player - played a lot because it sounded good. I don't know about you - but if I played a bass that didn't sound good - I wouldn't play it enough to create "play wear".
 
Ooo yiss. My turn! A 1970s area Valencia, I can't find any info on it. It's been a great teacher as I learned how to shim the neck, make truss rod adjustments and bridge and nut action adjustments. Plays like a dream now but certainly needed some work. The electronics are some of the shoddiest I've ever seen!

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That's what I'm talkin' about! :thumbsup:
 
Ooo yiss. My turn! A 1970s area Valencia, I can't find any info on it. It's been a great teacher as I learned how to shim the neck, make truss rod adjustments and bridge and nut action adjustments. Plays like a dream now but certainly needed some work. The electronics are some of the shoddiest I've ever seen!

View attachment 4131159

That bass is so quintessential MIJ '60s! Those knobs were on many Teisco & related basses, the organ rocker switches, finger rest, chrome metal pg, short scale, bridge and cover and the red/black-burst finish.

These were the passport to R&R in the '60s for many young players. :bassist:
 
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TB is indeed a strange land with beater basses nicer than all 3 in my stable put together.
Here's my beater:

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Washburn Taurus of far east production that I got for real cheap as a backup. I promptly decided to add the J pickup, 3-way switch and body contours.
Plays good, sounds good, stays in tune, it's dinged up and I feel fine taking it to questionable gigs or letting the gu*tar player noodle on it and bang it up some more.

I like it. Some people seem to think that their basses need to played with extreme caution lest a scratch or ding or--horrors--gouge forever destroy the sound of music as you know it. The less I worry about my basses' cosmetics, the more I am able to genuinely joyfully create music. Look at yourself in the mirror. Your scars (or lack thereof) tell your story. Wear them with pride, unless your story is shameful, in which case, write a new one.
 
I actually wish I had a beater bass lol, I feel guilty every time I practice any slap on a nice instrument. And I suck at it so I'm practicing a lot, so feel like I must be damaging the frets on these snazzy basses when I spend an hour doing exercises.

My last real beater was still nice, a Washburn Taurus with DiMarzio Model J pups. It could damn near out-Jaco Jaco's tone, and weighed an ounce or two. And it took abuse.
 
In another thread, I saw this- "And oh yeah, no more beaters: Nothing says 'I'm not serious' than a crappy instrument. And it doesn't have to be expensive, but if it's noisy, won't stay in tune, and you're constantly nursing it along, it's REAL easy for a band to say 'what's that other guy's number?'."

Is this your beater? Mine was not expensive to me (but sure would be to replace), is well maintained, not noisy, stays in tune, has a lot of aftermarket under the pickguard and doesn't need nursing, but it's my beater because it's already been refinned and it's got scars and dents all over it. It looks a mess, but it's clean, plays great and sounds great too. I just don't mind too much if it gets another scratch.
Obviously, beaters vary.

What's your "beater" bass? :)
Exactly. My #1 go-to, Jenny, is a Harley Benton Shorty I picked up for €50. I've got about €200 into it over time, and she's practically perfect in every way.
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bass jenny basement.jpg bass jenny blueshaus.jpg bass jenny sommernachtsfest.jpg
Bass Jenny 2.jpg
 
I bought this '90s Carvin LB70 bass with a few dings on it but I wouldn't necessarily call it a "beater" bass. I own several really nice basses which I alternate through at practices and shows but this Carvin is the bass I play the most. I use it to practice around the house as I'm not too worried about bumping it or dinging it up. It has one of the nicest necks of all of my basses, or maybe I feel that way because it gets more playtime then the others. No matter what, you can never go wrong with an American made bass like Carvin.

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