I bought both the WD-800 and the D-800+ a month-and-a-half ago. In my living room the WD-800 wins but on my regular restaurant gig I've been favouring the D-800+ - but only slighty. Both fantastic amps that make playing more fun.
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I play metal primarily but I play all kinds of other genres frequently. I'm currently running the subway di+ thru a two notes torpedo cab m+ for cab impulses and it's tube power amp simulation and a JT amps alpha tube diI'm thinking about getting that 800+ pedal to tide me over until @agedhorse releases the Boogie channel pedal. (Different things, I know) I have the WD also. If you don't mind me asking, what kind of music do you play, and when do you find yourself using that pedal?
I like your concept, and at some point I'd like to have a fly rig based around a Mesa preamp pedal. But I ended up taking another route, and pulled the trigger on the TT. It's going to be a better match for my tonal goals than the 800+ pedal. I haven't changed my vote on favorite amp yet, and I think it's gonna end up being like when someone asks you which is your favorite kid!I play metal primarily but I play all kinds of other genres frequently. I'm currently running the subway di+ thru a two notes torpedo cab m+ for cab impulses and it's tube power amp simulation and a JT amps alpha tube di
) I have joked around many times about him working on a Boogie channel preamp pedal at my behest, and he's liked each post, but he can be generous that way. I don't know if he likes it as an endorsement of the concept/project, if he's just amused by the speculation, or what. They sold out of the 800+ and it's good practice for a business to invest in their successful products. But Mesa is innovative, they haven't done a tube-based preamp pedal for bass, the 400+ was such a popular amp and the TT is moving, so I could certainly see them producing such a pedal. I'd say that the market would support them making some more DI pedals, whether it's another production run of the 800+ or something new. Clearly, there is unmet demand if you look at the market.If you think the WD too modern, the D+ might be going in the wrong direction.Which MESA Subway head can cop the Ampeg Tube sound the best? I had a WD-800 and I just couldn't bond with it. It always sounded too modern and I sold it (perhaps too quickly. I gig with an Ampeg V4B and occasionally a SVT VR, home use is a Ampeg B-18 or SB-12. I would like to gig with a lighter head, I was hoping a Subway would fit the bill. Maybe the D-800+? I really did like the built-in HPF for loud stages.
Which MESA Subway head can cop the Ampeg Tube sound the best? I had a WD-800 and I just couldn't bond with it. It always sounded too modern and I sold it (perhaps too quickly. I gig with an Ampeg V4B and occasionally a SVT VR, home use is a Ampeg B-18 or SB-12. I would like to gig with a lighter head, I was hoping a Subway would fit the bill. Maybe the D-800+? I really did like the built-in HPF for loud stages.
I agree. The TT will get you the close to the Ampeg vibe. Honestly, just put an Ampeg SCR-DI in front or thru the effects loop of the TT and you're even closer.I have (for now) and SVT and had a V4B. I think the TT is a good choice. The boogie channel isn't ampeg but its an amazing toob vibe