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When is steve harris showing his "incredible" speed?

Well, i still dont consider anything i've heard of steve harris anything special speed-wise, listen to Alex webster or billy sheehan for some serious fast bass playing... and now somebody might say "yeah but they play with 3fingers, cheating!" but it doesn't matter does it? if someone comes and plays 16th notes at 150bpm with one finger i still wouldn't call that amazing speed...
 
The whole speed thing is stupid... the faster a metal bassist is, the more respect he gets. He sounds good! Damn good! What you need to do when you're ripping out 1/32 notes at 150 BPM, is close your eyes and ask yourself "does this sound good?"

Odds are the answer is no. I think that's the problem with most metal bands I hear compare to old ones, the bassists are playing ultra fast all the time matching the guitars instead of making a strong consistant melody. It become a mix of mud and crap. Muap if you will.

What I love about Steve Harris (I'm working some of this into my playing now that I'm in a metal band) is when he was playing a fast riff, he played rhythmically diverse. He'd put odd little breaks into what would normally be a straight sixteenth snore fest. And he played ultra melodic leads making sweet harmony riffs with the guitars (example, Number of the Beast intro). I don't care if he plays with 2 fingers, 3 fingers, I don't care if he played with a pick. It's not cheating if it sounds good.

Since metal bass playing is often following the guitar, metal bassists seem to compete. Who can play with the most fingers and play the fastest.
 
Matt Till said:
The whole speed thing is stupid... the faster a metal bassist is, the more respect he gets. He sounds good! Damn good! What you need to do when you're ripping out 1/32 notes at 150 BPM, is close your eyes and ask yourself "does this sound good?"

Odds are the answer is no. I think that's the problem with most metal bands I hear compare to old ones, the bassists are playing ultra fast all the time matching the guitars instead of making a strong consistant melody. It become a mix of mud and crap. Muap if you will.

What I love about Steve Harris (I'm working some of this into my playing now that I'm in a metal band) is when he was playing a fast riff, he played rhythmically diverse. He'd put odd little breaks into what would normally be a straight sixteenth snore fest. And he played ultra melodic leads making sweet harmony riffs with the guitars (example, Number of the Beast intro). I don't care if he plays with 2 fingers, 3 fingers, I don't care if he played with a pick. It's not cheating if it sounds good.

Since metal bass playing is often following the guitar, metal bassists seem to compete. Who can play with the most fingers and play the fastest.



Couldn't have said it better myself! :)
 
Matt Till said:
The whole speed thing is stupid... the faster a metal bassist is, the more respect he gets. He sounds good! Damn good! What you need to do when you're ripping out 1/32 notes at 150 BPM, is close your eyes and ask yourself "does this sound good?"

Odds are the answer is no. I think that's the problem with most metal bands I hear compare to old ones, the bassists are playing ultra fast all the time matching the guitars instead of making a strong consistant melody. It become a mix of mud and crap. Muap if you will.

What I love about Steve Harris (I'm working some of this into my playing now that I'm in a metal band) is when he was playing a fast riff, he played rhythmically diverse. He'd put odd little breaks into what would normally be a straight sixteenth snore fest. And he played ultra melodic leads making sweet harmony riffs with the guitars (example, Number of the Beast intro). I don't care if he plays with 2 fingers, 3 fingers, I don't care if he played with a pick. It's not cheating if it sounds good.

Since metal bass playing is often following the guitar, metal bassists seem to compete. Who can play with the most fingers and play the fastest.



+1
 
I saw Maiden live several times, and Harris was always dead-on accurate, playing with incredible tone, and didn't stand around with his eyes locked onto his fretboard. In my eyes, the only metal bass player who is also an incredible showman. And to write the melodies and lyrics to all of those great songs? Harris is a phenomenal musician.
 
Tash said:
I think I know where he's coming from. I've never really considered Steve Harris to be a phenomenally fast bassist. He's definately quick, but compared to say, Cliff Burton, Steve DiGiorgio, David Vincent, or Tom Araya he's not that impressive when talking about raw speed. Of course this doesn't make him any less of a kick ass bassist.

He was here long before those guys. At the time he was doing some incredible stuff, leading the band with his playing, writing on bass, etc. I mean Eric Clapton is quick but compared to Jimmy Page who compared to Van Halen who compared to Yngwie who compared too........and so on and so on and so on
 
If Steve Harris is really playing everything with only two fingers(and this seems to be the case), then he's damn fast by any standard. And here's another thing that needs to be brought up: a lot of people can play faster than Steve, this may be true. But I don't know any that play as hard as he does at that speed with two fingers. Most of the really fast fusion bass players don't dig in at all, and in fact encourage light playing for speed. This is great, but I think that Steve's ultra hard attack is an example of a perfect metal bass sound, and many faster players simply could not do his parts properly. They couldn't match his attack.
 
Basshammer said:
If Steve Harris is really playing everything with only two fingers(and this seems to be the case), then he's damn fast by any standard. And here's another thing that needs to be brought up: a lot of people can play faster than Steve, this may be true. But I don't know any that play as hard as he does at that speed with two fingers. Most of the really fast fusion bass players don't dig in at all, and in fact encourage light playing for speed. This is great, but I think that Steve's ultra hard attack is an example of a perfect metal bass sound, and many faster players simply could not do his parts properly. They couldn't match his attack.

Actually, Steve uses low action and has a pretty light touch, he just sorta nicks the strings with his fingertips in a pretty loose fashion, and the end result is that clicking sound.
 
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I've read an interview with Harris, where he definitely states:

1.) using only 2 fingers all the time
2.) using very light touch

On the topic of speed, back before high school (like late 80's) I used to be amazed by the "speed" and more often then not turned off by later seeing the band in question live. I've seen maiden three times live so far, imho they kick ass. They are not going for "ticks per minute" but have great and consistend sound, and superb showmanship.

I mean how often did you not see a band where drummer was loosing beat, bass player sounded like mud, guitar solos were "simplified" and singers couldn't sing at all? But they sure as hell did sound good in studio, eh?

To me, live performance is a true measure of a great band.

Iron Maiden is amazing band, by all standards.
 
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You want a fast bass player? GO LISTEN TO JOEY DEMAIO OF MAN-O-WAR! He can play faster than Harris with almost as much sound quality. Take a listen to "Sting of the Bumblebee" or "The William Tell Overture". These are the ultimate bass solos in quality speed!

Im a big Steve Harris fan, hes my favorite, and definitely one of the fastest. Actually let me clarify that, one of the fastest that can still sound exceptional at great speeds. Yeah Ive heard plenty of deathmetal and alot of the newer crap metal on headbangers ball, they play fast, but doesnt sound smooth like Harris or DeMaio.
 
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scourge said:
I can play a lot of Maiden stuff. The bridge going into the heavy part of "Hallowed Be Thy Name" still gives me fits.
Also the break in "To Tame a Land" is tough.
Playing triplets on one string is easier for me than flying across 2 or more strings.


I'm actually the other way. I cannot pound out root notes really fast, but I can move across the fretboard pretty good. With my fingers at least.
 

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