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Where Does Tone Come From? A fun exercise

What contributes most to a bass's overall quality of tone? (Pick 3)

  • Strings

    Votes: 327 65.8%
  • Pickups

    Votes: 335 67.4%
  • Controls (passive or active)

    Votes: 83 16.7%
  • Neck wood

    Votes: 22 4.4%
  • Body wood

    Votes: 21 4.2%
  • Paint/finishing method

    Votes: 3 0.6%
  • Player's talent/technique

    Votes: 388 78.1%
  • Bridge

    Votes: 5 1.0%
  • Overall quality of the instrument's construction

    Votes: 42 8.5%
  • Weight of the instrument

    Votes: 3 0.6%
  • Other

    Votes: 31 6.2%

  • Total voters
    497

That's right! This is where tone comes from:

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Tone is something that all musicians care about in different ways.

Tone matters to a player, because it is directly evaluated alongside playing skill and knowledge at the audition; and if the player has enough of all three, will be on display at performance.

The “fun” of the discussion is hearing and appreciating other perspectives from different players.

The NOT “fun” part is when players engage in belittling condescension based on limited perspectives.

Playing music, even on the weekend club circuit, has an element of competition in it. For most of us, everything matters; just that you can get more mileage from understanding and optimizing some factors more than others. The “fun” poll pretty much shows pretty accurate priorities. But, many of the other factors are also involved. Hey, it ALL matters to me. Part of a bigger picture.

TB is a great resource for knowledge and networking. I’ve really appreciated both over the years. Just yesterday, I was able to cap off a “tone” issue I’ve been having for more than a year, due to interactions with a great TB’er; and suddenly feel like I have a whole new instrument!

A while back I posted some comments in another thread about my first bass in 1970; a Kalamazoo with a no truss rod neck, mudbucker, Masonite body, flats and a coil cord. Another TB’er replied that he was still using that instrument and the thud was glorious. I thought that was a great reply. Tone is definitely a different strokes thing. You will know right away if yours is working for you by what gets said to you or not at the audition!
 
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In the same respect, give you a jazz bass with the bridge position on and neck off...you still don't sound like Jaco..you might get close but still wouldn't be the same
My post was based on a true incident. I played that room in the early 70s. It was a yacht club on Chesapeake Bay.
That’s why LMAO yeah I knew that was a true situation
 
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