I've not been able to find much guidance on this (though maybe I'm using the wrong search terms), and only learned the basics from TalkingBass and StudyBass so far, but they didn't go into so much detail on this.
I was wondering:
a) when anchoring the thumb of the plucking hand on a string, should I always anchor on the string below or two strings below, or change depending on music/string?
b) when doing this, should I be thinking about minimising movement of my thumb anchor, or just sticking to one of the rules above and not worry about it?
To give a concrete example, say I'm playing all the open strings EADG on a 4-string up and down.
I can either do the following:
anchor on pickup, play E
anchor on E, play A
anchor on A, play D
anchor on D, play G
Or, I can leave a bigger gap between anchor and string I'm playing, relying on plucking fingers to mute the string below:
anchor on pickup, play E
anchor on pickup, play A
anchor on A, play D
anchor on A, play G
The first option keeps my plucking hand in a more consistent position, but involves more thumb anchor movement. The second minimises anchor movement, but involves changing plucking depending on whether I'm hitting the next string or two strings up.
Similarly, if playing root then octave (say for E), should I:
anchor on pickup, play E on E string
anchor on A, play E on D string
or
anchor on pickup, play E on E string
anchor on pickup, play E on D string (and try to mute A somehow)
or
anchor on pickup, play E on E string
anchor on E, play E on D string
Is there any preference/guidance or best practice on this sort of thing? Or is there any resource that goes into a bit more detail?
I was wondering:
a) when anchoring the thumb of the plucking hand on a string, should I always anchor on the string below or two strings below, or change depending on music/string?
b) when doing this, should I be thinking about minimising movement of my thumb anchor, or just sticking to one of the rules above and not worry about it?
To give a concrete example, say I'm playing all the open strings EADG on a 4-string up and down.
I can either do the following:
anchor on pickup, play E
anchor on E, play A
anchor on A, play D
anchor on D, play G
Or, I can leave a bigger gap between anchor and string I'm playing, relying on plucking fingers to mute the string below:
anchor on pickup, play E
anchor on pickup, play A
anchor on A, play D
anchor on A, play G
The first option keeps my plucking hand in a more consistent position, but involves more thumb anchor movement. The second minimises anchor movement, but involves changing plucking depending on whether I'm hitting the next string or two strings up.
Similarly, if playing root then octave (say for E), should I:
anchor on pickup, play E on E string
anchor on A, play E on D string
or
anchor on pickup, play E on E string
anchor on pickup, play E on D string (and try to mute A somehow)
or
anchor on pickup, play E on E string
anchor on E, play E on D string
Is there any preference/guidance or best practice on this sort of thing? Or is there any resource that goes into a bit more detail?