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Which version of the riff sounds best?

Cool! I think a mix of both would be even more interesting, Doc. So play the main riff in the lower position (frets 2/3) per the first example, then go up to the higher position per the second example for the high phrase of the riff. For even more variety and oomph, I would also consider playing the high phrase riff on the E/A strings up on the 13th/15th frets (think Marcus' riff at the end of the first chorus of 'Just the Two of Us'). Wind your tone back a bit, turn on your compressor and hit the high riff real hard...
 
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Cool! I think a mix of both would be even more interesting, Doc. So play the main riff in the lower position (frets 2/3) per the first example, then go up to the higher position per the second example for the high phrase of the riff. For even more variety and oomph, I would also consider playing the high phrase riff on the E/A strings up on the 13th/15th frets (think Marcus' riff at the end of the first chorus of 'Just the Two of Us'). Wind your tone back a bit, turn on your compressor and hit the high riff real hard...
Thanks! I need a band to go with all of that with it!
 
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The first one seems closer to what Doug Wimbish is doing, as far as fret positions.
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Doug Wimbish basically keeps his left hand shape a barre at the 3rd fret using only his index and pinkly,
He slides his left hand down to hit those 2nd fret E notes .
In this performance he also occasionally uses the low open E instead the octave on 2nd fret D string
As a consequence is left hand fingers move a bit less than yours.
I think that helps him get the speed. That and a skinny neck.

I'm not saying you ought to do it this way instead, jus try it out and choose which works for you.
Experimenting with different choices is fun after all.
 
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The first one seems closer to what Doug Wimbish is doing, as far as fret positions.
View attachment 7262130

Doug Wimbish basically keeps his left hand shape a barre at the 3rd fret using only his index and pinkly,
He slides his left hand down to hit those 2nd fret E notes .
In this performance he also occasionally uses the low open E instead the octave on 2nd fret D string
As a consequence is left hand fingers move a bit less than yours.
I think that helps him get the speed. That and a skinny neck.

I'm not saying you ought to do it this way instead, jus try it out and choose which works for you.
Experimenting with different choices is fun after all.
I feel halfway smart since I am using a barre like Doug Wimbish.😉