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Who misses SWR?

If that's the case- why buy a brand with no interest in reviving it? Tax write off?

That’s a great question. I would love to have been a fly on the wall when Fender execs were discussing these various acquisitions. Some of the brands kept there names while others seem to have been completely shutdown. In the latter case, did they just want to absorb the engineering and technology of those company’s?
 
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I don't miss SWR - I still have a Workingmans 15 with an extension cab!
And I still use it...it stays at our practice room. And it still sounds great.
I wouldn't judge SWR by it's workingman's stuff. This was affordable gear, nothing like the real deal.
 
I can’t say I do. I’m wracking my brain to remember but the only time I ever was at a show and saw an amp crap out on a big stage and saw techs scrambling to get something else working was when SWR was in its heyday and seemed to be on every stage. Wish I could remember what band that was.

Now of course crap happens but boy did that throw me off and pretty much set my mind that I would never get one of those.
That's probably because it could have been backline or a heavily toured and abused Rig. Who knows how much abuse that rig actually took before it did crap out
 
I was getting nostalgic this summer and grabbed a Super Redhead on Reverb - great price but she's a heavy red head, for sure. Back when I was really getting into bass, SWR was THE company to buy from but I rarely had the money. It is good for practice and small gigs but my Genz Benz and TC Electronic heads combined with my Berg cabs can't be beat.
That said, the Super Redhead looks bitchin' if I say so myself.
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I have two 8x8 cabs from them... I use both at larger shows but generally one is at home for daily practice and the other is at the rehearsal spot. im looking to grab an SM400S soon to leave at the rehearsal spot. Theyre awesome amps and I feel like the still have a place in todays music.
 
I'm sorry they are gone. Many of the common features that are standard on all modern bass amps can be traced back to the AMP and SWR eras. That gear was very innovative stuff in its time. I hope a bass publication like Bass Gear Mag puts together an historical profile of SWR with a retrospective interview of Steve Rabe before its too late.

I wonder how an 800 watt Headlite with Bass and Treble shelving controls and two bands of semi-parametric EQ would have been received by the bass playing community? The single knob compressor on the Headlite is exceptional as is the customizable and by-passable preshape/Aural enhancer circuit. An aural enhance bypassed Headlite run through an Eden D410T (essentially a Goliath I with an Eden cast bell tweeter) or a Goliath II 410 is a marvelous thing to experience.

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