• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Whoops, bought wrong preamp for upgrading my musicman copy ....help

never upgraded the full pickup system of a bass before so as my current system was a active system i set out to buy another better one. I ended up buying the seymour duncan smb-4d pickup with the stc-3m3 preamp after reading lots of great reviews.
i have now realised my mistake.... ive only bought the preamp with the 3 pot controls when the bass i have has 4 pots ...doah !!
This may be a stupid question but since im changing the full pickup , preamp system does this actually matter and could i just leave one of my pots obsolete
Cheers for any help dont have a clus about electronics :)
 
For a spare hole in a MM style bass, I'd recommend, in no particular order:

If your new pre has a stacked treble and bass control, separate this into two individual pots.
You could rewire the slap contour so it works on a rotary switch instead of the volume.
A passive tone control. Simple wiring option, to tame the treble.
A rotary switch for any combo of series, parallel, single coil, passive, you like.
If you can follow a circuit diagram, find a thread from a few weeks ago and make that resonant sweep circuit I posted. I have lent my MM style P to a mate, but when I get it back, I'm going to try a preamp with a sweep filter like this in there.
You could also just put a big toggle switch in there, not wired to anything so you can switch it over when the producer wants a "better/fatter/warmer/etc" tone. This is commonly known as a "producer switch".
Or you could leave it vacant, but put one of those bullet-hole stickers over the top so it looks getto.
 
  • Like
Reactions: pvj scotland
For a spare hole in a MM style bass, I'd recommend, in no particular order:

If your new pre has a stacked treble and bass control, separate this into two individual pots.
You could rewire the slap contour so it works on a rotary switch instead of the volume.
A passive tone control. Simple wiring option, to tame the treble.
A rotary switch for any combo of series, parallel, single coil, passive, you like.
If you can follow a circuit diagram, find a thread from a few weeks ago and make that resonant sweep circuit I posted. I have lent my MM style P to a mate, but when I get it back, I'm going to try a preamp with a sweep filter like this in there.
You could also just put a big toggle switch in there, not wired to anything so you can switch it over when the producer wants a "better/fatter/warmer/etc" tone. This is commonly known as a "producer switch".
Or you could leave it vacant, but put one of those bullet-hole stickers over the top so it looks getto.

Cheers mate , that's been really helpful, i'll have a think really want it to be doing something. . No use to man nor beast sitting there doing nothing :)