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Why aren't alloy 52 strings more popular?

When it comes to roundwounds Alloy 52 strings are my favorite as of right now. I really like the GHS B52s sold for super cheap on Bassstringsonline, they are very bright and metallic sounding though(which is what I want when I play rounds), I don't think they are everybody's' cup of tea.
 
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Ghs pressurewounds are made out of it.

We also use Alloy 52 for Progressives, B52s, Big Core Bass, Brite Flats and our Crossovers (for the NS Design EUB).


speaking of which, has anyone made flats with Alloy52?

Until they offer it in a flat ribbon wire, the closest you're going to get is a groundwound string, like the Brite Flats.
 
I once bought a used SQ-series P with rusty Pressurewounds on it. ERMAGERD! Horrendously tasty strings. I'm a dyed-in-the-wool TI JF344 nut. I have countless hours invested in working my technique around their uneven, floppy tension. I cut nuts to their exact size using fraction, number, and letter drill bits as nut files. Then divorce ate my bass gear along with my favorite plank. I let 4 broken-in perfect sets of JF344s go with it. I went without a bass until I couldn't stand it any more, then bought an $80 used Peavey Milestone II. It arrived 2 days ago. The strings are shot, so I ordered a set of ML Pressurewounds. I'm thinking of them as the poor man's TI flats, because there's some component of the sound--I want to say it's something reminiscent of the nylon guitar string sound--that is very TI-like. But they are definitely their own animal. Looking forward to taking advantage of their good tension and discovering how to coax their best sounds out of them. It should take me the better part of a year. I used to burn through every new string that came out, much too fast to really learn them, and that's the key to finding the magic strings, to narrow things down to a very few likely candidates and spend some intense exclusive playing time with each. These may well become my one string, replacing JF344. I'll let you know in a year.
 
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Alloy 52 is 52% pure nickel and 48% iron.

I suspect alloy 52 isn't as popular because musicians don't understand what it is and the great benefits it offers. People avoid what they don't understand.

I have a set of La Bella Super Alloy 52 roundwounds and I can't kill 'em no matter how much I try!

I think it's great that companies like GHS, La Bella, Thomastik Infeld, and Everly offer alloy 52 strings.
 
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Alloy 52 is 52% pure nickel and 48% iron.

I suspect alloy 52 isn't as popular because musicians don't understand what it is and the great benefits it offers. People avoid what they don't understand.

Well, from our end alloy 52 is a more expensive material to get, which translates into a slightly higher pricetag for the consumer, so there is that aspect. A lot of times too, as much as we all love to try new things, there is a comfort level associated with sticking with "what you know," which is probably why NPS strings are probably the most popular kind out there.

I personally love Alloy 52 strings for the higher magnetic output, more responsive to playing dynamics and changes in hand position/technique, feel and longevity.
 
Well, from our end alloy 52 is a more expensive material to get, which translates into a slightly higher pricetag for the consumer, so there is that aspect.

True.

I personally love Alloy 52 strings for the higher magnetic output, more responsive to playing dynamics and changes in hand position/technique, feel and longevity.

I can't disagree with any of this!
 
Well, from our end alloy 52 is a more expensive material to get, which translates into a slightly higher pricetag for the consumer, so there is that aspect. A lot of times too, as much as we all love to try new things, there is a comfort level associated with sticking with "what you know," which is probably why NPS strings are probably the most popular kind out there.

I personally love Alloy 52 strings for the higher magnetic output, more responsive to playing dynamics and changes in hand position/technique, feel and longevity.
I had never played an alloy 52 wrapped string before I tried GHS Big Core Bass Strings. I think it's great stuff! I like the higher magnetic output and that absolutely does translate into a more responsive & dynamic string. I am going to have to try a set of Pressurewounds next. I need to set up my Jazz to a specific stringset and fine tune it in, and always use that same stringset for every change.
 
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Loud is good. This is my first new set of Pressurewounds and they're LOUD. Nice bonus, they're good to go right out of the bag. That rusty old set I got on a used bass sounded good to me, but these just blow me away, all the slam, lard, and definition I crave with zero tin. Guess I just switched brands.
 
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in these type of strings, is the alloy52 in the core, or, the windings, or both?

I think I have both LaBella and Everyly variations of these in my string box I've never tried.
 
in these type of strings, is the alloy52 in the core, or, the windings, or both?

I think I have both LaBella and Everyly variations of these in my string box I've never tried.

Just the windings, although it's not always ALL of the windings. Case in point, the GHS Progressives have a steel winding under the Alloy 52.
 
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