Vinny Fodera would probably agree.![]()
I'm aware of his involvement at the time. I'm not getting involved with any controversy of who designed what and when, though!
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
Vinny Fodera would probably agree.![]()
Vinny Fodera would probably agree.![]()
....
Appearance-wise, I think his look a bit too similar to Alembic's basses. That may or may not be a good thing, but I do like the asymmetrical shapes of some.
I use Ken Smith strings exclusively on almost all my basses... in particular the Compressor series.
I've never played any of his basses, but they appear to be high-end quality/price. However, the styling on any of his models isn't my cup-of-tea so I doubt I would ever invest in one.
Ken's here!![]()
bass12 said:I really like Ken Smith strings. I stopped buying them after I'd inquired about the lengths of the strings (I was trying to find strings to fit a bass that had very particular needs) and Ken's reply was really curt and not at all helpful. Oh well - on to the next company!
spade2you said:Same thought and I just about spit V8 on the computer screen.
I know for sure Ken lurks about even though he was banned. So do a lot of other illustrious banned members like Sterling Ball and Jeff Berlin. It kinda makes it even more enjoyable. People can make remarks and they can't do anything about it. Ken's personality aside. He still builds a quality instrument regardless of rather you like the looks, sound, design etc etc.
What were you trying to find out?
I can tell you![]()
rodneyat said:I know for sure Ken lurks about even though he was banned. So do a lot of other illustrious banned members like Sterling Ball and Jeff Berlin. It kinda makes it even more enjoyable. People can make remarks and they can't do anything about it. Ken's personality aside. He still builds a quality instrument regardless of rather you like the looks, sound, design etc etc.
Yeah, there is indeed an Alembic resemblance, IMO.
I would like to personally say that after playing professionally for over 24 years, most of my 36 basses have paid for themselves, using gig money. Which gives them all sentimental value, and many memories from each bass. But......, there are only two that instill pride and satisfaction, and make my creative juices flow, getting me in trouble at times, I might add. Ken's masterpiece creations, and Brian Barrett's Low End Jazz basses, make me wanna be a better player, as well as making me wanna practice , and woodshed more. I have to admit from the second that I strap on a "SMITH" bass, I can't stop smiling inside, and I feel as if I have an obligation to Ken, to live up to the craftsmanship, and attention to detail that he builds into these works of art. I feel like people are expecting more from me, and I owe my best work to Ken , for his contributions to the bass world, and I don't dare leave the house without totally preparing for my gig. How can you put a price on a object, that makes you a better man? As I have read in Bass Player magazine, upright bassist, Rufus Reid said that everyone should own, at least one high end bass, in their lifetime. Just my two cents!
As far as my comments go...I wasn't thinking of direct 'he stole this *whatever* from the other guy' comparisons, but about similar styling characteristics, most of which malthumb has already listed, along with things like pointy body-ends and such. I also understand that the build/wait time for both is similar (as in - take their time quote and triple it), but I could be wrong there.I don't know of one current Alembic bass that looks like a current Ken Smith bass. Pictures?