I'm still trying to understand the point of these? I don't think i have ever had issues with string buzz behind the nut. I would likely put these under "accessories people think they need but don't" category.
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In Australia there is a very popular kitchen appliance called the electric kettle. It has one job to do and it does it well - it boils water. Over the years there have been superficial changes and slight improvements but essentially it is still the same as it always was. There is no need to change it because it works. Fender know their instruments work and people keep buying them because they do. Innovation is great but we don’t all need it. The laser pickup basses - can’t remember the brand - are ingenious and sound great but they have limitations that old Fenders don’t have. If it ain’t broke don’t fix it.Yeah, I always have troubles with the A buzzing on a flat headstock.
I really think that Fender doesn’t care. They aren’t trying to improve, just churn out the same old product year after year. It works and a lot of people love them. I’m grateful they offer this solution and as stated earlier it is $15. If Warwick made one it would be at least $100.
Another consideration: Sadowsky is currently using Hipshot Ultralite tuners are most of their basses. Maybe the string retainers ARE required because you can't make as many windings around the tuning posts?
Sorry but I'm tenacious. Others would call it stubborn.
I think they don't include them because they simply do need to.
They could quite literally have no improvements made to Leo's (I was going to write their but really the they that work at Fender didn't design the models that made them popular) designs with the exact same current appointments and the same level of quality control for the next decade and they will easily continue to sell.
If they want to increase sales, it can be as easy for them as offering some different paint colours particularly those which have been used in the past but are uncommon.
Like the green apple colour was cool, and the dark night colour option was even cooler.
OP I get your point though, they could add a small and cheap improvement, but it's not likely. Change happens really slow for Fender, they took an absolute age to release a 5 String Precision.
For a company that use to be a leading innovator they sure do seem to be resistant to innovation, I think it's quite sad especially when the founder was a continual tinkerer, striving to improve his own designs, maybe that's the reason, the true source of innovation for that company sold it and moved on.
The six string bass in it's B0-C3 configuration has been around for quite a while, most manufacturers offer six string models in their range, maybe fender will have a release date for a 6 string Precision at NAMM 2060. I could be wrong but I think Fender have made only made two B-C 6 string models, the first being for Tye Zamora and the second being for Steve Bailey, I'm not sure if Tye's model was ever for public sale but I think the Steve Bailey one was available for a short period of time.
One day there be abundant string retainers for all, Fender B-C 6 string basses with 24 frets, and some successful new models designed by the current staff at Fender. That's a gonna be a good day.
Not sure that's accurate. Apart from a six-string P bass, neck-thru basses, or light wave technology, what do you feel has been missing in Fender's lineup? Surely there must be vast chasms that need to be addressed, otherwise there wouldn't be so many "why can't Fender...." threads popping up on the ever-demanding, never satisfied Talkbass.
I doubt anyone on this forum can name all the various Fender bass models that have come and gone over the decades. Nor all the pickup variations. Fender has had so much bass and guitar gear to offer I don't see how anyone can keep up with it all, or would even want to.
Certain things like a 6-string P bass or a light wave equipped bass are so "niche" that it seems unrealistic to expect Fender to offer them. I don't know why people think Fender is supposed to provide for absolutely everyone's whims and fancies, no matter how esoteric.
Apparently "heavy is the head....". Cheers.
All that tells me is that Sadowsky sales have grown to include less serious players, many of whom never learned how to install strings correctly. The "newest design" means that by default, until recently there was no "problem" to be solved. Which makes perfect sense, as Sadowsky owners were typically more serious, seasoned players who understood the basics.
Besides, what did you expect Sadowsky to say?...."yeah, we know they're not really needed, but for marketing purposes we've decided to add an extra little feature to appeal to a wider range of buyers, including those who can't/won't learn how to install strings the right way".
They include less serious players because they have string trees? Isn't that a bit of a stretch? Should we say the same for inlays?
No, maybe look through the other end of the telescope? Because sales have increased (to wit; the Metro series) to include less serious players more than ever before, might as well include a feature that may seem important to them. Their previous clientele already knew there was never a real issue with the original, time honored string tree arrangement, so why bother adding a superfluous gizmo?
The actual "stretch" would be to assume that Sadowsky, during all his past years of superb bass building, was somehow unaware of a "need" for a bigger string tree? Not likely.
I will say that having a tree that covers the 3rd string is a convenience. Saves the player from the agony of having to cut strings to the correct length. So there's that I guess.![]()
I can look through both ends of the telescope and see that improving a product as time goes on isn't evidence of catering to less experienced players... and that's without noting that the price of an instrument doesn't reliably indicate the dedication or abilities of the customer.
But hey, if flexing about stringing a guitar is where you're at in life, have a great 2021.
It's illogical to think that higher priced basses don't attract more serious and capable players. Who do you think has been buying them?....just dentists and hedge fund managers? It's so obvious that I can't take your point seriously.
I'll observe TB decorum and not give your "flexing" comment the retort it deserves.
Who do I think has been buying them? People that desire them and can afford them. Once again, nothing shows that skill is attached to the purchase price.
Feel free not to take my point seriously as it's only fair.
Search "stealth string retainer".Does anyone have a photo of the washer setup?
The vast majority of those high end basses are, indeed, bought by rich folks, or at least well-to-do. And yes, many of them play beginner-to-intermediate level and just want something good to play when they do. And it's a very good thing because without them, there is no high end bass market for the players who want them, can really play, and have to save for 2 years to buy them.It's illogical to think that higher priced basses don't attract more serious and capable players. Who do you think has been buying them?....just dentists and hedge fund managers? It's so obvious that I can't take your point seriously.
I'll observe TB decorum and not give your "flexing" comment the retort it deserves.
They're fine if you don't move your strap to different basses. But I do, and it's near impossible to do a quick change when you need it. So Straploks. Dunlop is my straplock bae.I've still not found any better solution to straplocks than rubber washers. Gave them up years ago.