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why fan-fretted basses?

if you read about the sound differences between longer and shorter scale lengths ... that might give some insight ... long scale , longer strings have More harmonic content ..! usually brighter/tighter ...
shorter scales therefore have less harmonics ... a bit warmer with less high harmonics going on ...

so maybe someone just can't choose between 34 or 35 or 36 " scale ... so with fanned frets you can have them all ..!! whatever floats your boat ...
 
Fanned frets look great and do feel great too, plus the harmonics and note accuracy if made precisely, are beyond what parallel can achieve... but then it's not that easy to discern unless you listen really really close .... They're not for me personally as I find I need a bit more space on the higher strings for what I do with chordal stuff, but still a great innovation that makes a lot of sense.
 
the B strings are to die for! nothing sounds like a dingwall, dont care what you say! fodera, smith,MTD! 37" scale is superior hands down! im a believer now....
It's true, both the B and the E have a different feel to them. They feel more responsive and articulate. Less muddy higher up the fretboard too, I find I have options on those strings I never have had before because of the tone and superior clarity
 
In the cursory reading I've done on these fanned fret based threads, the great sounding/feeling low B seems to be a constant. What I'm very curious about (and has likely been answered in the numerous threads pertaining to the topic) is how the high G string feels on a 4 string. Is there a compromise in regards to choosing certain string gauges for the higher strings...meaning does the high string end up being floppy as a sacrifice to the shorter scale length on that side of the neck?