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Why is modern pop music so terrible?

(By the way, Roger McGuinn said that he bought his electric 12-string Rickenbacker immediately after seeing George Harrison use one in "A Hard Day's Night." So... you're actually close!:thumbsup:)

I was spinning it around to claim The Beatles stole everything from The Byrds, pretty much because I have a bandmate that almost thinks this way (he loves The Byrds but can take or leave The Beatles,).
 
I was in Maine when it dropped. I was also a teenager and bought into the hype that it changed everything that has become the popular narrative. After media oversaturation I was over it and of the opinion it really wasn't that good. About a year after Cobain killed himself I got more critical and started to question the phenomena.

The first thing I realized is he wasn't a genius. Sorry to say it but it's true. The next thing I realized is how much of it was media manipulation. Hearing the soundbite from David Fricke from Rolling Stone saying, "Kurt Cobain was as close as this generation is going to get to a John Lennon," and realizing that was a load of crap. All of the hype about not seeing it coming when the last song he recorded was called "I Hate Myself and I Want to Die" and was hospitalized after the Hendrix Cocktail (wine and sleeping pills) in Italy 2 weeks before he ate the bullet. Then there was this little bit that I kept hearing after his death, "You know what Cobain said, 'It's better to burn out than to fade away,' ". Funny he must've told Neil Young that when he was 8 years old.

I started looking at his song structures and lyrics and saw a formula. I also noticed that the riff from "Teen Spirit" sounded like "Louie, Louie," and later learning that Killing Joke had been in the early stages of a lawsuit because the riff from "Come As You Are" is just "Living in the 80s" slowed down, that Cobain attested to it, didn't want to release the song because of it, and their management claimed that he didn't even know who they were. Killing Joke responded with a signed Christmas Card from Cobain.

Having played Nirvana songs in cover bands thinking "Oh crap! Another mumble in E minor followed by scream in G Major thing. More muttering about how depressed he is followed by a gun reference. And people are surprised that he shot himself."

The numerous parties in Youth Hostels where acoustic guitars came out and someone who had only been playing for 3 months would play Nirvana and sound better than the original. Then there is the irony of schmucks using "Polly" a song about raping a woman to get pussy. Then for the hype machine to laud praise on him and the scene for breaking away from heavy metals misogyny is laughable.

Then there is the press play response that I get from Nirvana fans when I actually question and critique the popular narrative. After the time I have spent reading about the music business and analyzing the popular narrative of the scene compared to business if I point things out and inconsistencies I get a rehash of the Kurt Loder, David Fricke music journalist popular narrative version of what happened. Told I need to listen to them more and analyze them deeper.

And I still say that if Cobain was a 40 year old with dreadlocks and a graying beard (which is a self description ) playing the exact same music at the exact same time you wouldn't have given a rats ass. The music business is still more about selling an image than music just like before Nirvana. The Music business is still about cashing in on trends just like it was before Nirvana. The terms of record contracts still suck just like that did before Nirvana. The industry is still looking for small independent regional scenes to cash in on just like they did before Nirvana.

You can stomp your feet and continue to scream that Nirvana changed everything but that isn't true. The only major change is that artists have more ability to run their careers, control distribution, and do everything that a record label does. And Nirvana had NOTHING to do with that. If you truly want to understand that side read up on Prince, and Frank Zappas lawsuits with Warner Brothers and Todd Rundgrens ongoing work about the internet and using technology for music distribution.

C/S,
Rev J

This may be an aside from the main point, though Axstar really nicely summed up what I was going to retort.

You sound remarkably like far too many of your generation who have zero sympathy for people who struggle with mental illness and addiction. A lot of your criticism against Nirvana, specifically Kurt, is centered around your perception of his personality and your opinion that he was a weak, whiny, immature individual. It is clear you view Kurt as an impudent and petulant child and not the adult he very much was by the time he died. Your analysis of what he wrote about is clearly distorted by this view because you assume any song he wrote about a negative subject was him whining in self-martyrdom when in actuality the vast majority of his songs are for the sake of others' strife. Even those that he shared in the hardship with (Lithium comes to mind) are not usually about his specific ordeal but rather a common problem within society. Frankly, in terms of your style of analysis the blues as a genre is way more inherently whiny and petulant than Nirvana ever was. (That is not my analysis of blues; I think blues is tragically beautiful in most instances.)

That is one criticism of Nirvana, specifically Kurt, that I hear way too often because it is frankly completely tangential to what they actually did as a band. Kurt had issues with mental illness and addiction (likely fueled by the mental illness) and that's not a basis on which to criticize anyone frankly. I'm not saying it gives him or anyone else a free pass on genuine criticism, but your critique all too often hinges on your perception of him as an individual which is driven by your misunderstanding of who he was.
 
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Well given the fact that I spent close to 7 years engaged to a woman with severe bipolar 2 disorder with psychotic episodes and myself have ptsd I can pretty much put that part of your argument to rest. It is a standard easy deflection that I am used to.

As for my "misunderstanding" and trying to pass my opinion off as fact. I keep saying he wasn't a genius. Given how small the actual genius population is it is a safe assumption that he wasn't. Also given his repeated assertions that he wasn't a genius I think that it probably should be a consensus thing. Kind of like the whole "Quit following me!" thing from Life of Brian.

Now how is this for criticism. Cobain threw up so many red flags about his mental illness it is almost surprising he didn't get the help he needed. But just like it did for too many before him the industry profited off it. His mental illness fueled his work and he made a lot of money for a lot of people. I guess that they figured if he killed himself it would spike record sales and that would be one less person to give a percentage to. (I can't believe I'm actually explaining this but that was a dark joke about Corporate America not making light of mental illness or suicide ).

And on top of all of that. I think what I have called the false popular narrative did as much to kill him as his illness did. He stated he was human and in pain. You said he was a genius and tried to make him something he wasn't. You said he changed everything. Yet he was still roped into a system that was exploitative. He said he needed help. You laughed and bought another album.

In general I am not sorry for my opinions. I have based them on repeated observation of facts.

I will concede that Cobains death is one of those turning point moments. Like any other major negative event like a school shooting etc. But I don't buy into the hype. I don't believe he was a genius, I don't believe his band killed hair metal, I don't believe he brought about any real true change.

Let's back off on the emotions a bit and really look at these arguments logically.

I've beaten the not a genius thing to death. I will let that one die.

Killing hair metal. Hair metal committed suicide on a combination of booze, cocaine and hair spray. All of the excesses it had killed it. It had ran its course and became a fat bloated corpse.

If you want to debate that then I ask you who or what killed grunge? Let's look at Nirvana contemporaries.

Alice in Chains went AWOL until Layne Staley died. Now is essentially touring as a nostalgia act with a new singer. Kind of like Quiet Riot (I cringed at that joke too).

Soundgarden with the exception of Chris Cornell (who in my opinion was a genius, great singer, sophisticated songwriter, plus he looked cool as hell) and Matt Cameron disappeared. Ben Sheppard was actually homeless before the reunion.

At least Pearl Jam is still active.

Even that stage of alternative rock had a strong image component. It's just that the elements emphasized in the image changed. I honestly believe people would've gotten tired of grunge and moved away from it eventually, the same way they moved away from psychedelic, glam, arena rock, punk, new wave, and hair metal before it.

The situation in the mainstream major label system is the same as it always has been. The contracts and structures of deals are the same. The same entourage or "Team" of people is needed for a record deal and they all taking the same amount.

So if you really look at it Nirvana didn't change anything. Irregardless if you are a fan or not put your fandom aside. Rather than look at it in terms of one band which is a really narrow, naive and shallow way of looking at it.

Read a couple of books on the bubusiness. Ask yourself how much of this has changed because of Nirvana or Grunge in general? Watch a couple of documentaries. Rather than say "Nirvana or Grunge killed hair metal". Sit and watch "The Decline of Western Civilization: The Metal Years, " which I believe came out in 89 and ask yourself could this possibly sustain itself?

It is kind of like checking advertising claims.

C/S,
Rev J
 
Yes...but where are today's Beatles, Stevie Wonder, the Who, David Bowie, Billy Preston, Earth, Wind & Fire, Simon & Garfunkel, the Eagles, Parliament-Funkadelic, Aerosmith, James Brown, Billy Joel, Isley Brothers, Elton John...well, you get the picture.

And remember - all of the acts I mentioned could easily be heard on the radio - no digging required.
sure but most parents thought all those were garbage.
 
Yes...but where are today's Beatles, Stevie Wonder, the Who, David Bowie, Billy Preston, Earth, Wind & Fire, Simon & Garfunkel, the Eagles, Parliament-Funkadelic, Aerosmith, James Brown, Billy Joel, Isley Brothers, Elton John...well, you get the picture.

And remember - all of the acts I mentioned could easily be heard on the radio - no digging required.
Tool, Radiohead, Muse, Snarky Puppy, Bonobo, GoGo Penguin, Kneebody, .... the internet means not much digging required. didn't anyone tell you music radio is dead? ;)
 
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People have been saying "new music sucks" for centuries. Nothing new.

- The Beatles are a bunch of mop top idiots
- Elvis is just grinding his body on stage.
- every new change in jazz is hated by the prior generation
- Most classical artists disliked Bartok and other 12 tone music when that came out.
- I am sure they were saying it about Mozart.
Bach and his damn breaking the rules.....
 
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Tool, Radiohead, Muse, Snarky Puppy, Bonobo, GoGo Penguin, Kneebody, .... the internet means not much digging required. didn't anyone tell you music radio is dead? ;)
Matter of opinion, of course, but your list doesn't match mine in depth or breadth. And music radio is far from dead - it just no longer yields the quality and variety of acts like the ones I listed.

And as far as any arguments about those of my generation wearing rose-colored glasses and forgetting the crappy stuff - refer to post #84.
 
Yes we get that you don't like Nirvana. There's no need to apologize for your opinions, but the claim that you are basing them on facts is questionable. You've watched a documentary? Fantastic. Let's let it go now.

If you want me to drop it please do the same.

If you don't want me to go off further in this rant next time someone else brings it up play referee and tell them to back off.

C/S,
Rev J
 
If you want me to drop it please do the same.

If you don't want me to go off further in this rant next time someone else brings it up play referee and tell them to back off.

C/S,
Rev J

You've come on here making ludicrous statements about Nirvana. You downplay their significance and assume anyone defending them is a fan boy. I was never interested in Nirvana. When they were reaching the peak of their popularity, I was baffled that so many people seemed so crazy about them. Even to this day I have never delved into their music very much. Overall, it doesn't much appeal to me.

However, I have no reason to deny their importance and tremendous influence. They certainly influenced bands that I like a lot. That means something to me. Nirvana was a very important band, period. That's just reality.
 
Yes we get that you don't like Nirvana. There's no need to apologize for your opinions, but the claim that you are basing them on facts is questionable. You've watched a documentary? Fantastic. Let's let it go now.
You've come on here making ludicrous statements about Nirvana. You downplay their significance and assume anyone defending them is a fan boy. I was never interested in Nirvana. When they were reaching the peak of their popularity, I was baffled that so many people seemed so crazy about them. Even to this day I have never delved into their music very much. Overall, it doesn't much appeal to me.

However, I have no reason to deny their importance and tremendous influence. They certainly influenced bands that I like a lot. That means something to me. Nirvana was a very important band, period. That's just reality.
Shush, you two. I'm trying to learn some musically irrelevant trivia about Cobain's aunt's virtue here.
 
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Nirvna spawned 'alternative rock'. I like Nirvana, however the 90s had so many copy cat bands with the same droll sound. Somehow we ended up with bands like Creed. Oddly enough, they sounded like Pearl Jam (vocally) and yet sold millions or records.

Anyway, these sort of 'opinions' can't survive false equivalencies.
 
Of all the Grunge bands, Nirvana, particularly Curt Cobain, were the most authentic. Cobain had an integrity and sense of "realness" that few others in the history of rock had. Dispute it; quote "facts"; have a fun time with it.

The fact is, I'm that old guy who always thought everyone's music but mine sucks, and I have come to realize that in thinking that, I was a complete, utter idiot.
 
...

As for my "misunderstanding" and trying to pass my opinion off as fact. I keep saying he wasn't a genius. Given how small the actual genius population is it is a safe assumption that he wasn't. Also given his repeated assertions that he wasn't a genius I think that it probably should be a consensus thing. Kind of like the whole "Quit following me!" thing from Life of Brian.

Now how is this for criticism. Cobain threw up so many red flags about his mental illness it is almost surprising he didn't get the help he needed. But just like it did for too many before him the industry profited off it. His mental illness fueled his work and he made a lot of money for a lot of people. I guess that they figured if he killed himself it would spike record sales and that would be one less person to give a percentage to. (I can't believe I'm actually explaining this but that was a dark joke about Corporate America not making light of mental illness or suicide ).

And on top of all of that. I think what I have called the false popular narrative did as much to kill him as his illness did. He stated he was human and in pain. You said he was a genius and tried to make him something he wasn't. You said he changed everything. Yet he was still roped into a system that was exploitative. He said he needed help. You laughed and bought another album.

In general I am not sorry for my opinions. I have based them on repeated observation of facts.

I will concede that Cobains death is one of those turning point moments. Like any other major negative event like a school shooting etc. But I don't buy into the hype. I don't believe he was a genius, I don't believe his band killed hair metal, I don't believe he brought about any real true change.

Let's back off on the emotions a bit and really look at these arguments logically.

I've beaten the not a genius thing to death. I will let that one die.

Killing hair metal. Hair metal committed suicide on a combination of booze, cocaine and hair spray. All of the excesses it had killed it. It had ran its course and became a fat bloated corpse.

If you want to debate that then I ask you who or what killed grunge? Let's look at Nirvana contemporaries.

Alice in Chains went AWOL until Layne Staley died. Now is essentially touring as a nostalgia act with a new singer. Kind of like Quiet Riot (I cringed at that joke too).

Soundgarden with the exception of Chris Cornell (who in my opinion was a genius, great singer, sophisticated songwriter, plus he looked cool as hell) and Matt Cameron disappeared. Ben Sheppard was actually homeless before the reunion.

At least Pearl Jam is still active.

Even that stage of alternative rock had a strong image component. It's just that the elements emphasized in the image changed. I honestly believe people would've gotten tired of grunge and moved away from it eventually, the same way they moved away from psychedelic, glam, arena rock, punk, new wave, and hair metal before it.

The situation in the mainstream major label system is the same as it always has been. The contracts and structures of deals are the same. The same entourage or "Team" of people is needed for a record deal and they all taking the same amount.

So if you really look at it Nirvana didn't change anything. Irregardless if you are a fan or not put your fandom aside. Rather than look at it in terms of one band which is a really narrow, naive and shallow way of looking at it.

Read a couple of books on the bubusiness. Ask yourself how much of this has changed because of Nirvana or Grunge in general? Watch a couple of documentaries. Rather than say "Nirvana or Grunge killed hair metal". Sit and watch "The Decline of Western Civilization: The Metal Years, " which I believe came out in 89 and ask yourself could this possibly sustain itself?

It is kind of like checking advertising claims.

C/S,
Rev J

I can't think of a single real genius that went around insisting they were a genius, but also I don't know if everyone means a literal genius. I doubt if I said someone like Chris Cornell was a genius you would've had any qualms or want to dissect their life to see if they qualify, but since you don't like Nirvana you see it as an easy thing to target.

You talk an awful lot about people deflecting for someone who has only given one actual relevant criticism about one specific song. What about the next song off that same album though? In Bloom is brilliant (I don't dare distract with "genius" anymore) and far less cryptic. Or Pennyroyal Tea if you need something that includes real-world references for it to not be too abstract.

Simply complaining that Kurt muttered and screamed hardly qualifies as objective criticism. Both songs I'm mentioning, along with many others, have sections of rather good singing, and I don't think Smells Like Teen Spirit really qualifies as screams anyway. I'd hate to hear your analysis of metal if Kurt's yelling on Smells Like Teen Spirit warrants an automatic detest for all things Nirvana.

Your lyrical analysis, well lack thereof actually, also shows that frankly you just don't like the band. Their sound doesn't appeal to you which is fine. I don't listen to them very often myself because it's definitely a certain mood and state of mind you need to be in. Just don't try to qualify your opinion as fact (or objective criticism).
 
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Nirvana was a good band with good songs. But they didn't change the scene. That is a view that has been put into people's minds afterwards. Nirvana success exploded in 1991-92. At that time, many bands from the previous scene were still having great success. They were not "killed" by the success of grunge.
If you look at it closer, in fact, grunge bands died just at the same time that the bands from the previous scene (that were formed by guys of the same age of grunge bands, with the only difference of achieving success earlier in life).
In 1992-93, Guns & Roses, Def Leppard, Extreme, Skid Row, The Black Crowes, MetallicA, Faith No More, and so on, bands from the previous scenes, were still on their peaks. OK, many of them struggled to pass 1994-5, but the same applies to Grunge Bands. After 1995, Pearl Jam, Soundgarden, Nirvana, AiC, STP, etc. were dead, decreasing in popularity and sales, resting, or breaking up.
So it was not a scene that replaced another. It was a scene that complemented another, and then came internet, CD reapers, industry focusing on more controlable personalities, and everything rock, metal, and related, started fading out in mass media and going back to underground, which is its roots anyway.
 
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I can't speak for national trends but in my little section of the country they certainly killed off the hair bands. AIC took some of the kids with Facelift right out of the gate, Soundgarden took more, then Nirvana and Pearl Jam took the rest. There were t-shirts being replaced literally overnight. I still remember the bass player in the "big" HS band wearing the Facelift t-shirt. I can remember girls liking heavy music for the first time. I'm not talking "Love Bites and Hysteria" type heavy music but actual distorted heavy guitars. Maybe the guys who graduated 3 to 5 years before me kept those other bands alive I don't know. But the years I went to HS 89-93, and the years I spent in the military 94-98 those bands you named were non existent among my age group. STP and the rest may have been resting or apart but the radio still played them like they were Journey, and of course the post grunge bands. Except for Metallica who of course by then sounded nothing like Metallica. For us they most definitely replaced a scene. I can see how someone just a couple of years older would have had a different experience though.
 
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Of all the Grunge bands, Nirvana, particularly Curt Cobain, were the most authentic. Cobain had an integrity and sense of "realness" that few others in the history of rock had. Dispute it; quote "facts"; have a fun time with it.

The fact is, I'm that old guy who always thought everyone's music but mine sucks, and I have come to realize that in thinking that, I was a complete, utter idiot.

I agree on the point about Kurt Cobain's authenticity and my own idiocy for the exact reasons you've stated.
 
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My take is this.
I dont hear melody anymore. Ive recently started looking hard at pop stuff from the 70's.. and I mean everything from the cheese to the clever stuff.. and what I hear is melody and interesting chord turnarounds.
EW&F, Bee Gees , Neil Sedaka, Eagles , Manilow, Jacksons, Philly Soul, Frankie Valli , etc etc and a ton of other stuff that we all love and hate in equal measure...the common thread, melody and clean musical arrangements/production.... to me much of todays stuff sounds flat and monotone in comparison.

THIS!!! ^^^^^

Been saying that for years.
 
Well given the fact that I spent close to 7 years engaged to a woman with severe bipolar 2 disorder with psychotic episodes and myself have ptsd I can pretty much put that part of your argument to rest. It is a standard easy deflection that I am used to.

As for my "misunderstanding" and trying to pass my opinion off as fact. I keep saying he wasn't a genius. Given how small the actual genius population is it is a safe assumption that he wasn't. Also given his repeated assertions that he wasn't a genius I think that it probably should be a consensus thing. Kind of like the whole "Quit following me!" thing from Life of Brian.

Now how is this for criticism. Cobain threw up so many red flags about his mental illness it is almost surprising he didn't get the help he needed. But just like it did for too many before him the industry profited off it. His mental illness fueled his work and he made a lot of money for a lot of people. I guess that they figured if he killed himself it would spike record sales and that would be one less person to give a percentage to. (I can't believe I'm actually explaining this but that was a dark joke about Corporate America not making light of mental illness or suicide ).

And on top of all of that. I think what I have called the false popular narrative did as much to kill him as his illness did. He stated he was human and in pain. You said he was a genius and tried to make him something he wasn't. You said he changed everything. Yet he was still roped into a system that was exploitative. He said he needed help. You laughed and bought another album.

In general I am not sorry for my opinions. I have based them on repeated observation of facts.

I will concede that Cobains death is one of those turning point moments. Like any other major negative event like a school shooting etc. But I don't buy into the hype. I don't believe he was a genius, I don't believe his band killed hair metal, I don't believe he brought about any real true change.

Let's back off on the emotions a bit and really look at these arguments logically.

I've beaten the not a genius thing to death. I will let that one die.

Killing hair metal. Hair metal committed suicide on a combination of booze, cocaine and hair spray. All of the excesses it had killed it. It had ran its course and became a fat bloated corpse.

If you want to debate that then I ask you who or what killed grunge? Let's look at Nirvana contemporaries.

Alice in Chains went AWOL until Layne Staley died. Now is essentially touring as a nostalgia act with a new singer. Kind of like Quiet Riot (I cringed at that joke too).

Soundgarden with the exception of Chris Cornell (who in my opinion was a genius, great singer, sophisticated songwriter, plus he looked cool as hell) and Matt Cameron disappeared. Ben Sheppard was actually homeless before the reunion.

At least Pearl Jam is still active.

Even that stage of alternative rock had a strong image component. It's just that the elements emphasized in the image changed. I honestly believe people would've gotten tired of grunge and moved away from it eventually, the same way they moved away from psychedelic, glam, arena rock, punk, new wave, and hair metal before it.

The situation in the mainstream major label system is the same as it always has been. The contracts and structures of deals are the same. The same entourage or "Team" of people is needed for a record deal and they all taking the same amount.

So if you really look at it Nirvana didn't change anything. Irregardless if you are a fan or not put your fandom aside. Rather than look at it in terms of one band which is a really narrow, naive and shallow way of looking at it.

Read a couple of books on the bubusiness. Ask yourself how much of this has changed because of Nirvana or Grunge in general? Watch a couple of documentaries. Rather than say "Nirvana or Grunge killed hair metal". Sit and watch "The Decline of Western Civilization: The Metal Years, " which I believe came out in 89 and ask yourself could this possibly sustain itself?

It is kind of like checking advertising claims.

C/S,
Rev J

Maybe we're splitting hairs here. But it's also ok to agree to disagree on things.

I'm gonna reset a little.

I am not now, and have never been a Nirvana fan. I don't dislike them. But I don't particularly dig them, either. I say that, because I am very passionate about a handful of bands that appeared around that time (Soundgarden/TOTD, Afghan Whigs, AIC, Smashing Pumpkins, Tool, Sunny Day Real Estate, to name a few notables). I must admit it was a formidable time for me, so I am biased. I truly remember thanking the universe for Alice In Chains the first time I heard them on the radio. I was so deathly ill of the glam/hairband thing. I wanted it to die a very painful death. So that is where I'm coming from.

None of my favorite bands of that era would have had the mainstream exposure they had without Nirvana happening. I'm convinced of that. Maybe it could have been another band than Nirvana. But it couldn't have been any of the above mentioned. Even Alice in Chains. Certainly not Smashing Pumpkins. I listened to Siamese Dream this morning in the car, and am reminded of this every time I hear it. One of my all time fav albums. And it simply never would have happened, unless something more accessible before it happened. I listened to Facelift recently, and recognized some 80s-ish to it that certainly wasn't there with Dirt. What changed? Nirvana happened, for one thing.

When I say Nirvana changed everything, I mean it changed everything at that time. They didn't change the music business for good. They didn't change the rock music "world" for good. Obviously. I mean, Limp Biskit and Creed happened less than a decade later. What they did do, however, is give the pop music world a much needed kick in the behind. They were part of a larger reset. But they were also a reset button. It was reset the size of hadn't been seen in too long a time before that. And that is significant. Whether it's cyclical or not is beside the point.

I don't think Curt Cobain was a genius. I do think Chris Cornell (RIP) was a genius. I do think Cobain was very talented. In many ways he wasn't very unique. He was an honest pop music fan, as some of my favorite songwriters always tend to be. He specifically wrote poppy, hooky songs with attitude, and had tons of influences he was very vocal about. He was geeky, awkward, and somewhat troubled. He didn't try to be anything he wasn't. He was Generation X.

Now, when I say that, I don't mean he was truly the "spokesperson of our generation". I think he was in many ways emblematic, maybe not so much of what our generation actually was, but what it was supposed to be at that time. We were Generation X. We were cynical and dissolusioned by the Reagan years, and sick and tired of being patronized by bad music and sitcoms. We remembered when we could see a Talking Heads video followed by something like Asia. We remembered that the best version of Sunday Bloody Sunday could only be seen on the video from Live at Red Rocks, and not from War or Under a Blood Red Sky. We remember waiting up to see the Thriller video release. We were pissed that what had defined our generational change from the 70s to the 80s (MTV) had by the late 80s become a cesspool of spandex, stage explosions, and cheesy guitar solos.

We were ready, pining even, for the exact opposite of all that. We were ready for Nirvana, whether we really liked them or not. The fact that Nirvana were not the Beatles, Zeppelin, or even U2 was kinda the point.

I don't disagree that music industry execs were very quick to get on board with the wave. And they were certainly smart enough to know what was going to sell. Alice In Chains had some serious momentum, and arguably broke the mainstream before any "grunge" group. But they were still too.... rock.... for everyone. Nirvana was not only more accessible to the masses, but they were marketable. They were Gen-X.