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It's because God plays G&L.
John
Gibson basses are most definitely out due to the inventor of the humbucker Seth Lover obviously being an occult cover name. Seth is the ancient Egyptian god of chaos, the embodiment of hostility and even of outright evil. He is also a god of war, deserts, storms, and foreign lands. Might mean if you use anything but single coils you are of the devil. Explains why so many worship leaders use Strats.
cdef said:I'm not religious and have never played in a church, but I get the impression that many preachers want to project an image of ostentatious affluence, so as to show that God looks favorably upon their congregations. Maybe this ties in with the preference for costly boutique instruments in a peer pressure scenario? (Disclaimer: this is not an attempt to bring religious principles into the discussion.)
You can't touch your P in church. You'll go blind!
Billy Low said:Yeah, I guess that's the part that I never got caught up in, as far as having what my favorite artist played. Never understood that much. I can say that I have tried instruments based on sounds that I have heard when others played them, but I have always approached the instrument from the point of having my own voicing as much as possible. I try to sound like ME! As much as I love Stanly Clarke, the only Alembic I ever wanted was an Epic 1. I dig Marcus, but never cared for his signature bass much in my hands. You will never see me with a Yin-Yang Fodera, no matter how much I dig Vic W0010, and there is no 7-string Conklin on the horizon for me a la Bill Dickens.
Maybe I'm just a different kinda cat.
I'm waiting to see how hard I will laugh when I bust out the Rumblefish and folks see the name REVEREND across the headstock!! This is gonna be rich!![]()
so just because we goto church we should play squiers?
Hmmm, I think I would disagree on this unless you're talking about the older cats. A good number of the younger cats are church bred and have little outside/secular experience. While some become monster players, many could not play outside the church (not that they'd want to). This has been my experience.It's not that complicated. Most Urban Gospel players come from a funk/smooth jazz background where boutiques are common.
Hmmm, I think I would disagree on this unless you're talking about the older cats. A good number of the younger cats are church bred and have little outside/secular experience. While some become monster players, many could not play outside the church (not that they'd want to). This has been my experience.
Hmmm, I think I would disagree on this unless you're talking about the older cats. A good number of the younger cats are church bred and have little outside/secular experience. While some become monster players, many could not play outside the church (not that they'd want to). This has been my experience.
I played this in church for a long time and no problem with tone.
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