Do you think the Bros Johnson were the inspiration for the MusicMan Logo?
The Ray predates the Brothers Johnson as a national act.
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Do you think the Bros Johnson were the inspiration for the MusicMan Logo?
Fair enough but that is what it have observed, for me though I find MMs sit in the mix great, I have had many compliments from audience members to sound engineers all stating the the punch and presence were remarkable, and it stays consistent when playing different spaces. It may have something to due with the 18v pre amp. To each his though, YMMV. And when the time comes to flip your Special hit me up! I’ll take it!Your statement is slightly ironic, but whatever. I've owned quite a few MM basses, but for me, they don't sit well in the mix and they end up being flipped and then I get the itch to try one again and it gets flipped, again. I have a charcoal sparkle Special 5 at home now that will probably be flipped in the near future. My Caprice is pretty good.
I owned a Classic and that body shape was beautiful and the two-band eq was magical. My eldorado gold had a roasted neck and ebony board too. But good grief it was one of the heaviest basses I had ever lifted. It made a three set gig an act of extreme endurance.Is it true the Classic has been discontinued? I have been putting money aside for a Ray. And I really want the slab body, bridge mutes and 2 band eq.
Fair enough but that is what it have observed, for me though I find MMs sit in the mix great, I have had many compliments from audience members to sound engineers all stating the the punch and presence were remarkable, and it stays consistent when playing different spaces. It may have something to due with the 18v pre amp. To each his though, YMMV. And when the time comes to flip your Special hit me up! I’ll take it!
I've played a Stingray only once, at a gig I was playing at several years ago. Some guy there told me he had his bass in his car, and offered it to me to play for a song or two. A Stingray! Played and sounded great, but it was a bit too heavy for me. At least I can say that I tried one.
. I do believe that is why MM decided to introduce the new Stingray Specials, I had a 2001 Ray the weighed close to 11 pounds. My 2019 SRS5 weighs just under 8 pounds, with the majority of them in the 8.5 to 9 pound range.I owned a Classic and that body shape was beautiful and the two-band eq was magical. My eldorado gold had a roasted neck and ebony board too. But good grief it was one of the heaviest basses I had ever lifted. It made a three set gig an act of extreme endurance.
Just asking because I remember reading this:The Ray predates the Brothers Johnson as a national act.
. Dollar store plastic huh. Whatever. people complain about the weight of the old design, then complain about the light weight tuners they designed to make the Specials lighter.You are correct about the necks though, once set I never have to adjust the truss rod.I am considering a Sterling, MM not SBMM, because it has the roasted neck and the older hardware. I'm not a huge fan of the hardware on the Specials. The tuners feel like dollar store plastic. Actually, I should have kept my original MM SR5 from ~2001 or so. It was unknown to me at the time extra light and the neck was incredibly stable. I don't think I ever touched the truss rod even with seasonal weather changes.
Who knows? I don’t have inside information.Just asking because I remember reading this:
“Brothers Johnson bassist Louis Johnson was a consultant to Leo Fender's CLF Research, from the beginning.”
I guess I’m just an idiot. Carry on...
. Dollar store plastic huh. Whatever. You are correct about the necks though, once set I never have to adjust the truss rod.
. Well I have not seen the black ones. The chrome tuners on mine feel fine. Did I mention my 5er weighs 7 lbs 14 ozs, just sayin.They do feel cheap, especially the black tuners
. Well I have not seen the black ones. The chrome tuners on mine feel fine. Did I mention my 5er weighs 7 lbs 14 ozs, just sayin.
I agree that I don’t like the new smaller bridges of the Specials, and I do prefer the old style open gear Schaller tuning machines (I have an old soul), but I have say that when I first inspected a Special in 2018, I was most impressed with the new tuning machines.I am considering a Sterling, MM not SBMM, because it has the roasted neck and the older hardware. I'm not a huge fan of the hardware on the Specials. The tuners feel like dollar store plastic. Actually, I should have kept my original MM SR5 from ~2001 or so. It was unknown to me at the time extra light and the neck was incredibly stable. I don't think I ever touched the truss rod even with seasonal weather changes.
I've also noted these issues, but feel the Special has corrected them. I'm very happy with mine.I will say this... StingRays are great basses, but, three out of four that I owned in my life had relatively weak G strings compared to my Fenders and Laklands. That's not to say they're all like that. But it's enough to keep me away from them. That and the fact that they're a little too bright sounding for me.
I am considering a Sterling, MM not SBMM, because it has the roasted neck and the older hardware. I'm not a huge fan of the hardware on the Specials. The tuners feel like dollar store plastic. Actually, I should have kept my original MM SR5 from ~2001 or so. It was unknown to me at the time extra light and the neck was incredibly stable. I don't think I ever touched the truss rod even with seasonal weather changes.
If only they would edit a Stealth Black version ... i d'become bitta untrue to the Bergers. *sigh*The slab body, egg pickguard the 2 band eq.... (sigh)
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