Aight guy's, I've been around for a while and though I'm really only a recreational bassist at best I'm still a bassist thru and thru. But I got a question : Why, in the last 5 or so years is it that anytime you see a video or live TV, is the bassist playing a P bass (or one that looks like it) ????? And, if that's what it takes for a pro bassist, WHY the hell would you spend $3k + on a bass of a different flavor ?? Just another FAD period? There was a time when if you saw a Funk group, the bassist was probably playing an Alembic or the likes.... and a washburn or Jackson on the Metal scene..... Anybody ???
In fact, P's have been resurgent for the past 10 - 12 years. And, surprise, surprise, same for Ampegs.
To some extent, what used to work still works. Shouldn't be a surprise, but maybe it is.
SOME TB thread topics can get into the tribal / high school popularity contest mentality zone. This has become one of them. On a larger scale, there is a "cool kids play P's" thing going on.
That dynamic isn't worth much consideration; given that there are more common issues out there. Like, ever checked out that really cool P sounding line on the semi recent hit Attention? Yeah, well that wasn't even a real instrument. Computer jive is actually displacing players now. The A&R jerkweeds are laughing all the way to the bank, and we are squabbling over cool kids playing P's in their bedrooms. LOL.
I generally play covers these days. I generally use Fender J variants that I've modified to be able to access ALL the cover tones, P variations included. Yes, the J can be made to do the P thing. Just referring to the source material, the P tones are correct for about half the material I play. So, a very important sound to cop.
I suppose if you are young, and somewhat optimistic, you'd be thinking about cultivating "your sound." The problem with that is the A&R folks are no longer seeking interesting solo voices. So, a potential career trajectory in that direction is much riskier than ever. For the moment, bass playing is more typically a support instrument. The P is perfectly fine for that role. But, additional versatility is not a bad thing, so long as that support basis is retained.
Regarding higher priced basses, they can certainly be better and more versatile instruments than the Fender, as long as the musician knows what is needed. You can't buy from the Ethan Allen catalog, though; you need some experience with the various components and construction details. Nothing wrong with them, except you can either go very wrong with them or very right depending on what you understand.
The more things change, the more they remain the same.