Wood resonance in basses

I do.

That and the ergonomics of a bass are top priority. I can swap out hardware and electronics all day.

 

By the way, this is not about "what it sounds like unplugged" so don't go there.

It IS about the response under my fingers to playing input. How much or how little input it takes to evenly and cleanly, how the instrument sustains or rounds off the string vibrations, etc. It's about FEEL, not sound produced un-plugged.

 

I test all basses unplugged first. If it resonates unplugged and I don't like the sound plugged in, I can always change the pups.

I think there aren't many threads on it because it is a given. .....maybe.

I sell/market gear to bassists and guitarists. IMHO, I think the bassists on this forum are more sophisticated and such topics than most guitarists I caome accross. Guitarists tend to be much more influenced by brand, artists and such.

 

My own personal experience, based on no scientific data whatsoever, is that a bass that sounds good unplugged almost invariably sounds good plugged in as well. There are many who believe that wood choice has no impact on how an electric instrument sounds, but I don't buy it. Case in point:

I built a full-size mahogany body for my old Steinberger XP-2 to replace the minimalist hard rock maple body. The neck, electronics, tuners, and strings are the same as on the old body, so the only variable is the new body wood. The bass now sounds completely different, more of a mellow, deeply resonant sound, where before it was very crisp and somewhat "sterile" sounding. A friend played the bass before and after, and made similar comments about the change in sound, so I know it's not just wish-fulfillment on my part. I firmly believe that wood choice has at least some effect, either positive or negative, on the sound. A tight neck joint or neck-through construction has a demonstrable effect on sustain. For the same reasons, you can pick up two mass-produced basses in GC with identical parts, finish, electronics, etc., and one clearly sounds better. I don't see how you can discount the wood as a sound variable in that instance.

 

In my limited experience, basses that are more resonant unplugged tend to have richer, more complex tone plugged in than ones that are less so.

 

"Time and time again, in the 6 string guitar world, many famous guitarists have used all kinds of cheap guitars on famous recordings."

J.J. Cale took took that notion to extremes:

http://harmony.demont.net/jjcale.php

 

The timbre is in the timber, but it's a crapshoot.

 

Owned a bunch and actually the loudest acoustically and most resonant are my favorite sounding instruments.
Not sure if I believe the science behind this resonance theory though. I have had a few that did not seem to resonant and were pretty silent acoustically and plugged in were amazing. So I'm on the fence here.

3 of my are very resonant including a Squier from indonesia! I bought that bass for under $100 and it is one of the best sounding J out of many I have owned.

 

Resonance is a science I don't quite understand, but I do know alder sounds best when the bass is unplugged. I think you're paying for looks pretty much when buying exotic hardwoods and all that.

 

... different world

.. like aged flats, and then on occassion even stuff a hunk of foam in front of the bridge ...

.. how long I can get a note to ring is a non-issue in my world, but I am always trying to develope better/more effective left and right hand muting techniques ...

... I can't say I ever owned/played a bass ($100 or $1000), that I wished had more 'sustain' on stage ... I have wished it was lighter, balanced better, neck was a bit different in some way, had different gauge/type of strings, etc (the usual 'stuff' OP sees regularly on TB) ...

JMHO's ...

 

I have couple basses that resonate very well unplugged, but are rather unremarkable in sound when plugged in. Not that they aren't good instruments, just that they don't have that "something special."

By the same token, I have one particular J that seems to lack any reasonable amount of unplugged resonance. But plug in and turn up and it's the sweetest Jazz tone of any J bass I've ever owned.

This may not be commonplace, but has been my experience nonetheless. YMMV

 

... they may, and/or they may not ...

.. in terms of a solid 'fundamental' note, we generally like it to resonate well, that would be using the 'intensified/enriched' definition of resonance ... however, in terms of duration, resonant can also mean 'ability to continue to sound', which would be nearly synonymous with the 'to keep going/prolong' definition of sustain ..

... easy to confuse or even misinterpret the intent of each usage in our particular application ... but for the most part, I agree with your comment ... I definitely like a bass to resonate well upon striking the note, but as I mentioned earlier, for my purposes I could care less about its ability to sustain that note on its own for an extended period of time ... I often scratch my head when I read on here about people changing to a 'higher mass bridge', etc. to increase their sustain ... do they mean resonance? or do they actually want the note to ring for a longer period of time? ... the two words may very well be intended to imply the same thing, and to the next person be perceived as something completely different ...

 

I always understood it to mean that they wanted the notes to ring out longer - which is what I always thought of as "sustain."

My experience with high mass bridges is a mixed bag. I feel that they offer a bit more sustain (see above) and enhance the brightness of tone somewhat. This comes with the added disadvantage, IMO, of increased sympathetic string vibration. I find myself having to dampen the unplayed strings more on basses with high mass bridges. Again, and as always, IMHO.

 

To me like most others here it seems, sustain implies time and resonance implies fullness. And I very much can correlate the sounds of my basses from unplugged to plugged. While some signal processing is additive, in other words provides net new information to the signal path, most of the signal processing for bass IMO is multiplicative in the sense that it enhances only that which is already there.

 

From what I understand, resonance and sustain are inversely related. i.e. The more of one, the less of the other. An instrument with a lot of resonance is transferring a lot of the strings' energy to the wood. On the contrary, the less string energy transfers to the wood, the longer the strings will ring...giving more sustain.