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That's kinda backwards IME. I love playing in a trio -- in that setting you're competing against very little, sonically. You have lots of space to occupy, and you can be plenty articulate with fingers. Where you need the punch of a pick's attack is when there are lots of band members filling out all that available sonic space.In my own experience I've found pick style works very well in a trio where punchy articulate notes work well against guitar chords /soloing.
Playing with a pick gives the bass some extra punch, thud and umph for a hard hitting blues riff trio.
make sure you have a shag carpet bass, and play it how you'd like.
If there are bass players in the crowd who are fans of the band & Dusty, they'll probably notice; Who cares though. Current ZZ Top bassist Elwood Francis uses a pick.
If the BL is cool with you using a pick, why sweat it.
Personally, I'd probably go with the Finger style, same as I'd probably go with a pick in an Allman tribute, trying to cop Berry's style and technique.
As far as your right hand feeling slammed by Dusty's 16th notes, that's usually a result of technique; Lighten up and don't work so hard.
Dusty used an anchored-thumb technique, fingers relaxed & slightly bent, and he let them "swing through the ball" on his strings, even using lower register strings as a backstop when plucking A, D and G strings.
Personally, I find finger style easier on my hand with the right technique than picking style is on my wrist, though my picking style could probably use some adjustment.
I agree with the sentiments that most people in the audience wouldn't care, even if you go fully in with the looks as well. As long as it sound good.
That said, I saw a RHCP tribute years ago that half-assed the look and the bass player just wasn't right. He dressed in the skeleton onesie which was great. But he was left-handed (okay, not his fault, and wasn't a problem either) and played a P bass with a pick. No funky finger style and absolutely no slapping.
IMHO, if you're going to dress the part and be in a tribute band of one of the world's most recognised slap bassists - scratch that - you really should try and do it justice.