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Would learning violin help with fretless intonation?

There are multiple "schools" of BG fingering, making it hard to give an absolute answer, but I was taught to hold down those extra fingers on BG as well as DB.

I started on cello as a kid, and taught myself BG while in high school. When I finally took my first BG lesson, I already owned a DB that was unplayable, so my BG teacher knew that I was headed towards the DB. So he taught me strict DB fingering. At first it was awkward to give up my 4-finger technique, but it just took a few months of getting used to. One thing that helped was that the new technique was systematic, i.e., I always approached a particular thing in the same way, so that the good things could become habits.

If I ever think that the traditional technique is slowing me down, I just watch some videos on YouTube of the great bassists.

If another teacher had taught me a different but equally systematic technique, I might be singing its praises instead.
 
It does make a lot of sense though.

In my first and only BG lesson, my teacher (who I believe was primarily a DB player) taught me this method, but I really didn't see its merit at the time. It seemed to slow me down, likely because I wasn't used to it, and he still maintained the one finger per fret technique, which even though I have large hands, it caused some strain in the first couple of positions.

I only worked on this technique for a couple of days and gave up, but on a fretless, with a 1-2-4 system, its benefits are obvious so I will work with it. Also, since I hope to get into DB one day when I can actually afford it, it may be worthwhile to get my fingers used to this now.

And actually, a couple of months ago, I was trying to find a way to help keep my non-used fingers close to the strings, and found this technique to help a lot, so I would gain some speed in this regard.

Thanks a lot,

Matt
 
Also, would working through a DB technique book, like the Simandl, be beneficial to developing a proper technique?

Bass literature is hard to find, at least a hard copy you can look at before purchasing. If a book has tabs I will not buy it. I ordered the Simandl and think it was a very good book to work through. I like Internaional Music Company the best. Other editions can be hard to read. IMC's is laid out very well.
 
It might help you ear and make it easier to hear when you're out of tune on you bass, and maybe give you a better understanding of orchestration. However, learning to play violin is something you should do if you want to learn to play violin, not get better at bass.