Some of you more mature guys, I gotta wonder if you couldn't see it in your hearts to place this solo interlude in the context of a concert where a band is doing most of the numbers, and imagine what audiences are feeling and hearing. Not all musos in the audience, but real people who still have the capacity to be amazed with no other agendas or conflicted ideologies to get in the way. They are hearing presentation of melody, reharmonizations, cool magic tricks, a couple of grrove treatements, and then final restatement of theme. And these live audiences always seem to diplay appreciation for the gift given and the talent and gazillion hours of honing it. Why beliitle the combination?
On the other hand, as a bassist and musician, I admire a level of technical dexterity that I will never have a tenth of no matter how much I practice, and it seems to be married to an incredible mind that sees and understands musical possibilities and can showboat in a way that attracts people to become fans and to hear the other music these guys make too, all while connecting emotionally.
I usually don't post much in music threads because there is so much callow pulling-down on the flimsiest of pretexts, and people seem to not appreciate any but their own own chosen approaches. Anyway. Where are the Jacos, Roccos, and Vics of the next few generations going to come from if instead we just let the bar be lowered rather than to say it has been set high?
Will the electric bass role best be served by becoming for the most part once again just the low string of the guitar repeated an octave down, or an oom-pah instrument? ; }