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NBD - Squier VI

Stringjoy makes a 26-95 set that approximates what I have in my bass vi, and my friend gravitates to a similar set but he custom ordered a single or two there arrive at the same gauges. Stringjoy also makes a lighter set that I’ve considered 24-90.

I’ve been curious about the La Bella offerings. I think those might be what came stock on my vi. Their site shows a stainless set is an option and I might give those a shot.

Double Bass Esperanza Spalding bringing jazz and dance together again

Much of the music is on the highest artistic level, but is fundamentally dance music, enjoyed by millions daily in Latin countries and around the world.

Sorry to hijack the topic again from Esperanza Spalding, but I agree with this very much. From where I'm from, the most popular form of jazz is bossa nova. And we hear a lot of Latin music (i. e. Mas Que Nada, Oye Como Va).
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Two Notes Audio User Group

I went a little off label with Genome. I have a solo project where I do some punk-meets-EDM cover songs for a laugh, and generally do everything in software (synths, loops, sampling, vocoder, effects). I got curious what a bass synth patch from Massive would sound like going through the Genome Mesa 400 and PH1000. Well, now I know, and you can too. It's right up front at the 0:10 mark.
No bass guitar here.
If you're a Misfits fan, I'm sorry :bag:
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Ha! Awesome! I run quite a lot of synths through amps actually - you can get some great colour on your synth tones that way for sure! Thanks for sharing!
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Another nail in the Tonewood Coffin?

Does the Kubiki count as a plywood instrument? Multiple lams of maple glued up the right way?

Personally, I think plywood can be superior for some things (better neck block/heel block for acoustic guitars, because less likely to split).
However, I find solid wood way more pleasurable to shape and work with.

I'll be laminating up some sides for one of my bass attempts (the Larait knockoff in Mezzaluna profile). I'll probably be using some basswood windowblinds I have sitting in my scavenged stash of stuff.
Many acoustic luthiers now make 3-ply laminated sides with the middle layer cross-grained so you could call it plywood. Taylor does it and not just for economy. The sides are much more rigid (a good thing) and there's no more risk of cracked sides if the instrument gets a bump. Top-class bespoke luthiers also do it for the same reasons except economy doesn't really come into it when they are working with something like Brazilian rosewood or 'The Tree' mahogany. To paraphrase Ben Wilborn, "It tends to concentrate the mind when you're working with wood that cost more than your car". Espacially if the customer supplied the wood!

Pickups for 3 pickup bass

In this case, a "mode" is a fixed mix of the pickups. Each mode has it's own loading tone circuit, including a load capacitor, and different tone capacitor values. And there's a master volume control, which is wired the right way - not backwards like on a J bass, so that it turns down the volume, without changing the sound. There are a lot more usable sounds in that bass (at least for how I play) than in a regular VVT wired J bass, and there are sounds you simply can't get out of a standard Jazz. Yes, a Jazz can do other sounds - the parameters that are controllable in my cifrcuits are different from the ones that you have on a standard circuit. The user interface, with a tone control for each mode, allows you to dial up two sounds, and switch between them, literally with the flick of a switch. Or, when you're playing one sound, you can dial the other one to a different sound, without changing the one you're currently using. Also, although the pickups are single coils, there is no way to get a sound that hums with this bass.

A VVT user interface to me, is something where the designer decided "I don't know how people are going to use this...here's some controls, good luck figuring it out". Sure, if you spend enough time with one, you figure out workarounds for the drawbacks of that interface, and maybe you get good at turning 3 knobs to precise locations in a hurry, but to me, this interface is much more usable. I re-wire basses (and the occasional guitar) for people, and one of the things we talk about before I design a circuit for an instrument is how they are going to use it - I don't end upi doing VVT circuits for anyone - if that's what they want, they don't come to me.
I think if I'd have written "baseline" instead of "mode" in my previous post, I would have been more accurate. But either way, I can see that gives you two noise-free ranges of sounds, and I think it's brilliant!

Short scale string thru mod

I have a 30" scale semi hollow bass recently bought and have been told creating string thru body channels will increase performance. Can anyone with experience verify? My American Pro 2 jazz fretless , which is string thru as well as a top loader bridge doesn't seem to make a diff either way. This SS is the recent red hot longhorn Dano.I do not plan on changing out the original bridge. Anyone with optimum string recommendations please?

Now people can stop saying the glued neck and 33,25" scale makes the tone of a Rick bass.

I wonder if the Scott Pilgrim references are a sly joke, or an ironic oversight...

In the movies infamous "Bass Battle", Scott, and his trusty Rickenbacker face off against Todd, and his Fender Mustang.

Todd wins the battle, blasting Scott through a wall.

The only problem is the actors are miming to a real bass battle, improvised in the studio by Justin Meldal-Johnsen (standing in for Todd, playing his now iconic Mustang), and Jason Falkner (standing in for Scott, with a Rickenbacker 4001)... and Jason only goes and wins the bass battle.

So, in the movie you're seeing a Rickenbacker 4001, but hearing a Fender Mustang - and you're seeing a Fender Mustang, but hearing a Rickenbacker 4001.

I guess this video goes some way to solving that problem; he just needs to do the short scale version.

Double Bass Radial Engineering PZ Pro

True, I don't question what they say, I've read the specs a number of times. All I can say is that the specs are not where the rubber meets the road for the e604 on a double bass. I use mine on stage all the time as well as in the studio -- my playing may not be the most polished in the world, but I consistently get very positive reviews for sound of the bass.
Ok, I am genuinely glad to hear, of course, that this is working for you.
You know I’m going to site one of the numerous TB threads on this subject.
There are specs that we are all familiar with, and that give us guidelines and means of comparison amongst the various options out there. I didn’t say that this particular Sennheiser wouldn’t work, I said it’s “not the best choice”. And I’m not talking about apples to oranges here, $150 to $15000. It’s just not the best choice for many people.

Put another way, by Sennheiser’s own design engineering and marketing, this mic was not designed for this application. If you brush up on your German and talk to the head of engineering (I’m joking about the German), I’m very sure that they would recommend a different Sennheiser mic.
That’s all I’m trying to say.
The joking about speaking German comes from my experience traveling to Bremen twice yearly for 15 years for factory training with ThermoFisher Scientific. 😆
Fantastic experience.

https://www.talkbass.com/threads/mic-for-live.1688497/

P.S. I glad to hear that this works for the OP as well. No need to do anything further. Enjoy it and make beautiful music. 👏

NBD Sadowsky MetroExpress PJ 5 - Will Lee

That’s cool they started putting in the Will Lee preamp. When these MX22 first came out, it was only the 2 band preamp. These are such good basses for the price, but sadly in my experience, every single 5 string from the Metroexpress line has noticeable neck dive (which my body can’t handle). The 4 strings are usually well-balanced though.

The MX tuners look lightweight, but they are not.
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Ultralight tuners to fix the dead spot in a P bass?

... i should add not just hearing it, but feeling it as well. the way the instrument resonates changes, and i can feel it physically. perhaps that is linked to my hearing somehow?
i'm more inclined to suspect the byproduct of messing with the inserts was the process of taking the neck off, resulting in a change to the actual neck/body connection when put back together

especially if you do the trick of loosening those bolts a 1/4 turn while tuned to pitch so as to pull the neck down hard into the pocket, then re-tightening, sometimes that can "wake up" the bass a little tiny bit
Inserts screw into the wood in the same way that the regular screw do, so from that standpoint there's no difference. It there's a chance that the wood screw might work loose, there's double that chance with both the screw-in insert working loose and the bolt working loose from the insert. (actually neither is very likely).
i found a very interesting youtube video where a guy tested various methods of holding a 1/4-20 screw in hard wood, including installing inserts, and he found that the strongest method was not inserts at all but rather threads straight into the wood, then "chased" with thin CA glue to harden them up before installing the screw!

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3 Strings Or Less Club

You've all inspired me to remove a string from my stick bass (the one in my profile pic). It was made with a plank of wood found at a demolition site and was never really wide enough for 4 strings in the first place. Piezo pickup should be fine as is but I'll have to fashion a new bridge and nut for it.
3 strings is more than enuff for sure. The Three String Double Bass

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How do cabs even work?

All sounds are about moving air, especially low frequency sound. Ported cabinets move more air, thus more sound.

Is it good sound or crappy sound? That’s where the math comes in.
Ported cabinets don't necessarily "move more air", they "move air differently" which is why drivers for sealed cabinets are designed differently than for ported cabinets.
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Double Bass AER vs GR Bass combo

On my GR 800 Cube there’s a small button above the Master that controls the LEDs. Other than the light show that happens when you first power up the unit, I’ve set mine for the lights to only come on when the amp is muted for tuning.
Yes, it’s in the user manual.

https://www.grbass.com/media/2018/03/manuale_one_web1.pdf

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