My Glarry mods
- By lark_z
- Basses [BG]
- 23 Replies
All done. A tad over 7 lbs. No neck dive, the Hipshot (USA) tuners fixed that. Letting it settle down. Very pleased.
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Ah that's nice to hear! Yeah, def had that old timey vibe to it: 75% variety show, 25% community theater haha. One of most odd and frankly somewhat out-of-character gigs I've done in a long while. But it was earnest, heartfelt, and seemingly deeply meaningful to those in attendance.Quite a few personal audience videos on YT; you and Jason rocked! Talk about an old timey style “Hollywood Cavalcade Of Stars”, the finale was touching.
Yeah I believe they are. The guy is super nice. I like them but the tone difference is enormous between it and the telefunkin. They dont come to a point at the end unfortunately. Im gonna talk to him about an upgraded design here soon so well see! Guy makes really cool picks he sent me a bunch extra.Are those actually carbon fiber or just textured like carbon fiber??
That looks nice!!
To me that’s money well spent. That bass is no longer just a bass. The loss of your little girl is tragic but you found a hell of a way to pay tribute to her!The story of my 1995 Fury and how it became a tribute to my baby girl.
Back around 2008 a friend gave me their 1995 Fury because it didn't work. Said if I could fix it, I could keep it. Turns out the pots were shot and the pickups were dead (it sat in a closet in a damp basement for a long time).
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In 2009, I stripped and refinished it with a rattle can. Added all new pots, jack, and wiring as well as a SD quarter pounder pick up. (Next pic is me playing it in 2009). A few years later, my oldest son borrows it for a show and it gets knocked off stage and damaged again (including a cracked pick guard). I Franken fix it and go on with it (next couple of pics).
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In 2022, my youngest daughter passed away at 3-1/2. She had Down Syndrome and she was my world. I was devistated. She would sit and play her toy guitar while I would play at home. She loved music and I loved our little duets together.
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Last year, I decided to fix the Fury again, only this time as a rememberance and tribute to my little girl Charlee.
I sanded it down again, purchased all new hipshot hardware. New pots, new everything... Including a custom pickguard from alperious custom pickguards. I designed it. He made it come to life. In this pickguard is my tribute to my girl. Blue and yellow (the colors for Down Syndrome awareness), her name in the outlines around all the different areas showcasing the things she loved like flowers, and butterflies, Frozen, and silly socks... T21 for Down syndrome, "The lucky few" a moniker for those of us fortunate enough to have a down syndrome child in our family. And lastly, her birth and death dates.
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I had a local friend and Luthier paint it properly with a nice nitro translucent finish, as well as refret the neck with banjo frets (personal preference). Lastly the Peavey Fury logo was removed and replaced with her name.
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It took a year from start to finish, and more money than I should have probably invested in an old Peavey, but to me... This is my jewel. A physical reminder of my happiest days. I've already played out with it once at church, and she sings beautifully.
Tomorrow marks the 4 year anniversary of her passing. It going to be a hard day. But I think I'm going to sit on the couch, put her little toy guitar next to me and play a little bit like old times.
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I did try to order another Vanderkley 2x10 LNT cabinet, but the Vanderkley page was not there anymore. I have one allready a 210 LNT and a 212 LNT, two 210MNT and two Vanderkley Spartan amps. So now I am looking for a new, or mint second hand 210LNT.It looks like Vanderkley's website it down. So is there Facebook page. Their Instagram is up, but it hasn't been updated in a few months.
My Spartan is still one of my all time favorite amps... I would hate to see them go. Last time I talked with Mark, he was working on a new amp design.
For sale?NCB (New Cab Day)
Received my Vanderkley 210LNT from Marc yesterday. This cab can get LOUD but still remain clear, warm and punchy as hell. I am pairing it with Marc's Spartan amp.
Specs:
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- Model: 210LNT neolite
- Configuration: 2×10” Neodymium drivers + tweeter
- Power: 1200 Watts AES
- Impedance: 4 Ohm (8 Ohm on request)
- Freq. response: 40 Hz – 16 kHz
- Sensitivity: 100 dB 1W @ 1m
- Dimensions: H x W x D, 59 x 50 x 41 cm
- Weight: 20 Kg / 44 lbs
There was a thread on TB about a shop that was willing to look at Walter Woods amps. Maybe he can help you.Unfortunately my Lundgaard amp stopped working. My local tech guy cannot find what’s wrong and thus can’t fix it. Of course I tried contacting Jesper but no reaction there. I know it’s a very rare amp but does anybody by chance has any experience fixing an amp like this? It has an IcePower module. Those are supposed to be very reliable and sturdy. Has anyone here had IcePower failures?
It sure makes me consider the importance of service for special gear. Years ago I had a problem with my Acoustic Image Coda but at the time Rick Jones was still alive and he solved things quick and cheap. If now something would happen to my AI I would be in big trouble. The same reason why I avoided buying used Walter Woods or Elin amps. Great sound but no one can service these and any problem would be major. Sometimes this forum can help us out. Recently I had a problem with a mid driver in my Euphonic Audio VL208 and a member pointed me to John of this defunct company who solved the issue.
Actually released mid-November, 1971.The Fragile album came out in 1972.
Yeah, I realized that a long time ago, but I had to recently point it out to my wife, as she and I(and probably a third person)are going to perform it at an area music festival in October. Thing is, we’re not a surf band(although ironically Dick Dale’s son Jimmy is slated to perform at this event), we’re a duo of guitar/bass and her on electric harp(with alot of effects pedals), plus a possible added cello player(using effects as well). Our goal is playing spacey ambient improv pieces, with occasional cacophony thrown in, plus structured songs fading in and out to anchor the proceedings.Very cool! After you posted that, I YouTubed it, and you are spot on!![]()
Thankfully the H90 and the new updated H9 seemed to have ended that model for Eventide, at least in the pedal world!I think pay to play kind of started with eventide h9? I have two of them since forever and they started in basic form and got upgraded little every month.
Until eventually getting ”max” status. As much great things I’ve got out of them, I can’t say I liked the pay for effects thing was.
I would never go that route again…
Hey nice Handmade WL DX4 I have one also, the Handmade series are very much one of the best Jazz ever made. I’ve watched factory tour and it’s impressive how much attention to details they put in crafting their instruments without CNC machines, if they were to be a western brand they’d easily be comparable to Sadowsky NYC/Fodera.If you want to take that bass to the next level, drop in an Audere preamp. Pretty much plug and play, you will have an entirely new bass in regards to tone.
I put Audere preamps into both my Japanese Bacchus basses. They both sound incredible!
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You're not alone. I'm 50 so I don't care anymore. I've been out of every possible loop for decades at this point hahaStill never heard of him or the Tony! Toni! Tone'!.
The ox blood is cool, but I attracted to the racing green. Would probably get a matching racing stripe. Decent price for a Fender these days.I like them both. I'd go for the British Racing Green if I had to choose between the two.
