I posted this pic in the Sadowsky thread, but I'm so jazzed (pardon the pun) on this collection that I thought I'd put up a thread.
Hopefully, some who are interested in these 'upscale J type' instruments will enjoy seeing them side by side for perusing body shape, headstock design, size, specs, etc.
On the left is the Alleva LM-5... about 8 pounds or so (harvest gold), full size body, Alleva single coils in 70
's position, and custom Alleva two band pre, 34" scale, relatively low radius 9.5" board. This is a very 'Fendery sounding' and feeling instrument, and even though it's active, it sounds very organic and passive. This is about as close as you are going to get to a late 60's, early 70's J bass that happens to be 5 string IMO. It has an active/passive switch and sounds GREAT in passive mode also.
In the middle, my shiny new NYC MV5... non-routed reduced size ash body (8.6 pounds, trans-orange), Sadowsky single coils in 60's position, 34" scale, relatively flat 12" radius. This bass is very aggressive (big mid punch, very raw, grindy upper mids and top end). This is kind of an 'updated J sound'... I wouldn't call it a 'J on steroids', but more a modern, active sounding version of a true J. It definitely has a lot of 'J character', but is not 'passive Fender sounding' at all, if that makes sense. It has a passive/active switch, but these basses are really meant to be used with the preamp IMO.
On the right, the mighty Celinder Update 5... just under 11 pounds, full size ash body (trans cobalt blue), custom Celinder split coil J pickups in 70's position, 35" scale, relatively flat radius (not sure of the exact measurement) and custom Celinder/Greengrove pre. This bass is the definition of that 'Marcus Miller' J bass on steroids thing.. HUGE low end, uber sizzly treble, very 'fast' slap response, and surprisingly single coil sounding given the HC J pickups. The birdseye neck/board is about as good as it gets, and the gloss neck finish really cops that 70's vibe. Due to the unique and wonderful 'active blend' type control, there is no passive operation option on this bass, but it's all about aggressive, active tone anyway.
All these basses have a passive tone control... a very nice option to have IMO.
Hopefully, some who are interested in these 'upscale J type' instruments will enjoy seeing them side by side for perusing body shape, headstock design, size, specs, etc.
On the left is the Alleva LM-5... about 8 pounds or so (harvest gold), full size body, Alleva single coils in 70
's position, and custom Alleva two band pre, 34" scale, relatively low radius 9.5" board. This is a very 'Fendery sounding' and feeling instrument, and even though it's active, it sounds very organic and passive. This is about as close as you are going to get to a late 60's, early 70's J bass that happens to be 5 string IMO. It has an active/passive switch and sounds GREAT in passive mode also.
In the middle, my shiny new NYC MV5... non-routed reduced size ash body (8.6 pounds, trans-orange), Sadowsky single coils in 60's position, 34" scale, relatively flat 12" radius. This bass is very aggressive (big mid punch, very raw, grindy upper mids and top end). This is kind of an 'updated J sound'... I wouldn't call it a 'J on steroids', but more a modern, active sounding version of a true J. It definitely has a lot of 'J character', but is not 'passive Fender sounding' at all, if that makes sense. It has a passive/active switch, but these basses are really meant to be used with the preamp IMO.
On the right, the mighty Celinder Update 5... just under 11 pounds, full size ash body (trans cobalt blue), custom Celinder split coil J pickups in 70's position, 35" scale, relatively flat radius (not sure of the exact measurement) and custom Celinder/Greengrove pre. This bass is the definition of that 'Marcus Miller' J bass on steroids thing.. HUGE low end, uber sizzly treble, very 'fast' slap response, and surprisingly single coil sounding given the HC J pickups. The birdseye neck/board is about as good as it gets, and the gloss neck finish really cops that 70's vibe. Due to the unique and wonderful 'active blend' type control, there is no passive operation option on this bass, but it's all about aggressive, active tone anyway.
All these basses have a passive tone control... a very nice option to have IMO.