Ninestring said:
It's nice to read this! I didn't think anyone was interested in microtonality on TB.
"Just" as in "true" intonatation hasn't been "tempered' equally to sound pretty."Mean" tone is another term.I enjoyed playing blues changes,then shifting up a fret to get the "doppler' effect .It does take a moment to get used to.
My brother actually created automated acoustic sound sculptures back in the mid 70's.There was a guy,Ivor Derrig, who made sub sonic 17+ tone guitars that were about 6' long. The "Just" intonation would place fret spacing at unequal spacing,so fingering was interesting.
i am sure somebody has at least the 19 tone measurements for a fretboard.That's closest to a regular bass spacing.I sold my 19 tone bass a while ago(couldn't find anyone who would play with me!).
Well, I've be
into microtonality, granted that was due to one of my absolute best friends and influences in the Boston area (Paul, mentioned earlier), but I have only messed with the various guitars he owned. I'm glad to hear that there are bassists out
there that are involved in microtonality and TB'ers that are knowledgable
here.
Garry, Do you have any pix of that bass?
For those of you that are interested in Harry Partch's work:
http://www.harrypartch.com
...this is an example of his marimba that he built.
As for Catler, until now I only heard/knew of him what my friend mentioned to me, here is a fretboard of his (non-magnetic board though):
Man that must have been a b!tch to do the fret work on!
Ed,
Always glad to see your posts~! Joe Maneri is Matt Maneri's dad from what I know, I used to see one of Matt's groups around Boston from time to time:
Natraj (indo-fusion-jazz). Don't know enough about Joe other than he is/was a teacher at NEC and I lived in the area at that time. What I do know is that Joe is the founder of
Invalid Link Removed... I think that I'm going to be doing a bit of reading during my lunch break today

.