- Oct 7, 2000
- 18,619
- 38,939
- Disclosures
- Endorsing artist: Musicman basses
...that might be helpful to others??? any tricks, and new insights, discoveries?
few things I've learned.
contrary to some debate here a while ago, you can (or should I say I can) absolutely practice bass when I don't have my instrument around. when I'm learning new songs I can go over them while driving and practice till I get it right. i've started drives screwing up songs, and ended them with the ability to play them without mistakes. I gotta know the song first of course. then i can practice like that. just thinking it through.
as I just posted in another thread i started - If I want to land a gig then the goal is not to get the material right, it's to learn it till I never get it wrong.
entertaining an audience and making money in music have nothing to do with chops. and the only way your chops are gonna make any difference is if you're one of the top 10 players on the planet. and even then it's questionable.
ed friedland's book, walking basslines, is an excellent book to help add some color to yer chart reading.
the most important thing for me in any gigging situation where someone is paying me is learning to keep my mouth shut and smile. being on time goes without saying.
i've probably got lots more - but i want to open it up.
few things I've learned.
contrary to some debate here a while ago, you can (or should I say I can) absolutely practice bass when I don't have my instrument around. when I'm learning new songs I can go over them while driving and practice till I get it right. i've started drives screwing up songs, and ended them with the ability to play them without mistakes. I gotta know the song first of course. then i can practice like that. just thinking it through.
as I just posted in another thread i started - If I want to land a gig then the goal is not to get the material right, it's to learn it till I never get it wrong.
entertaining an audience and making money in music have nothing to do with chops. and the only way your chops are gonna make any difference is if you're one of the top 10 players on the planet. and even then it's questionable.
ed friedland's book, walking basslines, is an excellent book to help add some color to yer chart reading.
the most important thing for me in any gigging situation where someone is paying me is learning to keep my mouth shut and smile. being on time goes without saying.
i've probably got lots more - but i want to open it up.
