Hey guys. A really quick post and thread on the 410UL I vs. II.
There is a lot of interest in the 410UL since it is one of the lightest and loudest full size 410's on the market. I've been using the original 410UL for quite a few years now and really like it. Given this is my favorite cab of all time for delivering the tone I like (modern J Bass with SS roundwound strings), I thought I'd get the updated model to see what it is all about.
The original 410UL is voiced wonderfully for that grindy, modern 'Will Lee-like' modern J tone... big low end, lot's of definition and growl in the upper mids, and a very airy, musical treble response. While I love this voicing, some feel the upper mids are a little too aggressive, and the lower mids not quite punchy enough in relation to the big low end.
To this point, Gary (MacGroove) is the only TBer I know who has owned both and directly compared the two, and after pounding on both with my Thunderfunk and LMII with a couple of J's, I agree with his post of a couple of weeks ago.
They sound quite similar, with the primary difference being a slightly more compressed deep low end and a very, very subtle shift of the mids from the more upper mid range (maybe 600-800hz) to lower mid range (maybe 250). IMO, the differences are quite similar to the differences I heard between Vic's Series I and Series II 310UL's.... with the Series I being a little punchier and with more bass extension, and the Series II being a little more compressed in the low end, and a little 'flatter' in the mid voicing. I can hear how Vic and Tom Bowlus would hear the Series II as a more 'balanced' voicing (from their experience at NAMM and with my 410UL at a couple of hangs)... but it's pretty darn subtle to my ear.
My feeling is, as Gary mentioned, the subtle change is in the 'right' direction for most players. However, one of the strong points of the original model is its ability to punch through a busy mix and project that wonderful paper cone upper mid growl that, to me, makes a J bass sound like a J bass. It seems the Series II has lost just a little of that... it's just a touch more 'polite'. However, you can get both to sound virtually identical to my ear with a little EQ.
So... Nick didn't mess anything up here
and this continues IMO to be a wonderful cab for pop/funk/modern country applications.
I'll post up again in a couple of weeks when I have the Series II on some gigs.
Edit: The subtle voicing change works well with the SD800.. which was my hope (based on descriptions by Gary, Vic and Tom Bowlus). The LMII/410UL(I) and SD800/410UL(II) sound quite a bit alike, with the slightly less present upper mids of the II working well with the very upper mid present SD800... nice!
There is a lot of interest in the 410UL since it is one of the lightest and loudest full size 410's on the market. I've been using the original 410UL for quite a few years now and really like it. Given this is my favorite cab of all time for delivering the tone I like (modern J Bass with SS roundwound strings), I thought I'd get the updated model to see what it is all about.
The original 410UL is voiced wonderfully for that grindy, modern 'Will Lee-like' modern J tone... big low end, lot's of definition and growl in the upper mids, and a very airy, musical treble response. While I love this voicing, some feel the upper mids are a little too aggressive, and the lower mids not quite punchy enough in relation to the big low end.
To this point, Gary (MacGroove) is the only TBer I know who has owned both and directly compared the two, and after pounding on both with my Thunderfunk and LMII with a couple of J's, I agree with his post of a couple of weeks ago.
They sound quite similar, with the primary difference being a slightly more compressed deep low end and a very, very subtle shift of the mids from the more upper mid range (maybe 600-800hz) to lower mid range (maybe 250). IMO, the differences are quite similar to the differences I heard between Vic's Series I and Series II 310UL's.... with the Series I being a little punchier and with more bass extension, and the Series II being a little more compressed in the low end, and a little 'flatter' in the mid voicing. I can hear how Vic and Tom Bowlus would hear the Series II as a more 'balanced' voicing (from their experience at NAMM and with my 410UL at a couple of hangs)... but it's pretty darn subtle to my ear.
My feeling is, as Gary mentioned, the subtle change is in the 'right' direction for most players. However, one of the strong points of the original model is its ability to punch through a busy mix and project that wonderful paper cone upper mid growl that, to me, makes a J bass sound like a J bass. It seems the Series II has lost just a little of that... it's just a touch more 'polite'. However, you can get both to sound virtually identical to my ear with a little EQ.
So... Nick didn't mess anything up here
I'll post up again in a couple of weeks when I have the Series II on some gigs.
Edit: The subtle voicing change works well with the SD800.. which was my hope (based on descriptions by Gary, Vic and Tom Bowlus). The LMII/410UL(I) and SD800/410UL(II) sound quite a bit alike, with the slightly less present upper mids of the II working well with the very upper mid present SD800... nice!
