Hey guys! There has been a lot of interest in this particular cab configuration lately, and a few of the guys who have similar cabs on the way, or who are considering one of these cabs, are interested some 'early' feedback on them. So, Don brought one over for us to pound on this morning.
Don has been making this sort of design for quite a few years, but like other cab designers on the site, he became even more interested in this general design with the introduction of the new super duper Eminence Neo 115 and that super duper 18Sound mid driver (I have no clue as to the specific model numbers, but I assume others can fill in that info).
I should point out that the particular cab I tried was not based on some of the specific designs talked about here on Talkbass, but is Don's own take of this general design (i.e., 15/6.5), along with a Ralf Patterson custom crossover. I also don't know the crossover design or particulars, but the general crossover point is 1.3K or so, based on a post Ralf just put up over on the LDS Mega thread.
I'm good friends with Don, and am a fan of his cabs in general, but given that bias, I try to be as honest as I can. So, you can take my personal relationship with Don into account as you see fit when reading my review below
Steve (the Burk-man) was nice enough to come over to put a second set of ears on this box (I'm sure he will post up in a while). Our 'test rig' was my new Markbass F500 and my TecAmp Puma500 (the cab is 8ohms), playings Don's KILLER 62 Fender J reissue, my Alleva LG, my new fretted Rob Allen Mouse, and Steve's killer Sadowsky NYC ash/maple Vintage 5.
We used my 4ohm Bergantino AE410 as a sort of 'comparison context', since I'm so familiar with the performance of that cab.
OK, first, some pictures of Don with the cab, Steve playing, and pictures of the cab with the grill on and off.
Fit and Finish: Absolutely first rate. The cab weighs around 45 pounds or so (light), with beautiful old school tolex and that vintage grill cloth that is very nicely mounted with the heavy duty plastic velcro type fasteners. The cab is 8ohm, has a 1/4 and speakon input on the back, and has an attenuator for the mid driver. Two relatively large tube ports are located in the top left and lower right corners.
Tone: In a word, wonderful. The low end is deep, deep, deep, but not muddy at all (MUCH more open then the AE410, which I guess is to be expected, given that is a tightly voiced 410). That 6.5 mid driver is something, and Don putting an attenuator on there IMO is a VERY good idea. This cab can get BRIGHT, and the most pleasing tone to my ear was with the attenuator at around 10 o'clock. I must admit, the paper cone top end that is more bright than sizzly is not my personal thing. However... with the Fender and Alleva LG (more old school basses with nickel rounds), it just growled and purred. It sounded WONDERFUL! The Sadowsky with singles sounded good, but IMO, that bass likes the tightness, upper mid grind, and sizzle of a more traditional 2 way cab. The Mouse... forget about it. With the Puma... DB proxy heaven!!!! Fantastic.
This was a basement test, so I can't comment on dispersion, etc., etc., but this cab sounded incredibly fat but articulate and even... much less upper mid forward than the AE410. So, to my ear, Ralf and Don got the crossover just right (or at least it sounded darn good to me personally).
The Puma500 just PURRED through this cab, although at 8ohms, the volume was limited with the Puma (which is one of the best sounding heads I've experienced, but not particularly the loudest for its power rating, especially at 8ohms). On the other hand (Bruce... B String... are you listening
), the F500 was a HAMMER. The F500 didn't have that creamy fatness and smooth top end that this cab seemed to be built for, but it killed in the volume and punch area, and sounded quite nice, if a bit 'rougher' than the Puma. Of course, at the same volume settings, both heads were significantly louder with the AE410, but this makes sense, given the impedance and I assume SPL difference. I was thinking how good an Eden WT800 bridged into this cab must sound.
So, for those of you who have similar cabs on the way, as long as you are looking for articulate, fat, a bit old school, and the ability to get quite bright without any upper treble sizzle, I can't imagine that you won't be pleased.
IMO and..... IME! (at least in the basement).
Don has been making this sort of design for quite a few years, but like other cab designers on the site, he became even more interested in this general design with the introduction of the new super duper Eminence Neo 115 and that super duper 18Sound mid driver (I have no clue as to the specific model numbers, but I assume others can fill in that info).
I should point out that the particular cab I tried was not based on some of the specific designs talked about here on Talkbass, but is Don's own take of this general design (i.e., 15/6.5), along with a Ralf Patterson custom crossover. I also don't know the crossover design or particulars, but the general crossover point is 1.3K or so, based on a post Ralf just put up over on the LDS Mega thread.
I'm good friends with Don, and am a fan of his cabs in general, but given that bias, I try to be as honest as I can. So, you can take my personal relationship with Don into account as you see fit when reading my review below
Steve (the Burk-man) was nice enough to come over to put a second set of ears on this box (I'm sure he will post up in a while). Our 'test rig' was my new Markbass F500 and my TecAmp Puma500 (the cab is 8ohms), playings Don's KILLER 62 Fender J reissue, my Alleva LG, my new fretted Rob Allen Mouse, and Steve's killer Sadowsky NYC ash/maple Vintage 5.
We used my 4ohm Bergantino AE410 as a sort of 'comparison context', since I'm so familiar with the performance of that cab.
OK, first, some pictures of Don with the cab, Steve playing, and pictures of the cab with the grill on and off.
Fit and Finish: Absolutely first rate. The cab weighs around 45 pounds or so (light), with beautiful old school tolex and that vintage grill cloth that is very nicely mounted with the heavy duty plastic velcro type fasteners. The cab is 8ohm, has a 1/4 and speakon input on the back, and has an attenuator for the mid driver. Two relatively large tube ports are located in the top left and lower right corners.
Tone: In a word, wonderful. The low end is deep, deep, deep, but not muddy at all (MUCH more open then the AE410, which I guess is to be expected, given that is a tightly voiced 410). That 6.5 mid driver is something, and Don putting an attenuator on there IMO is a VERY good idea. This cab can get BRIGHT, and the most pleasing tone to my ear was with the attenuator at around 10 o'clock. I must admit, the paper cone top end that is more bright than sizzly is not my personal thing. However... with the Fender and Alleva LG (more old school basses with nickel rounds), it just growled and purred. It sounded WONDERFUL! The Sadowsky with singles sounded good, but IMO, that bass likes the tightness, upper mid grind, and sizzle of a more traditional 2 way cab. The Mouse... forget about it. With the Puma... DB proxy heaven!!!! Fantastic.
This was a basement test, so I can't comment on dispersion, etc., etc., but this cab sounded incredibly fat but articulate and even... much less upper mid forward than the AE410. So, to my ear, Ralf and Don got the crossover just right (or at least it sounded darn good to me personally).
The Puma500 just PURRED through this cab, although at 8ohms, the volume was limited with the Puma (which is one of the best sounding heads I've experienced, but not particularly the loudest for its power rating, especially at 8ohms). On the other hand (Bruce... B String... are you listening
So, for those of you who have similar cabs on the way, as long as you are looking for articulate, fat, a bit old school, and the ability to get quite bright without any upper treble sizzle, I can't imagine that you won't be pleased.
IMO and..... IME! (at least in the basement).