Recent content by AYC

That summation is all in line with my understanding. In Proportional/Inverse, you can slide each end of the slider to customize. In fixed - as the name suggests - there is a one-point slider for the fixed parameter and other parameter has the two-ended slider (screenshot of Fixed Attack/variable...

After getting pretty comfortable with my HL, I've finally started tweaking the Attack/Release/High Pass Filter settings within the Darkglass suite. I've read up on the basics of attack/release, but I was curious if anyone is able to provide a layman's description of each of the four base...

That setting is one of the more straightforward in my opinion, the higher the setting the more low-end is let in. I keep most of mine between the 250-500 depending. I'm still tinkering with attack/release combos...any advice here is welcomed...

Demo of the comp he uses: Rundown of his rig:

Makes sense. He did mention that he modified it with an Aguilar pre which would explain the jacks. Thanks.

Liam Wilson from DEP's backup Fender. Has an almost orange tint to it. I was thinking Candy Apple but nothing seems to match up...might be due to lighting. Any ideas? P.s. He commented on those pictures that he thinks it's an 03-04 American.