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10 Bassists You'd be Surprised I Like....

Roy Vogt

Supporting Member
Sep 20, 2000
4,433
537
Nashville,TN
www.royvogt.com
Disclosures
Endorsing Artist: Kiesel Basses, Ampeg Amplification, Hotone Ampero II effects
So I've been over in a Forum where it seems like the debate is going on between the Jazzbos and the Rockers about the relative merits of a well-known Jazz Icon (that would be Jaco). That got me to thinking. Most people on TB assume from my profile and posts I'm a Jazzbo-Fuzo guy all the way. Here's some of my guilty pleasures and why.
1. Gene Simmons-there, I said it. I appreciate his sense of humor, his business acumen, the fact he's built this Rock Band he started into a business empire, the way he comes off as a total mensch and family guy on his Reality Show. I even think his bass lines totally work in all those KISS songs.
2. Mike Watt-Old Man Punk himself. I appreciate his creativity, his take no prisoners attitude in the pursuit of his Art and the way he plays every note as if it's his last.
3. Lemmy-the Original Derek Smalls. I can really appreciate the intensity he puts into his Music and demands from his Bands. Quite invigorating, really!
4. Flea-I actually got to open for the RHCP with a band in the late 80s. Really intense, high-energy stuff. He's not afraid to learn new things, either, as evidenced by his study of Bach and counterpoint during the band's hiatus. When he jammed with Stanley and all those other bassists on Stanley Clarke's Night School DVD he showed he could hang on School Days with the best of 'em.
5. Rick Danko (The Band)-Great use of space and funk in Americana style music. No chops, just taste. A great pickstyle player.
6. Bob Moore-played on over 20,000 records. If you listen to Pasty Cline you'll hear Bob on Upright. That cool walking intro to "King of the Road" by Roger Miller? That's Bob, too. When I first moved to Nashville I thought that playing Country was easy and Country Record dates would be a snap. I was wrong, but studying Bob's playing taught me how to do it right.
7. Byron House-a true gentleman and a great bassist on everything from Mark O'Connor to Robert Plant's Band of Joy. Great tone, touch, feel and heart on Electric and Double Bass.
8. Chris Hillman-my first bass hero. Never mind that session guys played on those first Byrds records. He was why I picked up the bass in the first place. Let's hear it for First Bass Heroes.
9. Bobby Valentin-after my trial by fire on a Latin gig, the MD suggested I study Bobby and how he plays in his band. I took it to heart and he's in every Latin/Afro Cuban tune I play to this day.
10. Dee Dee Ramone-Lester Bangs made me furious when he wrote that The Ramones mattered because they could play Rock and Roll like no other band in the late 70s and that we didn't get it because we couldn't play it yet, but that we would learn. He was right.....
So there's my top 10 guilty pleasures-bassists no one would ever suspect me of liking. Anyone else want to chime in?
 
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So I've been over in a Forum where it seems like the debate is going on between the Jazzbos and the Rockers about the relative merits of a well-known Jazz Icon (that would be Jaco). That got me to thinking. Most people on TB assume from my profile and posts I'm a Jazzbo-Fuzo guy all the way. Here's some of my guilty pleasures and why.
1. Gene Simmons-there, I said it. I appreciate his sense of humor, his business acumen, the fact he's built this Rock Band he started into a business empire, the way he comes off as a total mensch and family guy on his Reality Show. I even think his bass lines totally work in all those KISS songs.
2. Mike Watt-Old Man Punk himself. I appreciate his creativity, his take no prisoners attitude in the pursuit of his Art and the way he plays every note as if it's his last.
3. Lemmy-the Original Derek Smalls. I can really appreciate the intensity he puts into his Music and demands from his Bands. Quite invigorating, really!
4. Flea-I actually got to open for the RHCP with a band in the late 80s. Really intense, high-energy stuff. He's not afraid to learn new things, either, as evidenced by his study of Bach and counterpoint during the band's hiatus.
5. Rick Danko (The Band)-Great use of space and funk in Americana style music. No chops, just taste. A great pickstyle player.
6. Bob Moore-played on over 20,000 records. If you listen to Pasty Cline you'll hear Bob on Upright. That cool walking intro to "King of the Road" by Roger Miller? That's Bob, too. When I first moved to Nashville I thought that playing Country was easy and Country Record dates would be a snap. I was wrong, but studying Bob's playing taught me how to do it right.
7. Byron House-a true gentleman and a great bassist on everything from Mark O'Connor to Robert Plant's Band of Joy. Great tone, touch, feel and heart on Electric and Double Bass.
8. Chris Hillman-my first bass hero. Never mind that session guys played on those first Byrds records. He was why I picked up the bass in the first place. Let's hear it for First Bass Heroes.
9. Bobby Valentin-after my trial by fire on a Latin gig, the MD suggested I study Bobby and how he plays in his band. I took it to heart and he's in every Latin/Afro Cuban tune I play to this day.
10. Dee Dee Ramone-Lester Bangs made me furious when he wrote that The Ramones mattered because they could play Rock and Roll like no other band in the late 70s and that we didn't get it because we couldn't play it yet, but that we would learn. He was right.....
So there's my top 10 guilty pleasures-bassists no one would ever suspect me of liking. Anyone else want to chime in?

:D I'm postin' this on FB!..If you don't mind!
 
Why are they "guilty" pleasures? Would you lose jazzbo-fuzo cred without the condescending label?

C'mon now, Steamthief. I'll bet you've got some Prog-Rock bassists tucked back in that closet somewhere! Maybe some Fusion or Jazzbo Guy? :D
You've gotta admit whoever's laying the bass tracks down on some of Ceelo Green's tunes has game....
Just trying to push everyone's comfort zone....:)
 
10 is too many, but I'll do 5.

1. Fieldy (Korn) - points for originality. Bass as a rhythm instrument? Sure, why not.
2. Pete Wentz (Fall Out Boy) - not an amazing bassist, but a very good lyricist in a fun band.
3. Michael Anthony (Van Halen) - Have you heard the 16ths on Poundcake? Sounds a bit like Rocco to me... He's better than many think.
4. Sid Vicious (Sex Pistols) - If you think you need talent to be a rock star, think again. Sid still gets talked about today.
5. The dude from AC/DC (AC/DC) - I can't remember his name right now, lol, but I know his basslines. He's been doing it well for 30+ years, props to him.

Bonus: Jack White.
 
Nah, I truly don't feel guilty about music that I like, it's all good music to me. Prog rock, like ELP? Sure, I dig it! My metal and punk friends in high school didn't understand why I dug Erik B. and Rakim. I like a lot of cheesy 60's one-hit wonders, too, and I've really been enjoying the 20's music in Boardwalk Empire. I've never really dug jazz and fusion, but I like the elements of it in Cantaloop, maybe I need to delve a little deeper. Can you offer up a suggestion?

I guess I equate "guilty pleasure" with watching the Wonder Pets with my daughter...:hiding:...they're just so cute!
 
Hi Roy. Interesting list. One small correction if I may (ahem). Bob Moore by his own estimation played on over 20,000 SESSIONS...not songs or records. He estimated that he played on over 50,00 songs. If true, that would quite likely make him the most recorded musician (on any instrument) in history?
 
Nah, I truly don't feel guilty about music that I like, it's all good music to me. Prog rock, like ELP? Sure, I dig it! My metal and punk friends in high school didn't understand why I dug Erik B. and Rakim. I like a lot of cheesy 60's one-hit wonders, too, and I've really been enjoying the 20's music in Boardwalk Empire. I've never really dug jazz and fusion, but I like the elements of it in Cantaloop, maybe I need to delve a little deeper. Can you offer up a suggestion?

I guess I equate "guilty pleasure" with watching the Wonder Pets with my daughter...:hiding:...they're just so cute!

Cool! I"m not a big one for categories either. I guess if I were to recommend a "gateway drug" for Jazz and Fusion it would be the Funky, Bluesy stuff like Jimmy Smith and Grant Green for Jazz and the Rocked out stuff like the first Stanley Clarke record for Epic (called simply Stanley Clarke), Billy Cobham's Spectrum or the Funky stuff like Herbie Hancock's Headhunters or Thrust. If you like James Brown you'll feel those last 2 suggestions.
 
Hi Roy. Interesting list. One small correction if I may (ahem). Bob Moore by his own estimation played on over 20,000 SESSIONS...not songs or records. He estimated that he played on over 50,00 songs. If true, that would quite likely make him the most recorded musician (on any instrument) in history?

You're right on that count. Bob is very likely the most recorded Musician and certainly the most recorded Bassist. His Career recordings stretch over 5 decades, IIRC.
 
10 is too many, but I'll do 5.

1. Fieldy (Korn) - points for originality. Bass as a rhythm instrument? Sure, why not.
2. Pete Wentz (Fall Out Boy) - not an amazing bassist, but a very good lyricist in a fun band.
3. Michael Anthony (Van Halen) - Have you heard the 16ths on Poundcake? Sounds a bit like Rocco to me... He's better than many think.
4. Sid Vicious (Sex Pistols) - If you think you need talent to be a rock star, think again. Sid still gets talked about today.
5. The dude from AC/DC (AC/DC) - I can't remember his name right now, lol, but I know his basslines. He's been doing it well for 30+ years, props to him.

Bonus: Jack White.
5. The great Cliff Williams.

No need to bust Roy's balls because he calls them "guilty pleasures." They kind of are, although I don't know about Byron House and Bob Moore being on that list. They've got "cred."
 
5. The great Cliff Williams.

No need to bust Roy's balls because he calls them "guilty pleasures." They kind of are, although I don't know about Byron House and Bob Moore being on that list. They've got "cred."

IMHO AC/DC is one of the great rhythm sections in Rock and Roll.
I figured most people wouldn't know just what a Closet Traditional Country Fan I am. WSM-AM gets a lot of my drive time these days!
 
Cool! I"m not a big one for categories either. I guess if I were to recommend a "gateway drug" for Jazz and Fusion it would be the Funky, Bluesy stuff like Jimmy Smith and Grant Green for Jazz and the Rocked out stuff like the first Stanley Clarke record for Epic (called simply Stanley Clarke), Billy Cobham's Spectrum or the Funky stuff like Herbie Hancock's Headhunters or Thrust. If you like James Brown you'll feel those last 2 suggestions.
Thanks, I'll be doing a little homework, and my apologies if you read my initial comment as busting your balls. I think we're on the same page as far as the "tribalism" of fans of different genres.
 
I have to agree with you completely on all of those names, at least the ones I've heard. Especially Rick Danko - every time I try to learn a song by the band I approach it in a very busy way, his use of sonic space and his approach to groove propels the song in a way that I hope to learn myself, but can't seem to properly understand.
 

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