Gene Simmons?...you didnt say anything about his bass playing?
"I even think his bass lines totally work in all those KISS songs."
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
Gene Simmons?...you didnt say anything about his bass playing?
Gene Simmons?...you didnt say anything about his bass playing?
I did-I said what he plays on the KISS material totally fits. He's certainly not Chris Squire but then again they don't need Chris Squire. It's just Good Ol' American Rock and Roll.....
10 is too many, but I'll do 5.
1. Fieldy (Korn) - points for originality. Bass as a rhythm instrument? Sure, why not.
2. Pete Wentz (Fall Out Boy) - not an amazing bassist, but a very good lyricist in a fun band.
3. Michael Anthony (Van Halen) - Have you heard the 16ths on Poundcake? Sounds a bit like Rocco to me... He's better than many think.
4. Sid Vicious (Sex Pistols) - If you think you need talent to be a rock star, think again. Sid still gets talked about today.
5. The dude from AC/DC (AC/DC) - I can't remember his name right now, lol, but I know his basslines. He's been doing it well for 30+ years, props to him.
Bonus: Jack White.
So I've been over in a Forum where it seems like the debate is going on between the Jazzbos and the Rockers about the relative merits of a well-known Jazz Icon (that would be Jaco). That got me to thinking. Most people on TB assume from my profile and posts I'm a Jazzbo-Fuzo guy all the way. Here's some of my guilty pleasures and why.
1. Gene Simmons-there, I said it. I appreciate his sense of humor, his business acumen, the fact he's built this Rock Band he started into a business empire, the way he comes off as a total mensch and family guy on his Reality Show. I even think his bass lines totally work in all those KISS songs.
2. Mike Watt-Old Man Punk himself. I appreciate his creativity, his take no prisoners attitude in the pursuit of his Art and the way he plays every note as if it's his last.
3. Lemmy-the Original Derek Smalls. I can really appreciate the intensity he puts into his Music and demands from his Bands. Quite invigorating, really!
4. Flea-I actually got to open for the RHCP with a band in the late 80s. Really intense, high-energy stuff. He's not afraid to learn new things, either, as evidenced by his study of Bach and counterpoint during the band's hiatus. When he jammed with Stanley and all those other bassists on Stanley Clarke's Night School DVD he showed he could hang on School Days with the best of 'em.
5. Rick Danko (The Band)-Great use of space and funk in Americana style music. No chops, just taste. A great pickstyle player.
6. Bob Moore-played on over 20,000 records. If you listen to Pasty Cline you'll hear Bob on Upright. That cool walking intro to "King of the Road" by Roger Miller? That's Bob, too. When I first moved to Nashville I thought that playing Country was easy and Country Record dates would be a snap. I was wrong, but studying Bob's playing taught me how to do it right.
7. Byron House-a true gentleman and a great bassist on everything from Mark O'Connor to Robert Plant's Band of Joy. Great tone, touch, feel and heart on Electric and Double Bass.
8. Chris Hillman-my first bass hero. Never mind that session guys played on those first Byrds records. He was why I picked up the bass in the first place. Let's hear it for First Bass Heroes.
9. Bobby Valentin-after my trial by fire on a Latin gig, the MD suggested I study Bobby and how he plays in his band. I took it to heart and he's in every Latin/Afro Cuban tune I play to this day.
10. Dee Dee Ramone-Lester Bangs made me furious when he wrote that The Ramones mattered because they could play Rock and Roll like no other band in the late 70s and that we didn't get it because we couldn't play it yet, but that we would learn. He was right.....
So there's my top 10 guilty pleasures-bassists no one would ever suspect me of liking. Anyone else want to chime in?
I have to agree with you completely on all of those names, at least the ones I've heard. Especially Rick Danko - every time I try to learn a song by the band I approach it in a very busy way, his use of sonic space and his approach to groove propels the song in a way that I hope to learn myself, but can't seem to properly understand.
Rick has an basic bass instructional DVD available from Homespun tapes. Ain't no shame in learning form the master.
Ray, good list. I guess I am totally in the rocker camp, but, there are some bassists and musicians whose low end work I admire a lot. So I will take the other POV. You mentioned Thrust, Paul Jackson is wonderful on that record. I agree.
Andy Pyle is a guy whose wotk I have always admired. Jazz, blues, prog. The guy could do it all.
Yo-Yo Ma. Incredible classical low end talent.
Miroslav Vitous. Not sure I can begin to understand it sometimes. Lot of meat on the bone there. Add Wayne Shorter and Joe Zawinul and your plate is full with a lifetime of leftovers to take home.
Harvey Brooks. Super Session AND Bitches Brew? Need I say more?
Rick Laird. A very understated and in the pocket bassist for the group that made Fusion Jazz a mainstream draw, Mahavishnu Orchestra. The least flashy of a very eclectic crew.
Tim Bogert. I recently viewed one of the old Vanilla Fudge vidoes on youtube. Conclusion? Tim and Carmine really drive what would otherwise be a pretty camp wedding band. Tim plays with b**** to the wall energy.
Joe Osborn. I have to admit, I grew up hating many of the recordings and bands he did sessions for. And loving others. The bubblegum pop and Carpenters stuff would make me cringe. Yet the bass work is often brilliant. Some I loved, the Mommas and Poppas, 5th Dimension, Stoned Soul. On and on. Seminal stuff.
Willie Dixon. It has taken me a lifetime to begin to appreciate his work.
4. Dusty Hill of ZZ Top. Before ZZ Top dated themselves by going synth in the 80's, they were one of the very best boogie bands ever, and Dusty's big fat early 50's Precision drove it. Plus he sings way better than Billy Gibbons.
it was only a matter of time, jim. only a matter of time...Jeff Berlin. Sorry TB staff but I love the guy now![]()
Rick has an basic bass instructional DVD available from Homespun tapes. Ain't no shame in learning form the master.
.