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Double Bass 1840 Prescott on Facebook

My first thought though is that it is a Yankee bass, but not a Prescott. Is it labeled? That arching on the top would be highly unusual for a Prescott. The f-holes are not attached which could or could not be an indicator though I would feel more comfortable if they were attached. It has had a lot of work and that needs to be assessed. If it is healthy then it's a great price no matter what it is. Is there a photo of the scroll? Are the tuners "reversed"? You can always cheat the bridge up a little bit (take a look at Edgar's bridge placement).
 
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Just curious-have you played a 44-45" bass?

44" yes, 45" no. I don't know if the latter was ever actually a thing but it wouldn't surprise me.

I'm still pretty comfortable on longer string lengths; long, stretchy fingers and all that. You wouldn't guess from my average height but I've got an extra inch in hand length over most people and it's all in the fingers.

It makes it really annoying trying to find gauntlets that fit right so I can do my sword fighting stuff without breaking my fingers, but it also makes for a useful trick when I can do the Dragonetti "one note per finger" thing in half position.
 
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Sword fighting? Care to elaborate?

Longsword in the Liechtenauer/Künst des Fechtens tradition, mainly from the Freifechter Joachim Meyer's A Foundational Description of the Art of Frencing anymore, although I started off learning from an earlier side of the German tradition with Sigmund Ringeck's treatise built from his gloss of Johannes Liechtenauer's zettel (and a lot of other stuff besides, once you get beyond the unarmoured longsword stuff and into all the harnischfechten, poleaxe, and such that were cobbled together from other sources). Also have some interest and a bit of knowledge in Fiore dei Liberi's Fior di Battaglia, although given that there isn't a group near me that specializes in that, I don't have much opportunity to practice it.

Aside from that, I like Salvator Fabris's rapier system. It's fairly simple and to the point. I'm not smart enough for Thibault or any of the later La Verdadera Destreza masters. I'm also working on some of the Iberian Montante material just for fun, focusing on Diogo Gomes de Figueyredo's treatise for now, but given that I've got a bad knee and that's a massive sword with a lot of momentum to be throwing around, I've not made a lot of progress with how slowly and carefully I'm taking it.

HEMA (Historical European Martial Arts) is a good time. Combining being a history nerd (something that won't surprise anybody here who's seen me talk about how much I like playing on gut strings and historically informed performance) with physical sport activity and the sheer fun that is smacking other people with a sword.

But it's a great way to break fingers if you aren't careful, and would really get in the way of the whole bass playing and buying thing, which is probably what we should focus back on.