1.) You still don't understand. Fender guitars are mass produced. Have been, always will be. Period. That means, there are dozens of factors that can be used to easily authenticate or debunk them. Not like a painting, where it is unique to a sole artist with a sole creative sense and style unique to him/her - who has been possibly dead in some cases for hundreds of years. Apples to oranges.
Once again, never said that all experts could authenticate all Fenders throughout all history. Also never said that counterfeits don't exist under the radar that cannot be "debunked". Merely said the chances of this specific instrument being a fake are very slim - and the chances that a collector/expert of epic proportions isn't buying it is zero. $30k slims down the playing field, folks.
I was never talking about this instrument. You keep up, now.
If you insist there is no relevance between paintings and instruments, we must agree to disagree. I'm sorry I brought it up.
As soon as you get into 20K+ vintage pieces there is a real and present danger of it being a counterfeit. The only reason there IS a market for instruments without provenance, that have interchangeable parts, is that the demand has gone so high as make sure that a good counterfeits and properly cobbled together parts basses with period correct hardware will be able to be sold on. You do realize that the majority of 100% original Fenders from the '50s and 60's were put back to that state after having parts swapped out during their lives?
I'm trying to address your arguments here, but I must ask where your information is coming from. Are you basing your opinions on what you know to be true, or what you would like to be true or an assumption? I do not know a single reputable dealer who would claim he cannot be fooled ever, and that there are no counterfeit pre-CBS Fenders in circulation right now.
