Mike McGibney said:
Yeah - I'm planning the bass gallery, london. Cheers for your input. Look forward to hearing more.
Mike,
I have several "vintage" pieces in my stable. My prize vintage piece is my '73 Jazz. If I could only have one bass, this would be it. And I own $5K Alembics, too.
My Jazz had to be refretted about two years ago. She was buzzing all over the place. I use roundwounds, so it's a casualty of that. I could have kept her stock, but she would have been unplayable. Unless I planned to put her in a case and never play her again, I had no choice but to refret. And I did, with a professional luthier (
Link Removed). And you know what? I don't regret it. Unless you plan on buying an instrument as an investment ('59 Les Paul, '54 Strat, '53 Precision, '60 Jazz, '76 Bicentennial Thunderbird, BOO serial Number Musicman, any Alembic ... well, OK, maybe not an investment given the current market, but I'm biased!), there is no reason you should not have it fixed/modded to your specifications. For me, I play my instruments. On my Jazz, the bridge (an original bridge, and a piece of crap IMHO) was replaced by a Badass II. The original pickups (one of which needed a total rewind) were replaced by Seymour Duncan stacks. The tuners were replaced because the originals were loose (I purchased direct replacement Schallers and retained the originals). All of these things made my bass more playable for me, and more enjoyable. And I play it almost every day. If you have to do the same to make your instrument better for you, I say go for it.
If you want museum pieces, buy them. And don't play them. If you want an instrument that will bring you countless hours of joy, buy what you want, get it set up the way you want it, and share the goods with others when you can or when you choose to. My guess is the latter is more rewarding than the former in the long run.
Alan