My old Peavey Forum AX has the same layout and can get in Smith territory too.
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I think the Cirrus does a pretty good Ken Smith-ish tone. The Forum is in the neighborhood for sure.
Is because of the pickup placement and pickup distance to each other. My modern Sadowsky sounds very close also! But a smith is a smith! Nothing will sound like it unless is a smithI think the sound of the original Cirrus basses is a Smith clone. My Forum is close, but not as exact a copy.
Is because of the pickup placement and pickup distance to each other. My modern Sadowsky sounds very close also! But a smith is a smith! Nothing will sound like it unless is a smith![]()
Is because of the pickup placement and pickup distance to each other. My modern Sadowsky sounds very close also! But a smith is a smith! Nothing will sound like it unless is a smith![]()
I feel like the gospel players really missed the boat with the USA Peavey offerings.
Maurice Fitzgerald got on that boat.
I feel like the gospel players really missed the boat with the USA Peavey offerings.
Late 90’s - early 2000’s, Urban Modern Gospel players either had a Smith or a Cirrus.I feel like the gospel players really missed the boat with the USA Peavey offerings.
Late 90’s - early 2000’s, Urban Modern Gospel players either had a Smith or a Cirrus.
Sharay Reed came on the scene and that was that.The Ken Smith/Cirrus moment seems to be over in Gospel. I see more younger players with active Jazzes than anything else.
Always was my main issue.I’ve had 3 cirrus in the last 20 years and there were all great basses but could never get used to the string spacing and 35” scale