Jake deVilliers
Commercial User
- May 24, 2006
- 6,349
- 607
- Disclosures
- Owner of The Bass Spa, String Repairman at Long & McQuade Vancouver
eatcher turkey. Nice.
DURRL, doncha breathe a word. I'm goin' to a big dinner with my lady friend, who's a fine violinst BTW, who does some teaching at a Bluegrass center. She's a fine jazz player, but we gonna play with them. No, yer eyes are OK....I said play with them, them Bluegrassers. ME playing with THEM.
DURRL you gots to give me some advice....how do I do this??What? 3 changes per tune? Keys?...E, B, G and D....right? Can I play a passing tone er two? b5's? Will they hurt me? Will they call my scroll a headstock? Will they call my fingerboard a fret board??????
Can I say Scotty, Red, Ray, DIZ and Miles?
Maybe I'll just make a scene............
I'm skeerd........![]()
Oh, I'm sure you'll make a scene!
If you were sitting in with our band you'd play in C, D, Eb, E, F, G, A, Bb, & B, not to mention Am, Bm, Dm, Em, F#m & Gm
Passing notes yes, leading notes yes, flat 3 & 7 yes, flat 5 not so much... Walking can be good on the right song - you'll know it when you hear it.
I'm sure you'll have a great time Paul.
Just follow the singer

) is the one who started all this ***. (See question posed to myownself above...by hisownself) should be given the infamous TB refraction points, big time, for this crap!
in here now. I got the word that she and some weirdo they call the monkey
actually like them plywood thingy's and restore 'em as if they.....well, I won't say it, but you can read between the lines.