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3 basses in mind but which one

I'm getting the wick fna jazzman and the empathy out of my list.


I want a fiver which can be used in very versatile ways but the classic ray 4 does not land so often in my local stores here in singapore.

The sterling 5 HH is series mode with pick up selectors, sometimes i want warmer tones but i do believe in my fingers to produce that.



And when thoughts of narrowing down has ended, now my favourite bass seller mention he mighr have a tobias basic 5

Oh well, happy thoughts for now and thank God basses in Singapore does not get snapped up so quickly

Thank you.
 
You already have a Warwick so why stack? The cool thing about the Stingray is just how versatile it is - everything from the mellow, for Soul and R&B and whatnot (just throw flats on it) IF you ever go down the route, but it bites hard with rounds, overdrive. Rex from Pantera used it at one point. I think the guys in LPK and A7X used it as well, assuming you care, since you're planning to do 90s onward.

TL;DR: Stingray all day
 
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Actually very happy already for now...narrowing down towards a bass guitar which is an active fiver with eq options for switching on the fly for 3 sets a night cover gigs...thats practicality in my brain.
But my heart wants the stingray classic 4

Since i'm not so much of a gigging musician and as a proud member of talkbass, i will follow my GAS, tge stingray classic 4


I will upload my pic when i get it. Thank you fellow talkbass friends for the advise!
carousell_20150627_133151_c.jpg
 
Next bass...i narrowed down to 3

Used Ebmm classic 4
Used Status Empathy 5
New Warwick FNA Jazzman 4

Currently i have a warwick thumb bleached blonde 2003 4 and a reverend rumblefish 5L
A MM HH offers lots of great sounds. The H is a little harder. I have both. Bass is Bass though, any of those will work w eq so get what you like to see and feel.
 
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As an owner of a Reverend Rumblefish 5L and a Warwick Thumb 5BO and several Stingrays I speak from experience when I say I don't think you can get a more complementary sounding bass than the traditional Stingray you've selected.

There's something special about the single pickup 2 band Ray that just trumps the 3 band Rays in my book. I find it easier to quickly dial in any sound I want with the 2 band. I'm forever fiddling with the 3 band trying to get the right sound.

Another plus on any Stingray is string selection. Of all the basses I own, I find my Rays to be the most responsive to string changes. Since I'm usually after a little less top end and a clearly defined but thick bottom end I normally put Black Beauties on my Rays. But with flats they'll out thump a P bass and with Cobalts or Stainless rounds they'll hit crystal clear piano highs like my Alembics. Every good bass collection should have a Ray.

And to keep the GAS flowing - after your Stingray purchase you'll really need a Thunderbird to round out your choices.
 
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Maybe you should think about getting an eye exam.
I like a couple of warwicks, but not the FNA jazzman.
Also prefer the classic sterling to the stingray.
I would get the empathy of those three.
Now if you would have said warwick infinity or vampire that might of been different!

I should get an eye exam because I think a Status bass, made primarily of graphite with active electronics, is going to sound "hi-fi" in a way that basses from the 40's didn't, and because you don't like the FNA Jazzman? I'm not sure I'm following you. o_O
 
I have also reviewed myself ...less knobs will be better as I found out my eq adjustments capability on the fly suck, not during rehearsals but when playing live in a big PA environment, not often but that 8 or nine times in life.
It's almost set and forget situations for me most times as I've ever fiddled and became insecure for that one set...
 
I should get an eye exam because I think a Status bass, made primarily of graphite with active electronics, is going to sound "hi-fi" in a way that basses from the 40's didn't, and because you don't like the FNA Jazzman? I'm not sure I'm following you. o_O

I noticed someone before (you?) mistaking his "top 40's..." as 40's music. Top 40 from the 90's onward is what he meant. When shocked, read twice for clarity.