hey all,
I just wanted to provide a clarification. Gary Willis compared the sound of a cat not to a fretted six C string, but a fretless six C string. See
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In response to someone asking him if he recommended for or against stringing a 5 E-C, Willis responds:
"Hey Todd,
I don't think it would create any intonation problems, since the scale length and ability to adjust the intonation of each string wouldn't be affected. From a playing perspective, it wouldn't really make much difference either. But from a sound perspective, I'm compelled give you my opinion about the sound of a fretless C string: It kinda sounds like a cat. And I don't mean that in a good way. I mean, I really love dogs but I have a passionate indifference to cats that's almost matches their impressive capacity for indifference themselves.
Really, except for the 5 extra half steps that don't exist on the G string, every other available note on a C string sounds much better if it's played on the G string. So, if you can get over the sound problem, is it really an advantage? If I find myself unable to finish an idea because it includes notes above the high G then I'm usually able to get to that note with false harmonics. Problem solved. . . for me, at least. "
He does refer to fretted and fretless sixes later-he mentions that he prefers the sound of the equivalent note on the G as opposed to C string. On the other hand, he uses a 5 string bass strung E-C on the album Bent-see
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-Pat
