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After listening to the clip above, I am wondering about putting a gate set low before the mono-syn and one set higher after it on the B3. The idea would be to hit the synth with a little more consistent volume, and then kill it off cleanly on the back end. Biggest thing I hear in that is the more or less 'square' note envelope. The gates might get me there.
There are a few options on the newer Zooms. The PWM and similar triggered sounds track indifferently (my old Boss ME6B was better, and the Behringer V-amp is much better), but there are some that don't trigger, and these are better. If you use the B1on you have the option of 5 effects at once so you can build something with compressor, octave, filter, overdrive/fuzz and chorus (or just some of these) which will do well for a lot of 80s sounds.