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A case for Fender Made?

Not a big fan of his work but i cam across this on the net....

Nikki Sixx usually plays Gibson Thunderbird Reverse Basses, and had his own signature bass, the Gibson Nikki Sixx Signature Blackbird[4] produced (it was discontinued in 2003), which has recently been put back in production by Epiphone. His inspiration to use the Gibson Thunderbird came from Pete "Overend" Watts of Mott the Hoople and John Entwistle of The Who. Early on, he was sponsored by B.C. Rich, and used Mockingbird & Warlock basses (this can be seen in the videos for "Live Wire" and "Looks That Kill"). When Gibson weren't making Thunderbird basses to his preferred specification, Hamer made Thunderbird style basses for him. Apparently the mid '70s Thunderbirds have the sound he was trying to emulate with the Hamer produced models. After that he used Spector Basses during Girls, Girls, Girls and Dr. Feelgood.

During the 1990s, Nikki started using 12-string basses made in Japan by the Hiroshigi Kids Guitar Company; less than 30 were produced. Nikki owns at least five of them: a black one with red lettering and white binding, a black one with gold binding, a black one with white lettering and white binding, a red one that has "Helter Skelter" on it, and a green one. The red and green ones have dragon inlays on the body. He has also used Ernie Ball Music Man 5-String basses, most notably while on tour with Brides of Destruction and the 2 newly recorded songs for the 1998 Mötley Crüe album, Greatest Hits.

He also has used Fender Precision Basses; when smashing basses at the end of a set, they are usually black with white pickguards Squier Precision Basses. He previously used Ampeg amplifiers, but has switched to Basson amplifiers.

While recording The Heroin Diaries soundtrack, Nikki used a '59 Fender Precision which was amplified through a '64 Fender Bassman. The '59 Fender Precision is also his favorite bass for recording in the studio.

goes though all that line up and ends up with a Fender....sheesh
 
:confused:

But I went from a 1970's/ Gibson EBOL to a 1967 Fender P to 64 Gibson T-Bird to a 1980's Steinberger to a 2006 Gibson T-Bird to a 1989 Greco? :crying:

If a Fender sound is actually needed, I reach for this:
WhitePJH.jpg


The Greco does the "chameleon bass" zillion-sounds needed live. Somewhat Nikki-ish as it's only got 3 volume controls:
Greco1PostRings02FXd.jpg


Does Nikki's Fender have an Opti Grab?
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Interesting observations.

As an owner of both the Blackbird and P-Bass I would say, IMHO that the Blackbird is a bit "hot" for recording. The bass is rather noisy, raucous and (for passive pickups) loud. But, for a live, rock n' roll performance bass, I prefer it to any other I have owned or had the chance to play. It has the looks, punch and tooth shattering tone that ya need on stage.

OTOH, as we all know, the Fender is historically the prefered instrument for recording electric bass.
 

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