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A very specific Multi effects pedal question

You can just read all the stuff in bold for the "TL;DNR" version

Ok, so I know there's a million threads about these, but most people asking never seem to know what they even want other than "best or "cheap".

I have a very specific inquiry with all important parameters already outlined, so it's easy to help me. I'm just wondering if anyone knows of some pedals that will fill these criteria. There are way too many pedals out there for me to not ask for help on this since someone might see this and straight away know the answer, while I'm on day 4 still searching every single multi effects pedal ever made's manuals T_T.
There is a picture included of what I require to make visualizing/recognizing the guideline easier. I'll also type out the captions from the extra-rough layout for people that might have trouble seeing the pic. The writing in the pic's a bit different so if anything go by what you read here instead.
Here's the layout pic.
multi effects pedal layout.jpg

Here goes.

The pedal should be capable of having at least 5 effects simultaneously running. These should be 5 out of whatever 100s it has on it, not limited to one delay at a time, one distortion at a time, etc.

It should have some kind of screen to show what bank is currently selected, as well as what effect has been selected, what parameter is being adjusted, the effect's placement in the footswitches (not NECESSARY but definitely would be a no brainer if I was making a digital multi-pedal) and show tuner tuner letters when switched to tuner function (if tuner included).

Enough knobs to control any single effect pedal it's emulating within reason. Max "knobs" I've ever seen on a stomp box was 9, 5 of which are switches, so I'm guessing 6 knob parameters (obviously they change when you select different effects) and four 4 switches/buttons for changing modes.
Buttons are fine because of course cycling A-B-C-A-B, etc is fine in a live scenario. you don't usually get down and have to flip any tiny switches on pedals

Should have separate buttons/foot switches for patch/bank (as in overall up and down presets).

Should have at least 3 foot switches built in specifically for engaging/disengaging specific pedals, or even secondary features on certain pedals that also use a footswitch.

This is of utmost importance: No predetermined and unchangeable locations for distortion, chorus, delay, etc, (unless there's a whole next row of fully programmable ones built in like I saw in some random pic online) otherwise you get limited severely in your choices and the number of effects active to how many footswitches you have. Best method; select the effect, then assign to footswitch, thereby enabling on and off with the foot switch press. easy and not horrendously limiting.

An expression pedal built in. Can be a smaller one as long at it still works properly. Must be programmable to different effects for different banks, aka whammy on one bank, volume on the next, and not just be a wah pedal all the time >_>

Must have these particular effects/functionalities:

*A large amount of programmable banks
(think 30-50 and more)
Quality compression like dyna comp
Limiter
Gate
Delay
Chorus
Ring modulator
(if these aren't being included they really should be. If you can't find these on any mutli effects please disregard this one due to my ignorance)
Auto wah
Hi and lo pass filters
Noise reduction
Whammy pedal/pitch shifter
Keyboard bass sim
(i dunno know the right name, but you know what I mean)

*All should be adjustable in a layout like the real thing, not just one parameter that cranks every setting on the thing all at once -_-'

**The effects have to have proper tracking and tone for bass and not just be horrible tone/bass/mojo/dynamics suck. I plan to use at least the noise reduction at all times, so there can't be a compromise here.


Preferred functionality:
USB connection to roughly calibrate patches and settings on a good size computer screen/tablet etc so you only need to slightly change stuff depending on what room you're in, backline/PA system you're playing through.

"Not really needed" stuff ( to maybe suggest a cheaper model if these can be bypassed to help narrow it down, lol).

A preposterous amount of effects
any amp or cab sim
it being true bypass
a tuner/tuner bypass
multiple expression pedals
hefty price tag
midi whatevers

Thanks alot for you time, I'm sure this should be enough info to at least tell me to gtfo and wait another 5 years till these guys that make the stuff actually start making them logically, if not get me the results I need.

Oh and btw, please don't try to tell me all about analog pedals, or whatever, let's just stick to the actual topic at hand and see if we can find this thing. I use both anyways. Oh, and if them guys who make this kinda stuff see this and decide to actually make it you can always send me one free and I won't press charges ™ King Cheese Music. ;)

 
Sounds like a dream pedal!

I think the closest thing to what you are wanting would be the Line6 Pod Hd series, though I have no real experience with those units. Line6 also recently announced a new multifx called Firehawk. Seems like it could also be a contender.

If you can overlook the price tag, fractal has also announced the FX8. Seems like it would sound amazing, but will cost a few months rent.
 
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there is a reason why you can't use more than one delay or distortion at a time. They kind of interfere with each other if you use two at a time.

The Boss ME50B has all the effects you want, I think you can have 5 effects, but some are set, like chorus & delay. Each effect category (Compression, Modulation/Delay,drive/synth,filter/tone) has it's own control knobs. It has a built in tuner,and an expression pedal.

It comes with presets which you can overwrite. I have one, but have just started building a pedalboard.
 
POD HD500 or HD500x is very close to what you're looking for. I have owned one and am buying it again next month. Incredibly flexible unit that gives a lot of functionality for the buck.

- up to 8 effects per side in stereo. (note: this depends on what effects you're using. some are DSP-heavy and consequently limit you to using less effects. 5 at a time almost certainly won't be an issue.) you can use any effect in any order, even multiple instances of the same effect.
- a couple display modes, including one that shows bank and effect order/status
- knobs - not *quite* there (has 4 knobs, some effects have 6 parameters) but close and allows editing of all parameters on the unit (the editing software is also good for this)
- 2 buttons for bank up/down and configurable to 4 effect switches plus 4 preset switches or just 8 effect switches.
- effects can be assigned to any footswitch. actually, you can assign multiple effects to a single footswitch, and even have that footswitch turn some effects on and some off with a single press. no predetermined order. this is a major feature for me.
- built in expression pedal can be assigned to any parameter of any effect (and I think but am not sure that it can even control multiple effect parameters on a single patch)
- 8 banks of 64 patches/bank (I think, check documentation)
- pretty sure it includes all your desired effects - check the line 6 site for a full list (and their documentation includes what parameters are adjustable for that effect too). as for the tone - YMMV, maybe hit up a guitar center and try it out, or do some youtubing. for my money Line 6 effects are pretty good, if not totally perfect. like I said, I'm buying this again, so my vote is for the quality of the list
- reasonably good editing software (Mac and PC) with USB connection

you should be able to find the HD500 at 300 or less used and the HD500x at 350 or less (maybe plus shipping). new street price for HD500x is 500. I'm getting the 500X as it has better footswitches and more processing power. documentation is here: http://line6.com/support/manuals/podhd500x
 
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Other than being able to manually assign the main effect footswitches, the Boss GT6B and Zoom B9.1ut pretty much tick almost all your boxes - the former, more so of the two. It has manual control knobs for most frequently needed controls, patch up and down pedals, semi-assignable footswitches and plethora of quality effects - only let down by sub-quality drive and amp sims, which you don't need anyway.

You say you are after keyboard bass. Do you mean a synth bass effect you play on the bass, or a foot controlled keyboard a la Taurus pedals. If the former, both the above units can do that - the Boss is better here IMO. But the zoom has a trick up its sleeve that allows you to play synth bass just with the foot pedals, like the Taurus pedals.

All that said. To get something that does exactly everything you want either likely does not exist, or will have a hefty price tag attached - something you don't want. So it seems have a choice - either compromise on a couple of features, or stump up the cash and go custom as it may be possible to build you 'dream' effect rig using software and a midi controller.
 
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Another though. Perhaps a couple of Zoom B3's daisy chained together. This would give you 6 effects, each one with enough knobs to twiddle as you see fit. There has been some homebrew usb/midi controller work on these boards somewhere, that would allow you to control the patch up/down function from a separate pedal - it's feasible you could control both units together at once.

See the link below

Link Removed
 
Sounds like a dream pedal!

I think the closest thing to what you are wanting would be the Line6 Pod Hd series, though I have no real experience with those units. Line6 also recently announced a new multifx called Firehawk. Seems like it could also be a contender.

If you can overlook the price tag, fractal has also announced the FX8. Seems like it would sound amazing, but will cost a few months rent.


That pod HD does appear to right on the money options-wise. i may not need that many specific foot buttons per bank, so one that's cheaper where the only difference is less buttons is probably exactly what I need, as long as that preamp knob section changes into the pedals' knobs in some kind of mode for live adjustment, instead of only on the computer. NICE FIND!

Firehawk seems good, except it seems it might be only for amp and maybe cabinet sims. pretty cool but literally useless to me, lmfao.

Yea the axefx is basically the high water mark I want to work my way down from till I still get what I need manage to not become a homeless person simultaneously.
 
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hah :D hopefully you know what i mean. as in an adjustable high quality clone of a famously useful unit. and not some one knob scrub-level afterthought compression. like, those will do the job, and usually sound great, but lack of real depth and adjustability is just something there's no excuse for on a digital unit. same with there being only one compression.
 
there is a reason why you can't use more than one delay or distortion at a time. They kind of interfere with each other if you use two at a time.

The Boss ME50B has all the effects you want, I think you can have 5 effects, but some are set, like chorus & delay. Each effect category (Compression, Modulation/Delay,drive/synth,filter/tone) has it's own control knobs. It has a built in tuner,and an expression pedal.

It comes with presets which you can overwrite. I have one, but have just started building a pedalboard.

Now, the possibility of things not working well together is not the same as it being justified to completely remove your ability to experiment. "Can't" is a very heavy word to me. Mixing distortions, compressions, delays + reverbs + chorus + delays (these and distortions should seriously never be on the same unalterable area, making it impossible to mix) is how a lot of artists have gotten signature sounds, and to me being limited just because they didn't want to make a bay of knobs and switches that would apply to any effect to me is lazy and probably just a scam to get you to eventually buy the finally useful model down the road (like they do with automobiles).

Unfortunately this pedal does not fit many of my stated necessary criteria, such as;
-Programmable locations for your effects (which allows repeating effects, mixing and matching and generally not being stuck into a single daisy chain pedal board layout where only which effects take up each space can be specified),
-One bank of knobs/buttons/switches to adjust any specific effect (which reduces size, cost, and increases versatility by allowing a massive array of knobs per effects, letting you run crazy complex pedal sims instead of just basic ones),
-The ability to change bank with footswitches/pedals instead of having to reach down and get silly with your hands in a live performance ( when changing between two types of distortion in a single song is where your pedalboard can't but the mustard anymore, I'm 100% out...)
-And likely more that I can't tell without reading the manual, like noise reduction.

The one redeeming quality I can see for this unit is the compressor/limiter section being separate from the distortion section, which is definitely a step forward, but, for example, my amp is not a multi effects pedal and has a defeatable limiter and basic compression separate on it. That speaks volumes, i think, if your combo amp has more flexibility with effects than your multi effects pedal does.
 
POD HD500 or HD500x is very close to what you're looking for. I have owned one and am buying it again next month. Incredibly flexible unit that gives a lot of functionality for the buck.

- up to 8 effects per side in stereo. (note: this depends on what effects you're using. some are DSP-heavy and consequently limit you to using less effects. 5 at a time almost certainly won't be an issue.) you can use any effect in any order, even multiple instances of the same effect.
- a couple display modes, including one that shows bank and effect order/status
- knobs - not *quite* there (has 4 knobs, some effects have 6 parameters) but close and allows editing of all parameters on the unit (the editing software is also good for this)
- 2 buttons for bank up/down and configurable to 4 effect switches plus 4 preset switches or just 8 effect switches.
- effects can be assigned to any footswitch. actually, you can assign multiple effects to a single footswitch, and even have that footswitch turn some effects on and some off with a single press. no predetermined order. this is a major feature for me.
- built in expression pedal can be assigned to any parameter of any effect (and I think but am not sure that it can even control multiple effect parameters on a single patch)
- 8 banks of 64 patches/bank (I think, check documentation)
- pretty sure it includes all your desired effects - check the line 6 site for a full list (and their documentation includes what parameters are adjustable for that effect too). as for the tone - YMMV, maybe hit up a guitar center and try it out, or do some youtubing. for my money Line 6 effects are pretty good, if not totally perfect. like I said, I'm buying this again, so my vote is for the quality of the list
- reasonably good editing software (Mac and PC) with USB connection

you should be able to find the HD500 at 300 or less used and the HD500x at 350 or less (maybe plus shipping). new street price for HD500x is 500. I'm getting the 500X as it has better footswitches and more processing power. documentation is here: http://line6.com/support/manuals/podhd500x


Yep. you are 100% on the money, just like the guy above. You guys know what you're talking about, and this pedal is looking pretty thirsty for my input signal right about now XD. Love it, thank you for the detailed runthrough. What's your experience with the whammy *pedal on bass? I've had some trouble before with other digital units, like where they don't actually do an octave properly, have alot of warble of the dry signal through the wet and makes it sound weird, etc. That's one of my primary concerns. Also, off the cuff, does it have a real autowah? one of the primary things I want to get the unit for is for this purpose, especially if it has multiple models with a hefty editing capability. Obby.

I used to really not like the line 6 effects like back in extremely early 2000s but sometime around 2004-5 they came out hard and they've kings since. They're great now.
 
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Other than being able to manually assign the main effect footswitches, the Boss GT6B and Zoom B9.1ut pretty much tick almost all your boxes - the former, more so of the two. It has manual control knobs for most frequently needed controls, patch up and down pedals, semi-assignable footswitches and plethora of quality effects - only let down by sub-quality drive and amp sims, which you don't need anyway.

You say you are after keyboard bass. Do you mean a synth bass effect you play on the bass, or a foot controlled keyboard a la Taurus pedals. If the former, both the above units can do that - the Boss is better here IMO. But the zoom has a trick up its sleeve that allows you to play synth bass just with the foot pedals, like the Taurus pedals.

All that said. To get something that does exactly everything you want either likely does not exist, or will have a hefty price tag attached - something you don't want. So it seems have a choice - either compromise on a couple of features, or stump up the cash and go custom as it may be possible to build you 'dream' effect rig using software and a midi controller.


Thanks for your input. The effects being free from a pre-determined layout is definitely a necessity, tho. The info on keyboard bass is especially helpful, thank you.
 
hah :D hopefully you know what i mean. as in an adjustable high quality clone of a famously useful unit. and not some one knob scrub-level afterthought compression. like, those will do the job, and usually sound great, but lack of real depth and adjustability is just something there's no excuse for on a digital unit. same with there being only one compression.

DynaComp isn't a good comp, man. Knobs have little to do with the quality of an effect. Do some reading at these links, it may help you out. I may be wrong, but I don't recall anyone ever singing the praises of the compressor embedded within any of the multi-fx units.

http://www.ovnilab.com/reviews/dynacomp.shtml

http://www.ovnilab.com/reviews/toppicks.shtml

http://www.ovnilab.com/index.shtml
 
After doing some research the Line 6 M13 http://line6.com/m13/index.html seems to be pretty close to what I'm looking for (which is basically the pod HD500/x without the preamp and better pedal switching (on in one spot, off in another simultaneously with one button push. Less active things at once (4 vs 8) tho, and you can't save a "loop" to a single button press, so it really functions exactly like an old school pedal board, which is aight. No expression pedal, but capability for 2 (pretty nice) works for me too. Anyone else know of any other good finds?

Link Removed
 
I may be wrong, but I don't recall anyone ever singing the praises of the compressor embedded within any of the multi-fx units.

FWIW, a lot of people seem to like, or at least get good use out of, the "tube comp" model. OVNIlabs reviews the Line6 M13/POD models under the M13.

What's your experience with the whammy *pedal on bass? I've had some trouble before with other digital units, like where they don't actually do an octave properly, have alot of warble of the dry signal through the wet and makes it sound weird, etc. That's one of my primary concerns.

no experience - this is not an effect I've played with. I have used the polyphonic pitch shifter on guitar and it seems to do ok but bass frequencies may be handled a bit different.

Also, off the cuff, does it have a real autowah? one of the primary things I want to get the unit for is for this purpose, especially if it has multiple models with a hefty editing capability.

The "Tron Up" and "Tron Down" are Mutron models - these may serve your purpose and can get kind of funky (this kind of playing is not one of my strengths so I can't speak in depth to how funky it really is, lol).

Again, my best advice for seeing if the sounds in particular work for you would be to check their documentation, do some YouTubing, and (if possible) get to a local guitar store (or guitar center) to see if you can demo it in person.

After doing some research the Line 6 M13 http://line6.com/m13/index.html seems to be pretty close to what I'm looking for....

I traded an M13 for a POD HD500X because of the POD's added flexibility both in terms of effect switching/routing and in terms of output (XLR, USB, etc.) As you said, the effects are the same. The M13 is definitely a lot easier to just tweak as you go. If you are happy with your amp and/or DI setup, the M13 may be better for you.
 
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FWIW, a lot of people seem to like, or at least get good use out of, the "tube comp" model. OVNIlabs reviews the Line6 M13/POD models under the M13.



no experience - this is not an effect I've played with. I have used the polyphonic pitch shifter on guitar and it seems to do ok but bass frequencies may be handled a bit different.



The "Tron Up" and "Tron Down" are Mutron models - these may serve your purpose and can get kind of funky (this kind of playing is not one of my strengths so I can't speak in depth to how funky it really is, lol).

Again, my best advice for seeing if the sounds in particular work for you would be to check their documentation, do some YouTubing, and (if possible) get to a local guitar store (or guitar center) to see if you can demo it in person.



I traded an M13 for a POD HD500X because of the POD's added flexibility both in terms of effect switching/routing and in terms of output (XLR, USB, etc.) As you said, the effects are the same. The M13 is definitely a lot easier to just tweak as you go. If you are happy with your amp and/or DI setup, the M13 may be better for you.


yea, i use a sansamp, and have two other amp sims with direct out. it'll probably be eden wdti >to> loopmaster>m13 >other effects> >to> sansamp out. thanks for your help, i'm going to go check one out today or tommorow.
 

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