There is a 360 w/ 2- 361 cabs for sale locally, I believe they are asking 2K OBO. Its complete original and in good working condition. I would definitely take the 360 head in to be checked out before you power it up.
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Haha. I scored one off of the ATL CL a few years back from a fellow over in Marietta. He bought it in 69. I love that thing. I paid $1100
Misconceptions.Those amps are good on big stages not so good on small ones. They project the sound, up close they sound kind of anemic, not a lot of bottom up close. You've got to be able to get out in front of them by 10-20 feet for them to sound good, very little top end either. I would like to have one just because, I don't think I'd use it a whole lot though. They are cool looking and do remind me of a different era. Those were fairly common until SVT's came on the scene which are louder, cleaner and punchier sounding. for their day (pre SVT) they were the best for what they were supposed to do.
Misconceptions.
They sound fine up close.
They work fine on small stages.
They have much bottom and a lot of high end.
The SVT if anything is not cleaner and punchier, more wooly though.
View attachment 2769425
Misconceptions.
They sound fine up close.
They work fine on small stages.
They have much bottom and a lot of high end.
The SVT if anything is not cleaner and punchier, more wooly though.
View attachment 2769425

Just curious, did you ever gig one?Those amps are good on big stages not so good on small ones. They project the sound, up close they sound kind of anemic, not a lot of bottom up close. You've got to be able to get out in front of them by 10-20 feet for them to sound good, very little top end either. I would like to have one just because, I don't think I'd use it a whole lot though. They are cool looking and do remind me of a different era. Those were fairly common until SVT's came on the scene which are louder, cleaner and punchier sounding. for their day (pre SVT) they were the best for what they were supposed to do.
Just curious, did you ever gig one?
I dragged one around the biker bars and HI's for the better part of four years. I thought it sounded amazing both on the stage or out in the house. If I had the space and transpo for it, I'd still be gigging it.
As far as top end goes, that 361 has a guttural quality, that may or may not be to everyone's taste. I dug it. But, there was also a high end output; and when I wanted a more modern top end, I would hook up a Flite cab with 4x8" NEAR mag suspension drivers; and THAT rig had it all.
Yeah, no biggie. What you posted has been quite commonly stated by a lot of players. I just found it to be not so completely consistent with my experience.No I just tried one out at a rehearsal space once and wasn't impressed but I suppose I should have given it more of a chance.
Yeah, no biggie. What you posted has been quite commonly stated by a lot of players. I just found it to be not so completely consistent with my experience.
The folded horn is a pretty unusual design, and that cab is definitely voiced. The SVT, which I know you favor, is a far more even sounding cab. I just found the 360 voicing to fill in for what the Jazz Bass somewhat lacks, kind of fills in the holes. My feeling has always been that the SVT yin yangs with the P Bass, while the 360/361 yin yangs with the J Bass; though I also know some players do play J's through SVT's etc.
I was playing a Rick 4001 through it back then, I have heard some that sounded great though, I like this guys tone: