I was originally a bass player with a leaning towards metal, using an Ibanez EHB with Darkglass effects. Recently, I've discovered the fascination of vintage tones, especially funk or those fusion bass line. So I bought a Lakland '62 J Bass.
When I used the Ibanez, I rarely touched the tone knob, except when playing clean tones in the higher register, such as spacey solos or chords. In those instances, I would increase the blend towards the bridge pickup and set the tone knob to around 40%.
Now that I've just started using the Jazz Bass, I've noticed that I only need to roll off the tone knob to around 30% or less to achieve a sound where the predominant frequencies are around 200-400 Hz. This results in a noticeable peak on the EQ curve that doesn't sound pleasant to me. It feels abrupt, almost like having an octaver effect engaged. How can I make it sound more "mellow" and avoid having one frequency stand out so prominently that the others become inaudible?
Additionally, since it's a '62 Jazz Bass, it has a separate tone knob for each pickup (neck and bridge). This is a setup I haven't encountered before, and I'm not sure whether I should adjust the tone of the neck or bridge pickup for a more muted sound, or if I should turn down both tone knobs together. Do you have any recommended approaches for using the two-tone knobs together?
I'm using a Lakland Shoreline 44-60 (alder body, rosewood fingerboard), going into the Darkglass Hyper Luminal in BUS mode, then into the Darkglass Harmonic Booster preamp, and finally into an Ampeg 8x10 cabsim by Darkglass Element.
When I used the Ibanez, I rarely touched the tone knob, except when playing clean tones in the higher register, such as spacey solos or chords. In those instances, I would increase the blend towards the bridge pickup and set the tone knob to around 40%.
Now that I've just started using the Jazz Bass, I've noticed that I only need to roll off the tone knob to around 30% or less to achieve a sound where the predominant frequencies are around 200-400 Hz. This results in a noticeable peak on the EQ curve that doesn't sound pleasant to me. It feels abrupt, almost like having an octaver effect engaged. How can I make it sound more "mellow" and avoid having one frequency stand out so prominently that the others become inaudible?
Additionally, since it's a '62 Jazz Bass, it has a separate tone knob for each pickup (neck and bridge). This is a setup I haven't encountered before, and I'm not sure whether I should adjust the tone of the neck or bridge pickup for a more muted sound, or if I should turn down both tone knobs together. Do you have any recommended approaches for using the two-tone knobs together?
I'm using a Lakland Shoreline 44-60 (alder body, rosewood fingerboard), going into the Darkglass Hyper Luminal in BUS mode, then into the Darkglass Harmonic Booster preamp, and finally into an Ampeg 8x10 cabsim by Darkglass Element.
really? IME: a J-bass = two volume knobs (one for each pickup) and one tone knob. is yours different? TIA