Thanks everyone for a lot to consider! My weekend was a lot busier than expected - sorry for the delay in getting back.
I forgot to mention I'm running into a Markbass Little Mark 250 + 2 1x15" Cabs by the way.
The PJ seems really nice. How are the feel and neck stability in the MetroExpress line?
Would the Modern need a PU swap to sound close to a P? PU placement seems a bit bridge-inclined.
I forgot to mention I'm running into a Markbass Little Mark 250 + 2 1x15" Cabs by the way.
I'd suggest you check out Lakland Skylines
I'd love to try a Skyline. All I can seem to find around seem to only have Humbuckers and/or Single-Coil PUs - are there any with Splits, or do you think they can have a similar sound?Lakland Skyline 55-01 or 55-02 fit all your criteria.
Sadowsky
I's also love to try a Sadowsky. Uncertain about 34" scale.Sadowsky metroexpress modern 24, has the option to go passive with a pull of the treble knob
The PJ seems really nice. How are the feel and neck stability in the MetroExpress line?
Would the Modern need a PU swap to sound close to a P? PU placement seems a bit bridge-inclined.
Thanks for the encouragement - what 5er ended up working best for you?I'll not assume the 5er that works for me will work for you.
I can say it took me a while to find a 5 string that works best for my need.
I cycled through four basses to get to the one I'm now really pleased with.
Just encouraging you to try some, be patient, keep notes on what works and what doesn't. Your first try might be a good step but not necessarily the end of the journey.
Good luck!
Open to modding, but I think I'd prefer to get a bass with a neck designed for wider bridge spacing. I'll check out the MTD Z5 (with split-coils) - adding active/passive electronics seems doable, though it makes it tough to gauge tone before committing.If you intend to mod the bass, most great bridges are adjustable.
Note that, if memory serves, the BTB has an asymmetrical neck. So MTD’s would be on your list, and the spacing should be along the lines of what you are after.
I've tried a Sterling Stingray 5 and it did feel a bit too tight for me.Just curious. Have you tried a Music Man StingRay? I know you said you like 18-19 mm spacing and StingRays are 17.5mm
Schecter's string spacing is 16.5-17mm, right? The CV-5 seems to be at least, from the thread I was able to find. Very appealing otherwise.An additional consideration is Schecter. Their 5-stringers are 35'' as standard. Here are 3 passive Shecter's that I think could cop a P tone:
Model-T 5 Exotic: It's a PJ, but has VVT, rather than blend. Very heavy.
CV-5: HH pickups, but with 3-way selector and Series-Split-Parallel per pickup. Surely versatile, I want to try this.
P-5: It's 'just' a P, but 5-string 35''.
For a curveball BTB, see if you can try one of the multi-scale BTBs. My sound guy just yesterday told me, "This one. But I can't tell you why". Those Ibanez T1 pickups are no slouches, very hot, might be a little closer to the P sound.
I'll check out the BTB with T1s, but I'm not sure if I'm ready for multi-scale. I've tried a couple and while I think I could get used to them, I worry it would mess with my intonation/muscle memory for fretless and DB.i go with multi scale for 5 string bass choice ~ Ibanez SRMS725.
35''
So, I highly recommend 35" scale. That extra inch gives some added tightness to the low B, better sound. ( Would love to try a 36".)
I do think I'd prefer a 35" scale. One thing I liked about the BTB1935 was the 35".B string ? 35.5 scale are ok for me.
Very interesting, I'll have to check those out if I can get my hands on one, a BB1025X if possible.I'd recommend a Yamaha BB425X or BB1025X.
I hope I can try one someday. How thumpy can it sound? Its range of tones is impressive, but I wonder if I'll find it sounds too modern.You will likely have to wait one out now that G&L is closed, but if you are lucky enough you can find a G&L CLF L-2500 Series 750. It checks off all of your requirements, even the string spacing.
Well if you liked the BTB.... get that one. They are great basses and don't look the same as "all the other ones".
The BTB sounds like it checks the most boxes. I'd argue that it's a good thing to have a different tone and vibe between instruments, otherwise you'll have two which are so similar one might end up always sitting on the stand because it doesn't offer enough to pick it over the other.
Get this, for the simple reason I want the 1906, have no spare cash, and I can live vicariously through you.
Thanks for the votes of confidence. I'd like to try some of these other suggestions before deciding, but it's a strong benchmark for sure!My hat is in the ring for Ibanez BTB, fully biased though.
Last edited: