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Affordable Mic For Bass Cab?

I currently have an SM57 that I've been using to record my guitar cab. Was hoping to grab a different microphone for the bass cab, while also giving me another flavor for guitar cab mic'ing for use when double tracking (give a little more separation between left and right in the mix).
 
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If you can find a used Peavey PVM 520, it’s a great mic for bass cabs.

Most mics designed for kick are going to have too much built-in EQ (they’re typically mid-scooped) to represent a bass cab accurately

The Audix D4 is another good choice - good mix of LF extension and clarity
 
Have you tried the PF-20T's DI(s) before looking for an inexpensive mic?

- John
I'm taking a clean DI feed off my Sansamp BDDI's parallel output, straight into recording interface. I'd like to mic up the cab to blend with the DI in my DAW. I usually low-pass the DI around 300 Hz and then use the cab mic for higher frequencies.
 
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I'm taking a clean DI feed off my Sansamp BDDI's parallel output, straight into recording interface. I'd like to mic up the cab to blend with the DI in my DAW. I usually high-pass the DI around 300 Hz and then use the cab mic for higher frequencies.
I think you mean low pass the DI. Otherwise you would be doubling up on highs and all the lows would be off the mic.
 
My budget is around $100.
The ATM-25, 250 and E-609 all fall around $100 used , the ATM 25 a little more, the ATM-250 right about and the E-609 a little less. The 421 of course is considerably more.

You might also give the E-604 a try, though I find that this mic works better for bass mic's a little farther away. For recording levels it won't matter.

These are all different flavors that are fairly neutral and forgiving. I used the ATM-25's and 421's on the road for years with excellent results.
 
I'm taking a clean DI feed off my Sansamp BDDI's parallel output, straight into recording interface. I'd like to mic up the cab to blend with the DI in my DAW. I usually low-pass the DI around 300 Hz and then use the cab mic for higher frequencies.

There's a gazillion things to consider with Mic + DI
Here's a good article: Better Bass

Your best bet is likely to be get a good DI track, then go back and re-amp, plugins, etc to tune the tone in the mix.
 
I don't reamp or use plugins. Waste of my time, IMHO. I get track recorded and then all I need is a couple compressors and some subtractive EQ. I'm not one of those surgical OCD guys. At least, not anymore. :thumbsup:
Good for you! I totally agree. Cut it right the first time. And always remember that no matter how much an engineer says he'll add something in post to the bass, they never do.
 

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