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True - people “in the know” snapped up a lot of the PVM 520s when they could be had for $50...same story with the ATM25.I think that's gonna be the key: "If you can find..."
Seems like it's gonna be searching for a needle in a haystack.![]()
D4 looks like it could be good. I'd say between that and the AKG P2, those are your best bets for low budget mics good for bass.True - people “in the know” snapped up a lot of the PVM 520s when they could be had for $50...same story with the ATM25.
OP might just need to see what used mics are available in his budget and then research what would work best for mic’ing his cab.
Guitar Center’s used listings and Music Go Round’s website are good resources - and as lately as yesterday, both have used Audix D4’s for less than $100
Slight correction...P2 is a dynamic, not condenser...no phantom power needed. The EV mics are awesome but pretty expensive, and the D112 is a much better bass drum mic than a bass mic, unless you're a fan of mid scoops.You can buy a mic for $100 that will work well. If I was looking for that, I would go with either a large diaphragm condenser (like the AKG P2 someone mentioned) or a large diaphragm dynamic (like an AKG D112, EV RE 20, RE 320). There is a noticeable difference between a large diaphragm mic and a mid or small diaphragm mic for bass.
The D112 (for live applications) isn't a great kick drum mic either IMO. It's so heavily voiced and under-damped that while flattering under some conditions is quite unusable under others.Slight correction...P2 is a dynamic, not condenser...no phantom power needed. The EV mics are awesome but pretty expensive, and the D112 is a much better bass drum mic than a bass mic, unless you're a fan of mid scoops.
Not going to argue that by any means.The D112 (for live applications) isn't a great kick drum mic either IMO. It's so heavily voiced and under-damped that while flattering under some conditions is quite unusable under others.
Slight correction...P2 is a dynamic, not condenser...no phantom power needed. The EV mics are awesome but pretty expensive, and the D112 is a much better bass drum mic than a bass mic, unless you're a fan of mid scoops.
Mud, is how I describe them. If you want any click / snap out of a kick, a D112 isn't the mic for you.The D112 (for live applications) isn't a great kick drum mic either IMO. It's so heavily voiced and under-damped that while flattering under some conditions is quite unusable under others.
You have fine tastes, but a 414 isn't in the $100 price range.If I ever use a mic, I use an AKG C414B-XLS.
Mud, is how I describe them. If you want any click / snap out of a kick, a D112 isn't the mic for you.
less expensive than an sm 57?!SM57 or a TSM 411 Very similar to the 57 but less expensive![]()
You have fine tastes, but a 414 isn't in the $100 price range.