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Aguilar AG700 vs Mesa WD800

What would you buy?

  • Mesa WD800

    Votes: 29 74.4%
  • Aguilar AG700

    Votes: 10 25.6%

  • Total voters
    39
  • Poll closed .
Like a lot of bassists on here, I am considering the AG700 or the Mesa/Boogie Subway 800+. Yes, the Mesa Boogie comes with the bag and has a 5-year warranty. BUT, what's been your experience with the AG700? What cab(s) do you use? How often do you play? Have you had any problems with the AG700? What type of music is it "best" for? I am a 2x15 cab guy and therefore, looking at the SL115 (pair). I am a blues rock-improv guy. The needle from this thread points to the Mesa because you get another 100 watts, a bag, and a 5-year warranty. I welcome any insights on your experience with the AG700. Thanks in advance, Bill

Hi Bill, I've owned my AG700 since just after they came out (8 years?). I bought it from the first owner, who had it for 2 weeks. Mostly I put it through Barefaced 112 cabs. I've done hundreds of gigs, large and small, in every style from Blues bands to Originals and folk/Americana, top 40 covers to Soul and Disco. From stupidly loud to a whisper, for home practice. I use either a Lull PJ5 or a Sadowsky Jazz 5 and find that the controls at 12 o'clock with maybe pushing either the treble or the bass to 12.30 covers most of the ground. I don't use any pedals and go for a "middle of the road" sound, think Duck Dunn, Nathan East, Reggie McBride and Bob Babbitt territory. Aguilar are very conservative with their ratings. Even in the loudest band I've never pushed the Master beyond 1 o'clock. Sorry, don't know what rock-improv is but if I was asked to do it I'd take the AG700. I've done 4 hour gigs in Summer and this amp has never faltered, hardly gets warm. They might be out there, but I have no ambition to find a better amp.
 
Hi Bill, I've owned my AG700 since just after they came out (8 years?). I bought it from the first owner, who had it for 2 weeks. Mostly I put it through Barefaced 112 cabs. I've done hundreds of gigs, large and small, in every style from Blues bands to Originals and folk/Americana, top 40 covers to Soul and Disco. From stupidly loud to a whisper, for home practice. I use either a Lull PJ5 or a Sadowsky Jazz 5 and find that the controls at 12 o'clock with maybe pushing either the treble or the bass to 12.30 covers most of the ground. I don't use any pedals and go for a "middle of the road" sound, think Duck Dunn, Nathan East, Reggie McBride and Bob Babbitt territory. Aguilar are very conservative with their ratings. Even in the loudest band I've never pushed the Master beyond 1 o'clock. Sorry, don't know what rock-improv is but if I was asked to do it I'd take the AG700. I've done 4 hour gigs in Summer and this amp has never faltered, hardly gets warm. They might be out there, but I have no ambition to find a better amp.
Thanks so much for your insights! Your time and thoughts are greatly appreciated. -Bill
 
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Like a lot of bassists on here, I am considering the AG700 or the Mesa/Boogie Subway 800+. Yes, the Mesa Boogie comes with the bag and has a 5-year warranty. BUT, what's been your experience with the AG700? What cab(s) do you use? How often do you play? Have you had any problems with the AG700? What type of music is it "best" for? I am a 2x15 cab guy and therefore, looking at the SL115 (pair). I am a blues rock-improv guy. The needle from this thread points to the Mesa because you get another 100 watts, a bag, and a 5-year warranty. I welcome any insights on your experience with the AG700. Thanks in advance, Bill

I don’t have a ton of experience with the Mesa stuff unfortunately, but I will say that I’ve been through a ton of heads (Ampeg, GK, Quilter, TH700, Carvin, etc.) and the AG700 has been the absolute best I’ve played so far. It’s clean, but meaty. Quick, but with heft.
 
I've had a number of heads including aggies. I found a great one in my WD800. I love that it has a dial-in option for damping, high pass filter and tons of other goodies. You can get a nice tubey sound with damping (low). high pass @ 9 PM, gain @ 3PM to nicely heat that pre-amp tube. I love this head.. you will not regret it ..
So the question becomes...MB Subway 800+ or the WD800?
 
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Why the WD800 over the Subway 800+? Is one amp more suited to a certain genre than than the other? Thank you, Bill
There are many comparisons between different Mesa Subway heads in the amps forum here if you search as a number of people have owned both.
Short version from my perspective: IMO unless you are looking for heavy distortion tone all the time then both amps can fit most genres reasonably. The WD has a tube preamp and a voicing derived from the discontinued Mesa Walkabout. It has a very midrange-complex tube-like tone but with a lot of clarity (unlike many tube-voiced heads). The D-800+ is all solid-state and leans a bit more modern or neutral. That said, both amps have pretty powerful EQ sections that can get them into similar territories. If you have very specific EQ needs, the WD might suit you better as it has 3 bands of semi-parametric EQ alongside a more traditional Bass and Treble shelving controls and a unique passive Midrange- I rarely touch the semi-parametric EQ bands on my WD or Walkabout though and they still sound fantastic. The D-800+ on the other hand has powerful voicing controls that the WD lacks. You'd really have to try both to know what is best for you, though you can't really go wrong with either.
 
Why the WD800 over the Subway 800+? Is one amp more suited to a certain genre than than the other? Thank you, Bill
The 800 Plus was a good amp and I am sorry that I sold it. I have 10 Bass amps so I sold it. Then I did some research on the WD 800, and it sounded like a better fit for me. I bought a WD 800 from Guitar Center because of their great return policy. I traded a Markbass Big Bang (Great amp), and Epiphani Piccolo 555 that had the factory upgrade to 1000 watts. I only had to pay a couple hundred difference. The WD 800 is a special amp. Very tube like.