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Aguilar DB751 - worth it?

I tried this 751 with my fEARful 1515/66 at a San Diego store. It was a beautiful, muscular tone. I did not buy the head yet because I have a DB 680. I'd use a 751 because it's plug and play. But this combination would probably cover any type of music. I doubt I'll find another head that will sound as great as this one.

Who carried the 1515/66 up the stairs?
 
I currently have a Mesa Carbine M6 & Berg NV412
I play blues, country & classic rock using mostly Fender basses.
Any thoughts on how the 751 would compare for me??
Am I having just another meaningless GAS attack or would there be a noticeable difference & justifiable reason to switch?
Thx

Like others have posted, the m6 (which I so tried to dig) is lacking, seriously lacking on the low mid dept and way over the top in the high mids. The DB750 kills in the low mids - which imho is critical for bass amps.

to the OP - the 750/751 are amazing amps, the 750 replaced my well loved Thunderfunk 750 as my take no prisoners amp. That said I have found at more than one gig the DB750 is like using an ICBM for a fly swatter, effective - sure, but the collateral damage is somewhat severe. At gigs like this I'm glad I brought along the shuttle 9. My band mates, btw, love the tone I get with the 750 through a stack of GS112's - bass nirvana.
 
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I've been running my recently acquired rig of a DB750 through a fEARful 1515/66/1 from barry audio. This rig is MONSTROUS.

The head has great response. Tube warmth is dictated by the gain setting and every knob functions the way I want it to.

The head pushes the cab great. It's rated at 750, but the thing roars through the fEARful. I also ran the db750 through my Eden 410XLT at home while practicing and with the gain set the way I like the master was hardly on and the 410 was almost too loud for practicing at home lol.

I think they make for a great pair
 
At practice my guitard player is EXTREMELY loud. With this rig I hardly have to try and I can find the perfect volume with my bass no matter how obnoxious he wants to be. With the fEARful, I don't have to be scared of boosting the bass to get oomph, because the 15"s handle it amazingly. Everywhere in the practice room my rig sounds the same.. ie. Full

I have an outdoor Festival gig this Saturday and can't wait to see how it handles the show :)
 
+1

For way less coin and weight you could pick up [Invalid or Expired Link Removed] and a light weight power amp. Would give you just as much power, more flexibility, cost less, weight less, and unless you are playing at a crazy volume it will cop a similar vibe.

True about way less coin, but I have a DB750, as well as a tonehammer pre + crown xls2500... and they don't sound very related.. the TH/Crown combo is anemic in comparison, and the tone controls don't sound the same (With its mid-sweep knob and overdrive circuit, the TH pre is far more versatile).

It's easy to point to the tube pre section in the DB750/51 as the defining characteristic, but I really suspect that the heavy torroidal tranny+mosfets power stage on the 750/51 is what really sets these 2 amps apart from the newer lightweights designed with same tone goals.

Regardless, if you want a DB750 tone for less weight & price, I'd suggest auditioning a GB Shuttle 9.0 or even a TH500 before going the TH pre + light weight power amp route.
 
Aguilar made some very nice pres with a lot of tweekability.. And you could always couple that with a high output power amp..

As far as heads go I like to set it and forget it.. and any tweaking I can do on the onboard preamp of my bass.
 
.It's easy to point to the tube pre section in the DB750/51 as the defining characteristic, but I really suspect that the heavy torroidal tranny+mosfets power stage on the 750/51 is what really sets these 2 amps apart from the newer lightweights designed with same tone goals.

My experiences with the old heavyweights and the new lightweights have led me to conclude that this is true.
 
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Any more DB 750/751 with the fEARFul opinions and reports? I really want to try it out with my 15/6+12/6/1 stack. I have a P bass, and a 5 string Smith which the latter I'm having a hard time finding a decent tone in my ears using a Carvin BX 1500.

In a loud rock band, with a DB 750 and a fEarful 15/6(tube), I haven't yet had an excuse to also bring along my 12/6/1 to our regular small club shows. Unless we do something outdoor, it would be purely for the visual image of having a big stack behind me (I've actually considered doing this, and just running the 12/6/1 top).

While some might argue that a fEarful and a DB 750 are at odds from a tone-goal perspective, I've found that they are like chocolate and peanut butter. Specifically, the sometimes harsh, edgy sounding 18-sound mid driver is tamed by the built-in, tube-like, upper-mid warmth of the Aggie. And the responsive, neutral, transparent aspect of the fEarful cab make the very subtle, "One tone to rule them All" preamp controls more versatile.
 
While some might argue that a fEarful and a DB 750 are at odds from a tone-goal perspective, I've found that they are like chocolate and peanut butter. Specifically, the sometimes harsh, edgy sounding 18-sound mid driver is tamed by the built-in, tube-like, upper-mid warmth of the Aggie. And the responsive, neutral, transparent aspect of the fEarful cab make the very subtle, "One tone to rule them All" preamp controls more versatile.

+1
 

+2 on that. I have not heard that combination, but the description makes sense from my experience with both those pieces of gear.

I have a similar, if more girly man, vibe going with my TH500 and the Thunderchild TC115.... lots of fat and warm with the head, and very clean/accurate with the cab. Nice yin yang to that, resulting in a lot of output from a relatively small rig.
 
Old thread I I know, but having owned and gigged a 751 for a few months now I must say that I am absolutely sold on it. I know some consider the weight a negative, but having come from various svts and a Fender Super Bassman it is considerably lighter - and I am in my sixties. I bought a lightweight rack case for it after realizing the Aguilar case was exceptionally heavy. Many pluses for me with this head: it goes incredibly loud but stays clean and also sounds great quiet which is not always the case, the DI is hands down the best I have heard built into an amp and the tone controls - while basic (a plus to my mind) - are very versatile. A little goes a long way on the eq side and I am still getting used to this versatility, the amp does have a characteristic punch but it is never offensive and can sit in the mix nicely. I think (hope) it makes me play better as there is no way I can just be a background toneless boom with this head and a Barefaced Four 10 cab. I am an all-tube head addict from way back and this is the first hybrid or solid state head that does not have me running back to my trusty Orange, Ampeg or Fender.
 
Like others have posted, the m6 (which I so tried to dig) is lacking, seriously lacking on the low mid dept and way over the top in the high mids. The DB750 kills in the low mids - which imho is critical for bass amps.

to the OP - the 750/751 are amazing amps, the 750 replaced my well loved Thunderfunk 750 as my take no prisoners amp. That said I have found at more than one gig the DB750 is like using an ICBM for a fly swatter, effective - sure, but the collateral damage is somewhat severe. At gigs like this I'm glad I brought along the shuttle 9. My band mates, btw, love the tone I get with the 750 through a stack of GS112's - bass nirvana.
Weight matters
 
Great bass amp! I used to have the DB750, sold it for three reasons: Weight, limited EQ and high maintenance.

After several years, I've come full circle the weight issue: I tried all the lightweight alternatives and have now come back around, am now using an even heavier amp than the 750! (A Crest CA9). C'est la vie... the weight is a small price to pay for incredible tone.

As to the high maintenance issue, it was really all about the tubes; I grew tired of having to frequently diagnose and swap out glitchy tubes. In all other ways, the DB750 was rock solid.

'Limited EQ' (my choice of words) is completely a matter of perspective and personal preference. I myself wanted more, but for many players the classic "bass, mid and treble' are more than enough. And I have to say that the Aggy EQ is well thought out - I especially like the voicing of the treble control.

IMHO, the DB 750 is still one of the best bass amps ever made.
And one of the heaviest at 46lbs weight matters