• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Ambient/Post-Rock/Textural bass playing thread

So we started about putting some more synthy elements in some of our songs and sort of trying to build some more ambience/weird into some parts of our stuff... And well. Frustration aside, I really hate messing around with midi stuff. LOL.

I'm really thinking about modding one of my lofi noise boxes accept a cv input or otherwise stabilize and calibrate the lfo a bit more so we can just use that instead of screwing around with midi... I'll have to play with the midi stuff more but omg
Ah yes....midi....the ultimate wall punching data protocol!!!!!
 
It has an "event horizon" knob.

:nailbiting:

Where we're going, we won't need eyes to see...

?u=https%3A%2F%2Fm0.joe.co.uk%2Fwp-content%2Fuploads%2F2017%2F08%2F20190735%2FHorizonGif.gif
 
hmm.

serious question:

besides the sorta gee whiz factor of a pedal like that can you actually hear yourself using it?

it may be because of musical biases on my part, but i thought mostof the sounds he used wouldn't work for me in a musical setting.

opinions?

No. Most amazingly weird pedals aren't that interesting to me. Even granular stuff doesn't light my fire. That said, this Cooper pedal has my ear.
Outward.
 
About these fancy glitch pedals and so on: there is an awful lot of great gear on the market these days so I am guessing everyone wants to out-gadget each other to try and get an edge, resulting in expensive, complicated effects with lots of knobs and steep learning curves, with more features than you'll ever remember to even try. With digital signal processing these days they can make these machines do any crazy stuff you can imagine. The granular stuff probably would've been impossible with 70s technology, short of a machine the size of a Fairlight CMI I'm guessing.

I love this stuff, but I can't afford every cool pedal that shows up and even if I could I don't have the time to learn how to use them. Some of them seem to so thoroughly disconnect what your hands are doing on your instrument with the sound that comes out of the speaker that I question if I could even credit myself for the music I record with them anyway.

So I allow myself the luxury of a crazy pedal now and then, but I know I will only be happy with the ones that allow me to feel like I'm making music without cheating too much. I still love synth pedals, and sure I will have one of these cool granular effects one day, but I feel like you can go a long way in creating spacy music on your bass with more traditional effects such as reverb and delay and octave and flanger and so on.

ETA: The Fairlight CMI Fairlight CMI - Wikipedia
.
.
.
 
  • Like
Reactions: ugly_bassplayer

Latest posts